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Basil Vendryes|Three Centuries of Russian Viola Sonatas

Three Centuries of Russian Viola Sonatas

Basil Vendryes, William David

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Idioma disponible: inglés

The Russian viola sonata is a rare bird, not least because the instrument itself was frowned upon by the Soviet authorities; as a result Russian music for the viola has a rather patchy history. It begins in earnest in 1931, when the 1825 Sonata by Mikhail Glinka, "the father of Russian music", was reconstructed from his sketches by Vadim Borisovsky, "the father of the Russian viola". Thereafter, musicians and composers worked together to expand the repertoire. The relationship between the composer Revol Bunin and the violist Rudolf Barshai resulted in a sonata of 1955 which deserves wider currency. Although half a century apart, the Shebalin and Sokolov sonatas have something unusual in common: both were created as part of a triptych, alongside sonatas for violin and cello. All four composers knew how to make the viola sing – though this lyricism is often animated by moments of drama and excitement. © Toccata Classics

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Three Centuries of Russian Viola Sonatas

Basil Vendryes

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Viola Sonata in D Minor (Ed. V. Borisovsky) (Mikhail Glinka)

1
I. Allegro moderato
00:09:20

William David, Artist, MainArtist - Mikhail Glinka, Composer - Basil Vendryes, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

2
II. Larghetto, ma non troppo
00:07:42

William David, Artist, MainArtist - Mikhail Glinka, Composer - Basil Vendryes, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

Viola Sonata in D Minor, Op. 26 (Revol Bunin)

3
I. Allegro appassionato
00:09:24

William David, Artist, MainArtist - Revol Bunin, Composer - Basil Vendryes, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

4
II. Andantino semplice
00:05:32

William David, Artist, MainArtist - Revol Bunin, Composer - Basil Vendryes, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

5
III. Sostenuto - Allegro spirituoso
00:06:02

William David, Artist, MainArtist - Revol Bunin, Composer - Basil Vendryes, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

Viola Sonata (Ivan Sokolov)

6
I. Allegro moderato
00:05:37

William David, Artist, MainArtist - Ivan Sokolov, Composer - Basil Vendryes, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

7
II. Andante
00:02:18

William David, Artist, MainArtist - Ivan Sokolov, Composer - Basil Vendryes, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

8
III. Allegro
00:01:12

William David, Artist, MainArtist - Ivan Sokolov, Composer - Basil Vendryes, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

9
IV. A tempo (Lugubre)
00:02:54

William David, Artist, MainArtist - Ivan Sokolov, Composer - Basil Vendryes, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

Viola Sonata in F Minor, Op. 51 No. 2 (Vissarion Yakovlevich Shebalin)

10
I. Con libertà - Allegro
00:07:43

William David, Artist, MainArtist - Vissarion Shebalin, Composer - Basil Vendryes, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

11
II. Andante con moto
00:04:57

William David, Artist, MainArtist - Vissarion Shebalin, Composer - Basil Vendryes, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

12
III. Allegro assai
00:06:50

William David, Artist, MainArtist - Vissarion Shebalin, Composer - Basil Vendryes, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

Presentación del Álbum

The Russian viola sonata is a rare bird, not least because the instrument itself was frowned upon by the Soviet authorities; as a result Russian music for the viola has a rather patchy history. It begins in earnest in 1931, when the 1825 Sonata by Mikhail Glinka, "the father of Russian music", was reconstructed from his sketches by Vadim Borisovsky, "the father of the Russian viola". Thereafter, musicians and composers worked together to expand the repertoire. The relationship between the composer Revol Bunin and the violist Rudolf Barshai resulted in a sonata of 1955 which deserves wider currency. Although half a century apart, the Shebalin and Sokolov sonatas have something unusual in common: both were created as part of a triptych, alongside sonatas for violin and cello. All four composers knew how to make the viola sing – though this lyricism is often animated by moments of drama and excitement. © Toccata Classics

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