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Jonny Greenwood|There Will Be Blood (Music from the Motion Picture)

There Will Be Blood (Music from the Motion Picture)

Jonny Greenwood

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Paul Thomas Anderson's fifth film, There Will Be Blood, is too monumental and odd to not provoke sharply divided opinions, but all reviews, from raves to revulsion, agree on two points: Daniel Day Lewis' performance as oilman Daniel Plainview is astonishing, and Jonny Greenwood's score is extraordinary. Lewis dominates the film, appearing in all but one scene, and Greenwood's music is used far more sparingly, yet it's no less indelible. From the moment the film opens to a spare, unrelenting Californian landscape, Greenwood's tense, coiled score mirrors the eerie emotional undercurrent to the film, pulling suppressed feelings to the surface, often with an almost operatic sense of drama. This is grand music, but it's also controlled, unleashing its furious clashes of dissonance with precision. Greenwood has demonstrated such mastery of mood as the guitarist within Radiohead, but There Will Be Blood is superficially far removed from that band's restless experiments with electronic music. There are no electric instruments here at all -- this is all orchestral music, created on instruments that were available at the film's setting of the beginning of the twentieth century, yet Greenwood doesn't attempt to re-create turn-of-the-century mores: he writes music that taps into the rotten heart of Daniel Plainview. This is magnificently unsettling music, whether it's used within the film or heard on its own terms; either way, it's impossible to forget after it's been heard.

© TiVo

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There Will Be Blood (Music from the Motion Picture)

Jonny Greenwood

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1
Open Spaces
00:03:55

Robert Ziegler, Conductor - Simon Rhodes, Engineer - Jonny Greenwood, Composer, MainArtist - Graeme Stewart, Producer, Mixer - BBC Concert Orchestra, Orchestra

© 2018 Nonesuch Records Inc. ℗ 2007 Paramount Vantage, A Division of Paramount Pictures, for the U.S. and Canada, and Miramax Film Corp. for the world excluding the U.S. and Canada under exclusive license for Nonesuch Records Inc.

2
Future Markets
00:02:42

Robert Ziegler, Conductor - Simon Rhodes, Engineer - Jonny Greenwood, Composer, MainArtist - Graeme Stewart, Producer, Mixer - BBC Concert Orchestra, Orchestra

© 2018 Nonesuch Records Inc. ℗ 2007 Paramount Vantage, A Division of Paramount Pictures, for the U.S. and Canada, and Miramax Film Corp. for the world excluding the U.S. and Canada under exclusive license for Nonesuch Records Inc.

3
Prospectors Arrive
00:04:36

Martin Burgess, Violin - Simon Rhodes, Engineer - Caroline Dale, Cello - Jonny Greenwood, Composer, MainArtist - Graeme Stewart, Producer, Mixer - Michael Dussek, Piano

© 2018 Nonesuch Records Inc. ℗ 2007 Paramount Vantage, A Division of Paramount Pictures, for the U.S. and Canada, and Miramax Film Corp. for the world excluding the U.S. and Canada under exclusive license for Nonesuch Records Inc.

4
Eat Him By His Own Light
00:02:40

Martin Burgess, Violin - Simon Rhodes, Engineer - Caroline Dale, Cello - Jonny Greenwood, Composer, MainArtist - Graeme Stewart, Producer, Mixer - Michael Dussek, Piano

© 2018 Nonesuch Records Inc. ℗ 2007 Paramount Vantage, A Division of Paramount Pictures, for the U.S. and Canada, and Miramax Film Corp. for the world excluding the U.S. and Canada under exclusive license for Nonesuch Records Inc.

5
Henry Plainview
00:04:15

Robert Ziegler, Conductor - Simon Rhodes, Engineer - Jonny Greenwood, Composer, MainArtist - Graeme Stewart, Producer, Mixer - BBC Concert Orchestra, Orchestra

© 2018 Nonesuch Records Inc. ℗ 2007 Paramount Vantage, A Division of Paramount Pictures, for the U.S. and Canada, and Miramax Film Corp. for the world excluding the U.S. and Canada under exclusive license for Nonesuch Records Inc.

6
There Will Be Blood
00:02:05

Robert Ziegler, Conductor - Simon Rhodes, Engineer - Jonny Greenwood, Composer, MainArtist - Graeme Stewart, Producer, Mixer - BBC Concert Orchestra, Orchestra

© 2018 Nonesuch Records Inc. ℗ 2007 Paramount Vantage, A Division of Paramount Pictures, for the U.S. and Canada, and Miramax Film Corp. for the world excluding the U.S. and Canada under exclusive license for Nonesuch Records Inc.

7
Oil
00:03:05

Clare Hayes, Violin - Martin Burgess, Violin - Fiona Bonds, Viola - Simon Rhodes, Engineer - Jonny Greenwood, Composer, MainArtist - Graeme Stewart, Producer, Mixer - William Schofield, Cello - Emperor Quartet, Ensemble

© 2018 Nonesuch Records Inc. ℗ 2007 Paramount Vantage, A Division of Paramount Pictures, for the U.S. and Canada, and Miramax Film Corp. for the world excluding the U.S. and Canada under exclusive license for Nonesuch Records Inc.

8
Proven Lands (Intro)
00:02:54

Robert Ziegler, Conductor - Simon Rhodes, Engineer - Jonny Greenwood, Composer, MainArtist - Graeme Stewart, Producer, Mixer - BBC Concert Orchestra, Orchestra

© 2018 Nonesuch Records Inc. ℗ 2007 Paramount Vantage, A Division of Paramount Pictures, for the U.S. and Canada, and Miramax Film Corp. for the world excluding the U.S. and Canada under exclusive license for Nonesuch Records Inc.

9
Proven Lands
00:01:52

Robert Ziegler, Conductor - Simon Rhodes, Engineer - Jonny Greenwood, Composer, MainArtist - Graeme Stewart, Producer, Mixer - BBC Concert Orchestra, Orchestra

© 2018 Nonesuch Records Inc. ℗ 2007 Paramount Vantage, A Division of Paramount Pictures, for the U.S. and Canada, and Miramax Film Corp. for the world excluding the U.S. and Canada under exclusive license for Nonesuch Records Inc.

10
HW / Hope of New Fields
00:02:29

Clare Hayes, Violin - Martin Burgess, Violin - Fiona Bonds, Viola - Simon Rhodes, Engineer - Jonny Greenwood, Composer, MainArtist - Graeme Stewart, Producer, Mixer - William Schofield, Cello - Emperor Quartet, Ensemble

© 2018 Nonesuch Records Inc. ℗ 2007 Paramount Vantage, A Division of Paramount Pictures, for the U.S. and Canada, and Miramax Film Corp. for the world excluding the U.S. and Canada under exclusive license for Nonesuch Records Inc.

11
Stranded the Line
00:02:20

Clare Hayes, Violin - Martin Burgess, Violin - Fiona Bonds, Viola - Simon Rhodes, Engineer - Jonny Greenwood, Composer, MainArtist - Graeme Stewart, Producer, Mixer - William Schofield, Cello - Emperor Quartet, Ensemble

© 2018 Nonesuch Records Inc. ℗ 2007 Paramount Vantage, A Division of Paramount Pictures, for the U.S. and Canada, and Miramax Film Corp. for the world excluding the U.S. and Canada under exclusive license for Nonesuch Records Inc.

12
Prospector's Quartet
00:02:56

Clare Hayes, Violin - Martin Burgess, Violin - Fiona Bonds, Viola - Simon Rhodes, Engineer - Jonny Greenwood, Composer, MainArtist - Graeme Stewart, Producer, Mixer - William Schofield, Cello - Emperor Quartet, Ensemble

© 2018 Nonesuch Records Inc. ℗ 2007 Paramount Vantage, A Division of Paramount Pictures, for the U.S. and Canada, and Miramax Film Corp. for the world excluding the U.S. and Canada under exclusive license for Nonesuch Records Inc.

13
De-Tuned Quartet
00:02:50

Clare Hayes, Violin - Martin Burgess, Violin - Fiona Bonds, Viola - Simon Rhodes, Engineer - Jonny Greenwood, Composer, MainArtist - Graeme Stewart, Producer, Mixer - William Schofield, Cello - Emperor Quartet, Ensemble

© 2018 Nonesuch Records Inc. ℗ 2007 Paramount Vantage, A Division of Paramount Pictures, for the U.S. and Canada, and Miramax Film Corp. for the world excluding the U.S. and Canada under exclusive license for Nonesuch Records Inc.

Presentación del Álbum

Paul Thomas Anderson's fifth film, There Will Be Blood, is too monumental and odd to not provoke sharply divided opinions, but all reviews, from raves to revulsion, agree on two points: Daniel Day Lewis' performance as oilman Daniel Plainview is astonishing, and Jonny Greenwood's score is extraordinary. Lewis dominates the film, appearing in all but one scene, and Greenwood's music is used far more sparingly, yet it's no less indelible. From the moment the film opens to a spare, unrelenting Californian landscape, Greenwood's tense, coiled score mirrors the eerie emotional undercurrent to the film, pulling suppressed feelings to the surface, often with an almost operatic sense of drama. This is grand music, but it's also controlled, unleashing its furious clashes of dissonance with precision. Greenwood has demonstrated such mastery of mood as the guitarist within Radiohead, but There Will Be Blood is superficially far removed from that band's restless experiments with electronic music. There are no electric instruments here at all -- this is all orchestral music, created on instruments that were available at the film's setting of the beginning of the twentieth century, yet Greenwood doesn't attempt to re-create turn-of-the-century mores: he writes music that taps into the rotten heart of Daniel Plainview. This is magnificently unsettling music, whether it's used within the film or heard on its own terms; either way, it's impossible to forget after it's been heard.

© TiVo

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