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Fount & Origin|The Sword & the Lily: 15th-Century Polyphony for Judgement Day

The Sword & the Lily: 15th-Century Polyphony for Judgement Day

Fount & Origin & James Tomlinson

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In their debut album, early music ensemble Fount & Origin present a musical meditation on the Franco-Flemish painter Rogier van der Weyden’s altarpiece image of The Last Judgement at the end of time. This multi-panelled work survives as a monument of fifteenth-century art, relating in vivid detail and colour van der Weyden’s dynamic and terrifying account of the world’s final moments.

The nine polyphonic settings recorded here were composed in Europe in the mid- to late-fifteenth century and include works by composers such as Johannes Ockeghem, Johannes Regis, Johannes Martini and Antoine Brumel, with each piece thematically tied to an element or figure in the painting. © Inventa/Reonus

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The Sword & the Lily: 15th-Century Polyphony for Judgement Day

Fount & Origin

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1
Requiem: Domine Jesu Christe
00:07:26

Johannes Ockeghem, Composer - James Tomlinson, Conductor, MainArtist - Fount & Origin, MainArtist

(C) 2022 Resonus Limited (P) 2022 Resonus Limited

2
Exultet celum laudibus
00:05:59

Anonymous, Composer - James Tomlinson, Conductor, MainArtist - Fount & Origin, MainArtist

(C) 2022 Resonus Limited (P) 2022 Resonus Limited

3
Clare sanctorum senatus
00:04:10

Anonymous, Composer - James Tomlinson, Conductor, MainArtist - Fount & Origin, MainArtist

(C) 2022 Resonus Limited (P) 2022 Resonus Limited

4
Missa L’homme armé / Dum sacrum mysterium: Kyrie
00:06:30

Johannes Regis, Composer - James Tomlinson, Conductor, MainArtist - Fount & Origin, MainArtist

(C) 2022 Resonus Limited (P) 2022 Resonus Limited

5
Ut queant laxis
00:08:19

Anonymous, Composer - James Tomlinson, Conductor, MainArtist - Fount & Origin, MainArtist

(C) 2022 Resonus Limited (P) 2022 Resonus Limited

6
Magnificat (Mode IV)
00:10:45

Johannes Martini, Composer - James Tomlinson, Conductor, MainArtist - Fount & Origin, MainArtist

(C) 2022 Resonus Limited (P) 2022 Resonus Limited

7
Venite benedicti patris
00:02:22

Anonymous, Composer - James Tomlinson, Conductor, MainArtist - Fount & Origin, MainArtist

(C) 2022 Resonus Limited (P) 2022 Resonus Limited

8
Urbs beata Jerusalem
00:08:44

Anonymous, Composer - James Tomlinson, Conductor, MainArtist - Fount & Origin, MainArtist

(C) 2022 Resonus Limited (P) 2022 Resonus Limited

9
Requiem: Dies irae
00:13:38

Antoine Brumel, Composer - James Tomlinson, Conductor, MainArtist - Fount & Origin, MainArtist

(C) 2022 Resonus Limited (P) 2022 Resonus Limited

Presentación del Álbum

In their debut album, early music ensemble Fount & Origin present a musical meditation on the Franco-Flemish painter Rogier van der Weyden’s altarpiece image of The Last Judgement at the end of time. This multi-panelled work survives as a monument of fifteenth-century art, relating in vivid detail and colour van der Weyden’s dynamic and terrifying account of the world’s final moments.

The nine polyphonic settings recorded here were composed in Europe in the mid- to late-fifteenth century and include works by composers such as Johannes Ockeghem, Johannes Regis, Johannes Martini and Antoine Brumel, with each piece thematically tied to an element or figure in the painting. © Inventa/Reonus

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Venite benedicti patris

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Venite benedicti patris Fount & Origin

Clare sanctorum senatus

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Clare sanctorum senatus Fount & Origin

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