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Dead Can Dance|The Serpent's Egg (Remastered)

The Serpent's Egg (Remastered)

Dead Can Dance

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Perry and Gerrard continued to experiment and improve with The Serpent's Egg, as much a leap forward as Spleen and Ideal was some years previously. As with that album, The Serpent's Egg was heralded by an astounding first track, "The Host of Seraphim." Its use in films some years later was no surprise in the slightest -- one can imagine the potential range of epic images the song could call up -- but on its own it's so jaw-droppingly good that almost the only reaction is sheer awe. Beginning with a soft organ drone and buried, echoed percussion, Gerrard then takes flight with a seemingly wordless invocation of power and worship -- her vocal control and multi-octave range, especially towards the end, has to be heard to be believed. Nothing else achieves such heights, but everything gets pretty darn close, a deserved testament to the band's conceptual reach and abilities. Slow plainsong chants such as "Orbis De Ignis" mix with the harpischord and overlaid vocals of "The Writing on My Father's Hand" and the slow build and sweep of "In the Kingdom of the Blind the One-Eyed Are Kings." Two of Perry's finest vocal moments occur here. The first, "Severance," is a slow, organ/keyboard led number that showcases his rich, warm vocals exquisitely -- it's no wonder that Bauhaus chose to cover it some years later on its reunion tour. "Ullyses," the album's closing track, makes for a fine ending as much as "The Host of Seraphim" did an opening, Perry's delivery almost like a reading from a holy book, the arrangement of strings and percussion rhythmic, addictive and lovely.
© Ned Raggett /TiVo

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The Serpent's Egg (Remastered)

Dead Can Dance

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1
The Host of Seraphim (Remastered)
00:06:18

Dead Can Dance, MainArtist - Lisa Gerrard, AssociatedPerformer, ComposerLyricist - Brendan Perry, AssociatedPerformer, ComposerLyricist - Universal Music Publishing Ltd., MusicPublisher - Harry Fox Agency, MusicPublisher - CMRRA, MusicPublisher - David Navarro Sust, AssociatedPerformer

2007 4AD Ltd 2007 4AD Ltd

2
Orbis de Ignis (Remastered)
00:01:35

Dead Can Dance, MainArtist - Lisa Gerrard, AssociatedPerformer, ComposerLyricist - Brendan Perry, AssociatedPerformer, ComposerLyricist - Universal Music Publishing Ltd., MusicPublisher - Harry Fox Agency, MusicPublisher - CMRRA, MusicPublisher - David Navarro Sust, AssociatedPerformer

2007 4AD Ltd 2007 4AD Ltd

3
Severance (Remastered)
00:03:23

Dead Can Dance, MainArtist - Lisa Gerrard, AssociatedPerformer, ComposerLyricist - Brendan Perry, AssociatedPerformer, ComposerLyricist - Universal Music Publishing Ltd., MusicPublisher - Harry Fox Agency, MusicPublisher - CMRRA, MusicPublisher

2007 4AD Ltd 2007 4AD Ltd

4
The Writing on My Father's Hand (Remastered)
00:03:49

Dead Can Dance, MainArtist - Lisa Gerrard, AssociatedPerformer, ComposerLyricist - Brendan Perry, AssociatedPerformer, ComposerLyricist - Universal Music Publishing Ltd., MusicPublisher - Harry Fox Agency, MusicPublisher - CMRRA, MusicPublisher

2007 4AD Ltd 2007 4AD Ltd

5
In the Kingdom of the Blind the One-Eyed Are Kings (Remastered)
00:04:12

Dead Can Dance, MainArtist - Lisa Gerrard, AssociatedPerformer, ComposerLyricist - Brendan Perry, AssociatedPerformer, ComposerLyricist - Universal Music Publishing Ltd., MusicPublisher - Harry Fox Agency, MusicPublisher - Rebecca Jackson, AssociatedPerformer - CMRRA, MusicPublisher - Sarah Buckley, AssociatedPerformer - Alison Harling, AssociatedPerformer - Andrew Beesley, AssociatedPerformer - David Navarro Sust, AssociatedPerformer - Tony Gamage, AssociatedPerformer

2007 4AD Ltd 2007 4AD Ltd

6
Chant of the Paladin (Remastered)
00:03:48

Dead Can Dance, MainArtist - Lisa Gerrard, AssociatedPerformer, ComposerLyricist - Brendan Perry, AssociatedPerformer, ComposerLyricist - Universal Music Publishing Ltd., MusicPublisher - Harry Fox Agency, MusicPublisher - CMRRA, MusicPublisher

2007 4AD Ltd 2007 4AD Ltd

7
Song of Sophia (Remastered)
00:01:24

Dead Can Dance, MainArtist - Lisa Gerrard, AssociatedPerformer, ComposerLyricist - Brendan Perry, AssociatedPerformer, ComposerLyricist - Universal Music Publishing Ltd., MusicPublisher - Harry Fox Agency, MusicPublisher - CMRRA, MusicPublisher

2007 4AD Ltd 2007 4AD Ltd

8
Echolalia (Remastered)
00:01:16

Dead Can Dance, MainArtist - Lisa Gerrard, AssociatedPerformer, ComposerLyricist - Brendan Perry, AssociatedPerformer, ComposerLyricist - Universal Music Publishing Ltd., MusicPublisher - Harry Fox Agency, MusicPublisher - CMRRA, MusicPublisher

2007 4AD Ltd 2007 4AD Ltd

9
Mother Tongue (Remastered)
00:05:16

Dead Can Dance, MainArtist - Lisa Gerrard, AssociatedPerformer, ComposerLyricist - Brendan Perry, AssociatedPerformer, ComposerLyricist - Universal Music Publishing Ltd., MusicPublisher - Harry Fox Agency, MusicPublisher - CMRRA, MusicPublisher

2007 4AD Ltd 2007 4AD Ltd

10
Ullyses (Remastered)
00:05:09

Dead Can Dance, MainArtist - Lisa Gerrard, AssociatedPerformer, ComposerLyricist - Brendan Perry, AssociatedPerformer, ComposerLyricist - Universal Music Publishing Ltd., MusicPublisher - Harry Fox Agency, MusicPublisher - Rebecca Jackson, AssociatedPerformer - CMRRA, MusicPublisher - Sarah Buckley, AssociatedPerformer - Alison Harling, AssociatedPerformer - Andrew Beesley, AssociatedPerformer - David Navarro Sust, AssociatedPerformer - Tony Gamage, AssociatedPerformer

2007 4AD Ltd 2007 4AD Ltd

Descripción del álbum

Perry and Gerrard continued to experiment and improve with The Serpent's Egg, as much a leap forward as Spleen and Ideal was some years previously. As with that album, The Serpent's Egg was heralded by an astounding first track, "The Host of Seraphim." Its use in films some years later was no surprise in the slightest -- one can imagine the potential range of epic images the song could call up -- but on its own it's so jaw-droppingly good that almost the only reaction is sheer awe. Beginning with a soft organ drone and buried, echoed percussion, Gerrard then takes flight with a seemingly wordless invocation of power and worship -- her vocal control and multi-octave range, especially towards the end, has to be heard to be believed. Nothing else achieves such heights, but everything gets pretty darn close, a deserved testament to the band's conceptual reach and abilities. Slow plainsong chants such as "Orbis De Ignis" mix with the harpischord and overlaid vocals of "The Writing on My Father's Hand" and the slow build and sweep of "In the Kingdom of the Blind the One-Eyed Are Kings." Two of Perry's finest vocal moments occur here. The first, "Severance," is a slow, organ/keyboard led number that showcases his rich, warm vocals exquisitely -- it's no wonder that Bauhaus chose to cover it some years later on its reunion tour. "Ullyses," the album's closing track, makes for a fine ending as much as "The Host of Seraphim" did an opening, Perry's delivery almost like a reading from a holy book, the arrangement of strings and percussion rhythmic, addictive and lovely.
© Ned Raggett /TiVo

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