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Madonna|The Power of Good-Bye (Remixes)

The Power of Good-Bye (Remixes)

Madonna

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Idioma disponible: inglés

The third single from Madonna's electronic Ray of Light album was the melancholy ballad "The Power of Good-Bye," which was only released as a two-track single in the U.S., but as a maxi-single with three remixes overseas. The mixes on the maxi-single take awhile to sink in, but once they do, they take a life of their own. "Dallas' Low End Mix," remixed by R&B maestro Dallas Austin, recalls the hip-hop beeps and blips utilized in TLC's futuristic Fan Mail album. "Luke Slater's Super Luper" turns the ballad into a thumping deep house anthem, making it sound like a completely different song (which could have been titled "Come Freedom"). Madonna's recorded vocal sample is looped continuously over the relentless dance beat, and none of the original lyrics or chorus, which would identify the song as "The Power of Good-Bye," are present in this version (which is not a bad thing). The final mix, "Fabien's Good God Mix," is an electronic, tripped-out, drum'n'bass-heavy mix which keeps the integrity of the original song. This is a fun single that, unfortunately, never saw the light of day in the New World, and that's what probably kept the song from making the Top Ten (it petered out at 11).

© Jose Promis /TiVo

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The Power of Good-Bye (Remixes)

Madonna

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1
The Power of Good-Bye
00:04:11

David Reitzas, Engineer - PAT MCCARTHY, Engineer - WILLIAM ORBIT, Producer - Ted Jensen, Masterer - PATRICK LEONARD, Producer - Madonna, Producer, Vocals, Writer, MainArtist - Mark Endert, Engineer - Craig Armstrong, String Arranger - Rick Nowels, Writer - Matt Silva, Engineer - Jon Englesby, Engineer

© 2023 Warner Records LLC, a Warner Music Group Company. ℗ 1998 Warner Records Inc.

2
The Power of Good-Bye (Dallas Austin Low End Mix)
00:04:34

Dallas Austin, Additional Producer, Remixer - WILLIAM ORBIT, Producer - Leslie Brathwaite, MixingEngineer - PATRICK LEONARD, Producer - Rick Sheppard, Engineer - Madonna, Producer, Vocals, Writer, MainArtist - Craig Armstrong, String Arranger - Rick Nowels, Writer - Carlton Lynn, RecordingEngineer

© 2023 Warner Records LLC, a Warner Music Group Company. ℗ 1998 Warner Records Inc.

3
The Power of Good-Bye (Slater's Super Luper Mix Version)
00:08:46

WILLIAM ORBIT, Producer - PATRICK LEONARD, Producer - Madonna, Producer, Vocals, Writer, MainArtist - Luke Slater, Remixer - Craig Armstrong, String Arranger - Rick Nowels, Writer

© 2023 Warner Records LLC, a Warner Music Group Company. ℗ 1998 Warner Records Inc.

4
The Power of Good-Bye (Fabien's Good God Mix Version)
00:08:23

Fabien Waltmann, Remixer - WILLIAM ORBIT, Producer - PATRICK LEONARD, Producer - Madonna, Producer, Vocals, Writer, MainArtist - Niven Garland, Engineer - Rick Nowels, Writer

© 2023 Warner Records LLC, a Warner Music Group Company. ℗ 1998 Warner Records Inc.

5
The Power of Good-Bye (Slater's Filtered Mix Version)
00:06:07

WILLIAM ORBIT, Producer - PATRICK LEONARD, Producer - Madonna, Producer, Vocals, Writer, MainArtist - Luke Slater, Remixer - Craig Armstrong, String Arranger - Rick Nowels, Writer

© 2023 Warner Records LLC, a Warner Music Group Company. ℗ 1998 Warner Records Inc.

Presentación del Álbum

The third single from Madonna's electronic Ray of Light album was the melancholy ballad "The Power of Good-Bye," which was only released as a two-track single in the U.S., but as a maxi-single with three remixes overseas. The mixes on the maxi-single take awhile to sink in, but once they do, they take a life of their own. "Dallas' Low End Mix," remixed by R&B maestro Dallas Austin, recalls the hip-hop beeps and blips utilized in TLC's futuristic Fan Mail album. "Luke Slater's Super Luper" turns the ballad into a thumping deep house anthem, making it sound like a completely different song (which could have been titled "Come Freedom"). Madonna's recorded vocal sample is looped continuously over the relentless dance beat, and none of the original lyrics or chorus, which would identify the song as "The Power of Good-Bye," are present in this version (which is not a bad thing). The final mix, "Fabien's Good God Mix," is an electronic, tripped-out, drum'n'bass-heavy mix which keeps the integrity of the original song. This is a fun single that, unfortunately, never saw the light of day in the New World, and that's what probably kept the song from making the Top Ten (it petered out at 11).

© Jose Promis /TiVo

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