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George Jones|The New Favorites Of George Jones

The New Favorites Of George Jones

GEORGE JONES

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The New Favorites of George Jones, the Possum's first album for United Artists, is a mixed bag that is highly indicative of the crossroads country music faced in the early '60s. Stylistically, New Favorites is all over the place, as it tries to appeal to not only Jones' hardcore honky tonk audience, but also to country-pop fans and those listener that had been seduced by the burgeoning rock & roll audience. So, honky tonk weepers like "She Once Lived Here" and "She Thinks I Still Care" sit next to up-tempo country-pop cuts like "What Am I Worth" and "Imitation of Love," and that only scratches the surface of what's here. There's also folk ballads ("Open Pit Mine"), crossover attempts ("Poor Little Rich Boy," "Running Bear"), the requisite novelties ("Best Guitar Picker"), and the ridiculous "White Lightnin'" rewrite, "Root Beer." Even the dated material like the novelties and crossovers are enjoyable, but Jones is at his best when he's singing honky tonk or country-pop. Still, the wide range of material on New Favorites does prove that neither artists, producers, or labels knew how to retain the splintering country audience of the '50s.

© Stephen Thomas Erlewine /TiVo

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The New Favorites Of George Jones

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1
Three's A Crowd
00:02:19

Darrell Edwards, ComposerLyricist - GEORGE JONES, MainArtist, ComposerLyricist - Herbie Treece, ComposerLyricist - Pappy Daily, Producer

℗ 1962 Capitol Records, LLC

2
Poor Little Rich Boy
00:02:22

GEORGE JONES, MainArtist, ComposerLyricist - H.W. "Pappy" Daily, Producer - Don Carter, ComposerLyricist

℗ 1961 Capitol Records, LLC

3
Root Beer
00:02:39

Darrell Edwards, Composer - GEORGE JONES, Composer, MainArtist - H.W. "Pappy" Daily, Producer - Pappy Daily, Producer

℗ 1961 Capitol Records, LLC

4
What Am I Worth
00:02:06

Darrell Edwards, ComposerLyricist - GEORGE JONES, MainArtist, ComposerLyricist - Pappy Daily, Producer

℗ 1961 Capitol Records, LLC

5
She Once Lived Here
00:02:16

GEORGE JONES, MainArtist - Autry Inman, ComposerLyricist - Pappy Daily, Producer

℗ 1962 Capitol Records, LLC

6
Imitation Of Love
00:02:27

GEORGE JONES, MainArtist - Pappy Daily, Producer - Adrian Roland, ComposerLyricist - Howard Gregory, ComposerLyricist

℗ 1961 Capitol Records, LLC

7
Open Pit Mine
00:03:08

GEORGE JONES, MainArtist - D.T. Gentry, ComposerLyricist - Harold "Pappy" Daily, Producer

℗ 1962 Capitol Records, LLC

8
Beggar To A King
00:02:39

GEORGE JONES, MainArtist - J P Richardson, Composer - Pappy Daily, Producer

℗ 1962 Capitol Records, LLC

9
She Thinks I Still Care
00:02:34

GEORGE JONES, MainArtist - Dickey Lee, ComposerLyricist - Harold "Pappy" Daily, Producer

℗ 1962 Capitol Records, LLC

10
Running Bear
00:02:27

GEORGE JONES, MainArtist - H.W. "Pappy" Daily, Producer - Johnny Preston Richardson, Composer

℗ 1961 Capitol Records, LLC

11
Best Guitar Picker
00:02:40

Jack Clement, ComposerLyricist - GEORGE JONES, MainArtist - H.W. "Pappy" Daily, Producer

℗ 1961 Capitol Records, LLC

12
Sometimes You Just Can't Win
00:02:41

GEORGE JONES, MainArtist - Smokey Stover, Composer - Pappy Daily, Producer

℗ 1993 Capitol Records, LLC

Presentación del Álbum

The New Favorites of George Jones, the Possum's first album for United Artists, is a mixed bag that is highly indicative of the crossroads country music faced in the early '60s. Stylistically, New Favorites is all over the place, as it tries to appeal to not only Jones' hardcore honky tonk audience, but also to country-pop fans and those listener that had been seduced by the burgeoning rock & roll audience. So, honky tonk weepers like "She Once Lived Here" and "She Thinks I Still Care" sit next to up-tempo country-pop cuts like "What Am I Worth" and "Imitation of Love," and that only scratches the surface of what's here. There's also folk ballads ("Open Pit Mine"), crossover attempts ("Poor Little Rich Boy," "Running Bear"), the requisite novelties ("Best Guitar Picker"), and the ridiculous "White Lightnin'" rewrite, "Root Beer." Even the dated material like the novelties and crossovers are enjoyable, but Jones is at his best when he's singing honky tonk or country-pop. Still, the wide range of material on New Favorites does prove that neither artists, producers, or labels knew how to retain the splintering country audience of the '50s.

© Stephen Thomas Erlewine /TiVo

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