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Firewater|The Golden Hour

The Golden Hour

Firewater

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In photography, the golden hour is when the sunlight is at the perfect angle to capture beautiful images; in the medical world, it's the window of time where a life can still be saved after severe injuries. Both meanings could apply to The Golden Hour, Firewater's first album of original material in four years: it's a musical travelogue of the three years Tod A. spent in India, Turkey, Pakistan, and Indonesia (which he also chronicled in the blog Postcards from the Edge of the World) after his divorce and the reelection of President George W. Bush in 2004, and each song is like a vibrant, sometimes violent, snapshot along the way. A.'s travels were no vacation -- if anything, there's a sharper edge to his songwriting here than in years, and combined with the contributions of local musicians from each country, The Golden Hour is some of Firewater's most consistently potent music. The album underscores its concept by kicking off with "Borneo," a jaunty, pissed-off exit song listing all the reasons for leaving the U.S. ("You got a monkey for a president" is near the top) with theatrical flair, and from there, A. and crew -- including drummer/producer Tamir Muskat of Balkan Beat Box -- find ways to dance on their troubles with quintessentially Firewater songs like "Hey Clown," "Already Gone," and "Three Legged Dog." The band ups the ante with "This Is My Life," where the tumba, chimta, and dholki of the native musicians (many of whom normally play in the backing bands for belly dancers) add an extra spark to the song's already fiery rhythm. But for every brash moment on The Golden Hour, there is an equally vulnerable one, whether it's the cautionary tales of "Paradise" and "A Place Not So Unkind" or "Six Forty Five," an elegant ballad filled with emptiness as it wanders from sunset to sunrise. On "Weird to Be Back," Tod A. notes that "everything's the same or maybe just a little worse," but that can't be said of The Golden Hour -- it's some of Firewater's angriest, most poignant, and most accomplished music.
© Heather Phares /TiVo

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The Golden Hour

Firewater

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1
Borneo
00:03:34

Firewater, MainArtist

2008 Bloodshot Records 2008 Bloodshot Records

2
This Is My Life
00:03:42

Firewater, MainArtist

2008 Bloodshot Records 2008 Bloodshot Records

3
Some Kind of Kindness
00:05:11

Firewater, MainArtist

2008 Bloodshot Records 2008 Bloodshot Records

4
6:45
00:05:03

Firewater, MainArtist

2008 Bloodshot Records 2008 Bloodshot Records

5
A Place Not So Unkind
00:04:32

Firewater, MainArtist

2008 Bloodshot Records 2008 Bloodshot Records

6
Paradise
00:04:23

Firewater, MainArtist

2008 Bloodshot Records 2008 Bloodshot Records

7
Banghra Bros.
00:02:38

Firewater, MainArtist

2008 Bloodshot Records 2008 Bloodshot Records

8
Electric City
00:04:38

Firewater, MainArtist

2008 Bloodshot Records 2008 Bloodshot Records

9
Hey Clown
00:03:35

Firewater, MainArtist

2008 Bloodshot Records 2008 Bloodshot Records

10
Already Gone
00:03:59

Firewater, MainArtist

2008 Bloodshot Records 2008 Bloodshot Records

11
Feels Like the End of the World
00:05:14

Firewater, MainArtist

2008 Bloodshot Records 2008 Bloodshot Records

12
Weird To Be Back
00:03:48

Firewater, MainArtist

2008 Bloodshot Records 2008 Bloodshot Records

13
3-Legged Dog
00:03:32

Firewater, MainArtist

2008 Bloodshot Records 2008 Bloodshot Records

Presentación del Álbum

In photography, the golden hour is when the sunlight is at the perfect angle to capture beautiful images; in the medical world, it's the window of time where a life can still be saved after severe injuries. Both meanings could apply to The Golden Hour, Firewater's first album of original material in four years: it's a musical travelogue of the three years Tod A. spent in India, Turkey, Pakistan, and Indonesia (which he also chronicled in the blog Postcards from the Edge of the World) after his divorce and the reelection of President George W. Bush in 2004, and each song is like a vibrant, sometimes violent, snapshot along the way. A.'s travels were no vacation -- if anything, there's a sharper edge to his songwriting here than in years, and combined with the contributions of local musicians from each country, The Golden Hour is some of Firewater's most consistently potent music. The album underscores its concept by kicking off with "Borneo," a jaunty, pissed-off exit song listing all the reasons for leaving the U.S. ("You got a monkey for a president" is near the top) with theatrical flair, and from there, A. and crew -- including drummer/producer Tamir Muskat of Balkan Beat Box -- find ways to dance on their troubles with quintessentially Firewater songs like "Hey Clown," "Already Gone," and "Three Legged Dog." The band ups the ante with "This Is My Life," where the tumba, chimta, and dholki of the native musicians (many of whom normally play in the backing bands for belly dancers) add an extra spark to the song's already fiery rhythm. But for every brash moment on The Golden Hour, there is an equally vulnerable one, whether it's the cautionary tales of "Paradise" and "A Place Not So Unkind" or "Six Forty Five," an elegant ballad filled with emptiness as it wanders from sunset to sunrise. On "Weird to Be Back," Tod A. notes that "everything's the same or maybe just a little worse," but that can't be said of The Golden Hour -- it's some of Firewater's angriest, most poignant, and most accomplished music.
© Heather Phares /TiVo

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