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This joint venture between Blue Note and Verve captures the sweet and sassy sounds of Sarah Vaughan at her best as recorded by Emarcy, Mercury, and Roulette. The 16-song compilation is arranged chronologically and kicks off with a duet between Vaughan and the man who discovered her, Billy Eckstine, recorded in 1949 before moving to her mid-'50s recordings for Mercury and Emarcy. She was equally at home recording with large orchestras, small jazz ensembles, or piano, bass, and drums. Highlights from this period include her wonderfully swinging album Swingin' Easy, which she recorded with her trio of John Malachi on piano, Crazy Joe Benjamin on bass, and Roy Haynes on drums. The track "Shulie a Bop" is taken from this album and features a great scat solo. At the same time she was cutting some swinging jazz sides with big-name players like Clifford Brown, she was recording string-filled ballads with orchestral backing like "Tenderly," which was cut in 1954 with Hugo Peritti's orchestra. She would continue this approach all throughout her career, and this CD does a good job of showing both sides of Vaughan. Other highlights from the compilation include a desperately romantic version of "Lush Life" cut in 1956 with Hal Mooney's orchestra, a near operatic rendition of "My Man's Gone Now" from 1957 that shows off Vaughan's powerful vibrato, and a laid-back and swinging take on "The Sweetest Sounds" from 1967 backed by the incredible brass section of Freddie Hubbard, Clark Terry, Charlie Shavers, and Joe Newman. The Definitive Sarah Vaughan has a couple of non-fatal flaws: there are only two songs from her five-year tenure at Roulette and an over-reliance on the orchestral ballads. Throw in a couple more swinging tracks and the discs would be really special, but it is still a nice overview and is recommended to anyone who wants to check out the early work of the divine Sarah Vaughan.
© Tim Sendra /TiVo
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Sammy Cahn, Author - HY ZARET, ComposerLyricist - Sarah Vaughan, MainArtist - SAUL CHAPLIN, ComposerLyricist - Billy Eckstine, MainArtist - Joe Lipman, Conductor - Joe Lippman And His Orchestra, Orchestra
℗ 1950 UMG Recordings, Inc.
Quincy Jones, Producer - Richard Rodgers, ComposerLyricist - Lorenz Hart, Author - Sarah Vaughan, MainArtist - Bob Shad, Producer - Richard Hayman & His Orchestra, Orchestra - Richard Hayman, Conductor
℗ 1954 UMG Recordings, Inc.
George Treadwell, ComposerLyricist - Joe Benjamin, AssociatedPerformer, Bass (Vocal) - Quincy Jones, Producer - Sarah Vaughan, MainArtist, ComposerLyricist - Bob Shad, Producer - Roy Haynes, Drums, AssociatedPerformer - John Malachi, Piano, AssociatedPerformer
℗ 1954 UMG Recordings, Inc.
Joe Benjamin, AssociatedPerformer, Bass (Vocal) - Quincy Jones, Producer - ARTHUR FREED, ComposerLyricist - Gus Arnheim, ComposerLyricist - Sarah Vaughan, MainArtist - ABE LYMAN, ComposerLyricist - Bob Shad, Producer - Roy Haynes, Drums, AssociatedPerformer - John Malachi, Piano, AssociatedPerformer
℗ 1954 UMG Recordings, Inc.
Jack Lawrence, ComposerLyricist - Sarah Vaughan, MainArtist - WALTER GROSS, ComposerLyricist - Hugo Peretti Orchestra, Orchestra
℗ 1954 UMG Recordings, Inc.
Jimmy Jones, Piano, AssociatedPerformer - Joe Benjamin, Double Bass, AssociatedPerformer - Quincy Jones, Producer - Ernie Wilkins, Conductor, Recording Arranger, AssociatedPerformer - Herbie Mann, Flute, AssociatedPerformer - GEORGE DAVID WEISS, ComposerLyricist - Paul Quinichette, Saxophone, AssociatedPerformer - Sarah Vaughan, Vocals, MainArtist, AssociatedPerformer - Clifford Brown, Trumpet, AssociatedPerformer - George Shearing, Composer - Bob Shad, Producer - Roy Haynes, Drums, AssociatedPerformer
℗ 1954 UMG Recordings, Inc.
Jimmy Jones, Piano, AssociatedPerformer - Joe Benjamin, Double Bass, AssociatedPerformer - Ernie Wilkins, Conductor, Recording Arranger, AssociatedPerformer - Herbie Mann, Flute, AssociatedPerformer - Paul Quinichette, Saxophone, AssociatedPerformer - Sarah Vaughan, Vocals, MainArtist, AssociatedPerformer - Clifford Brown, Trumpet, FeaturedArtist, AssociatedPerformer - Bob Shad, Producer - Roy Haynes, Drums, AssociatedPerformer - Timmy Rogers, ComposerLyricist - Al Fields, ComposerLyricist
℗ 1955 UMG Recordings, Inc.
Jimmy Jones, Piano, AssociatedPerformer - Joe Benjamin, Double Bass, AssociatedPerformer - Bernie Glow, Trumpet, AssociatedPerformer - Ernie Wilkins, Recording Arranger, AssociatedPerformer - Ernie Royal, Trumpet, AssociatedPerformer - Sarah Vaughan, MainArtist - Jerome Richardson, Flute, Tenor Saxophone, AssociatedPerformer - J.J. Johnson, Trombone, AssociatedPerformer - Cannonball Adderley, Alto Saxophone, AssociatedPerformer - Nancy Hamilton, Author - Bob Shad, Producer - Roy Haynes, Drums, AssociatedPerformer - Kai Winding, Trombone, AssociatedPerformer - Morgan Lewis, Composer - Ernie Wilkins' Orchestra, Conductor - Sam Marowitz, Alto Saxophone, AssociatedPerformer - Turk Van Lake, Guitar, AssociatedPerformer
℗ 1955 UMG Recordings, Inc.
Billy Strayhorn, ComposerLyricist - Sarah Vaughan, MainArtist - Hal Mooney, Conductor - Hal Mooney and His Orchestra, Orchestra, FeaturedArtist
℗ 1956 UMG Recordings, Inc.
Sarah Vaughan, MainArtist - Vernon Duke, ComposerLyricist - Hal Mooney, Recording Arranger, AssociatedPerformer - Hal Mooney and His Orchestra, FeaturedArtist
℗ 1956 UMG Recordings, Inc.
John Golden, ComposerLyricist - Quincy Jones, Producer - Sarah Vaughan, MainArtist - Hal Mooney, Conductor - Bob Shad, Producer - Hal Mooney and His Orchestra, Orchestra - Raymond Hubbell, ComposerLyricist
℗ 1956 UMG Recordings, Inc.
George Gershwin, ComposerLyricist - Ira Gershwin, Author - Dubose Heyward, Author - Sarah Vaughan, MainArtist - Hal Mooney, Producer - Bob Shad, Producer - Hal Mooney and His Orchestra, Orchestra, FeaturedArtist
℗ 1957 UMG Recordings, Inc.
Richard Davis, Bass, AssociatedPerformer - Quincy Jones, Conductor, Producer - Zoot Sims, Saxophone, AssociatedPerformer - Johnny Burke, Author - Sarah Vaughan, Vocals, MainArtist, AssociatedPerformer - Kenny Clarke, Drums, AssociatedPerformer - Erroll Garner, Composer - Bob Shad, Producer - Ronnell Bright, Piano, AssociatedPerformer - Quincy Jones And His Orchestra, Orchestra - Jack Tracy, Producer - William Boucaya, Saxophone, AssociatedPerformer - Pierre Cullaz, Guitar, AssociatedPerformer - Marcel Hrasko, Saxophone, AssociatedPerformer - Jo Hrasko, Saxophone, AssociatedPerformer - Michel Hausser, Vibraphone, AssociatedPerformer
℗ 1958 UMG Recordings, Inc.
Joe Newman, Trumpet, AssociatedPerformer - Richard Rodgers, ComposerLyricist - Benny Golson, Saxophone, AssociatedPerformer - BOB JAMES, Recording Arranger, AssociatedPerformer - Sarah Vaughan, Vocals, MainArtist, AssociatedPerformer - Freddie Hubbard, Trumpet, AssociatedPerformer - Phil Woods, Saxophone, AssociatedPerformer - Clark Terry, Trumpet, AssociatedPerformer - Hal Mooney, Producer - Charlie Shavers, Trumpet, AssociatedPerformer
℗ 1967 The Verve Music Group, a Division of UMG Recordings, Inc.
Presentación del Álbum
This joint venture between Blue Note and Verve captures the sweet and sassy sounds of Sarah Vaughan at her best as recorded by Emarcy, Mercury, and Roulette. The 16-song compilation is arranged chronologically and kicks off with a duet between Vaughan and the man who discovered her, Billy Eckstine, recorded in 1949 before moving to her mid-'50s recordings for Mercury and Emarcy. She was equally at home recording with large orchestras, small jazz ensembles, or piano, bass, and drums. Highlights from this period include her wonderfully swinging album Swingin' Easy, which she recorded with her trio of John Malachi on piano, Crazy Joe Benjamin on bass, and Roy Haynes on drums. The track "Shulie a Bop" is taken from this album and features a great scat solo. At the same time she was cutting some swinging jazz sides with big-name players like Clifford Brown, she was recording string-filled ballads with orchestral backing like "Tenderly," which was cut in 1954 with Hugo Peritti's orchestra. She would continue this approach all throughout her career, and this CD does a good job of showing both sides of Vaughan. Other highlights from the compilation include a desperately romantic version of "Lush Life" cut in 1956 with Hal Mooney's orchestra, a near operatic rendition of "My Man's Gone Now" from 1957 that shows off Vaughan's powerful vibrato, and a laid-back and swinging take on "The Sweetest Sounds" from 1967 backed by the incredible brass section of Freddie Hubbard, Clark Terry, Charlie Shavers, and Joe Newman. The Definitive Sarah Vaughan has a couple of non-fatal flaws: there are only two songs from her five-year tenure at Roulette and an over-reliance on the orchestral ballads. Throw in a couple more swinging tracks and the discs would be really special, but it is still a nice overview and is recommended to anyone who wants to check out the early work of the divine Sarah Vaughan.
© Tim Sendra /TiVo
Acerca del álbum
- 1 disco(s) - 16 pista(s)
- Duración total: 00:56:30
- Artistas principales: Sarah Vaughan
- Compositor: Various Composers
- Sello: Verve Reissues
- Género Jazz Jazz vocal
© 2002 UMG Recordings, Inc. This Compilation ℗ 2002 UMG Recordings, Inc.
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