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Nina Simone|The Colpix Singles   (Mono; 2017 Remaster)

The Colpix Singles (Mono; 2017 Remaster)

Nina Simone

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When Nina Simone released her first recordings for Bethlehem Records in 1958, she sounded strikingly accomplished both as a singer and a pianist, displaying the skill and the inspiration of a seasoned veteran. However, her Bethlehem sides only captured one aspect of her musical personality, and as even the most cursory examination of Simone's career makes clear, she was an artist who stubbornly refused to be pigeonholed. After Simone learned her first lesson about the vagaries of the music business when her deal with Bethlehem went sour, she signed with the Colpix label, where she recorded from 1959 to 1964, a time when jazz artists still made occasional appearances on the pop charts. The Colpix Singles is a collection that brings together the monophonic 45-rpm mixes of the 14 7"s released during Simone's tenure with the label, and it makes for a reasonably thorough overview of her work for Colpix. Simone's Bethlehem sides were recorded simply with a small rhythm section, but at Colpix she had the resources for more polished production and significantly more elaborate arrangements, some of which honor her jazz and blues influences, while others sound like clear efforts to introduce her to a mainstream pop audience. Whatever the surroundings, Simone never sounds like anything other than herself; her voice is strong and confident, her phrasing brings out the many moods and meanings of these songs, and her piano work is virtuosic without calling undue attention to itself. Even when the backings sound treacly, Simone rarely makes an emotionally false move. Simone also cut four live albums for Colpix, and the samples of her concert performances are outstanding; the live tracks capture Simone in her element and in the moment, and preserve her brilliance in simple but mesmerizing form. Completists will be happy to know that seven of these songs appear in single edits and mixes that have never before appeared in digital format, and the remastering is clean and well executed. The Colpix Singles covers a time when Simone was still exploring the boundaries of her creative approach, and not long before activism became a key part of her music and her life; this is far from a definitive sampling of this period, but it does make clear just how fruitful it was.

© Mark Deming /TiVo

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The Colpix Singles (Mono; 2017 Remaster)

Nina Simone

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1
Chilly Winds Don't Blow (Mono; Single Edit; 2017 Remaster)
00:02:46

H Krasnow, Composer - Nina Simone, MainArtist - Bob Mersey, Conductor, Arranger - Hecky Krasnow, Producer - Bill Lovelock, Composer

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1959, 2017 Parlophone Records Ltd, a Warner Music Group Company

2
Solitaire (Mono; Single Edit; 2017 Remaster)
00:03:24

Carl Nutter, Composer - King Guion, Composer - Nina Simone, MainArtist - Bob Mersey, Conductor, Arranger - Hecky Krasnow, Producer

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1959, 2017 Parlophone Records Ltd, a Warner Music Group Company

3
Children Go Where I Send You (Mono; Single Edit; 2017 Remaster)
00:02:49

Traditional, Composer - Nina Simone, Arranger, MainArtist - Bob Mersey, Conductor, Arranger - Hecky Krasnow, Producer

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1959, 2017 Parlophone Records Ltd, a Warner Music Group Company

4
Willow Weep for Me (Mono; Single Edit; 2017 Remaster)
00:03:10

Ann Ronell, Composer - Nina Simone, MainArtist - Bob Mersey, Conductor, Arranger - Hecky Krasnow, Producer

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1959, 2017 Parlophone Records Ltd, a Warner Music Group Company

5
The Other Woman (Mono; Single Edit; 2017 Remaster)
00:02:57

Jack Gold, Producer - Jessie Mae Robinson, Composer - Nina Simone, Arranger, MainArtist

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1959, 2017 Parlophone Records Ltd, a Warner Music Group Company

6
It Might as Well Be Spring (Mono; Single Edit; 2017 Remaster)
00:03:16

Richard Rodgers, Composer - Oscar Hammerstein II , Composer - Nina Simone, MainArtist - Bob Mersey, Conductor, Arranger

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1959, 2017 Parlophone Records Ltd, a Warner Music Group Company

7
Summertime (Mono; Single Edit; 2017 Remaster)
00:02:50

Ray Heindorf, Arranger - George Gershwin, Composer - Ira Gershwin, Lyricist - Dubose Heyward, Lyricist - Nina Simone, Piano, Vocals, MainArtist - Dudley Chambers, Vocal Arranger

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1960, 2017 Parlophone Records Ltd, a Warner Music Group Company

8
Fine and Mellow (Mono; Single Edit; 2017 Remaster)
00:03:24

Billie Holiday, Composer, Lyricist - Nina Simone, Piano, Vocals, MainArtist

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1960, 2017 Parlophone Records Ltd, a Warner Music Group Company

9
Since My Love Has Gone (Mono; Single Edit; 2017 Remaster)
00:02:48

Stu Phillips, Conductor, Arranger - Nina Simone, MainArtist - Herbert Wasserman, Composer - Jack Aaron, Composer

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1960, 2017 Parlophone Records Ltd, a Warner Music Group Company

10
Tomorrow (We Will Meet Once More) (Mono; Single Edit; 2017 Remaster)
00:03:02

Nina Simone, MainArtist - Hermann Krasnow, Composer - Hecky Krasnow, Producer - Jerry Silverman, Composer

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1960, 2017 Parlophone Records Ltd, a Warner Music Group Company

11
Under the Lowest (Short Version; Mono; Single Edit; 2017 Remaster)
00:03:09

Nina Simone, Composer, MainArtist

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1960, 2017 Parlophone Records Ltd, a Warner Music Group Company

12
If Only for Tonight (Mono; Single Edit; 2017 Remaster)
00:03:02

AARON SCHROEDER, Composer - Stu Phillips, Conductor, Arranger - Nina Simone, MainArtist - Martin Kalmanoff, Composer

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1960, 2017 Parlophone Records Ltd, a Warner Music Group Company

13
Nobody Knows You When You're Down and Out (Mono; Single Edit; 2017 Remaster)
00:02:40

Jimmie Cox, Composer, Writer - Stu Phillips, Conductor, Arranger - Nina Simone, MainArtist

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1960, 2017 Parlophone Records Ltd, a Warner Music Group Company

14
Black Is the Colour of My True Love's Hair (Mono; Single Edit; 2017 Remaster)
00:03:31

Traditional, Composer - Nina Simone, MainArtist

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1960, 2017 Parlophone Records Ltd, a Warner Music Group Company

DISCO 2

1
Trouble in Mind (Single Version; Mono; Single Edit; 2017 Remaster)
00:02:10

Richard Jones, Writer - Nina Simone, Vocals, MainArtist

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1960, 2017 Parlophone Records Ltd, a Warner Music Group Company

2
Cotton Eyed Joe (Mono; Single Edit; 2017 Remaster)
00:02:51

Traditional, Composer - Nina Simone, Vocals, MainArtist

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1960, 2017 Parlophone Records Ltd, a Warner Music Group Company

3
Work Song (Mono; Single Edit; 2017 Remaster)
00:02:07

Chris White, Bass - Oscar Brown Jr., Composer - Nat Adderley, Composer - Nina Simone, Vocals, MainArtist - Bob Hamilton, Drums - Al Schackman, Guitar - Cal Lampley, Producer

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1961, 2017 Parlophone Records Ltd, a Warner Music Group Company

4
Memphis in June (Mono; Single Edit; 2017 Remaster)
00:02:39

Chris White, Bass - HOAGY CARMICHAEL, Composer - Paul Francis Webster, Composer - Nina Simone, Vocals, MainArtist - Bob Hamilton, Drums - Al Schackman, Guitar - Cal Lampley, Producer

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1961, 2017 Parlophone Records Ltd, a Warner Music Group Company

5
You Can Have Him (Mono; Single Edit; 2017 Remaster)
00:03:36

Irving Berlin, Composer - Nina Simone, MainArtist

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1961, 2017 Parlophone Records Ltd, a Warner Music Group Company

6
Gin House Blues (Mono; Single Edit; 2017 Remaster)
00:02:26

Fletcher Henderson, Composer - Nina Simone, Vocals, MainArtist - Henry Troy, Composer

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1961, 2017 Parlophone Records Ltd, a Warner Music Group Company

7
Come on Back Jack (Mono; Single Edit; 2017 Remaster)
00:02:15

Leon Carr, Composer - Stu Phillips, Producer - Earl Shuman, Composer - Nina Simone, MainArtist

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1961, 2017 Parlophone Records Ltd, a Warner Music Group Company

8
You've Been Gone Too Long (Mono; Single Edit; 2017 Remaster)
00:02:11

Sellers, Composer - Nina Simone, Vocals, MainArtist

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1961, 2017 Parlophone Records Ltd, a Warner Music Group Company

9
In the Evening by the Moonlight (Mono; Single Edit; 2017 Remaster)
00:02:12

Ralph Burns, Conductor, Arranger - Traditional, Composer - Stu Phillips, Producer - Nina Simone, Composer, Writer, MainArtist

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1962, 2017 Parlophone Records Ltd, a Warner Music Group Company

10
I Want a Little Sugar in My Bowl (Mono; Single Edit; 2017 Remaster)
00:02:44

Ralph Burns, Conductor, Arranger - Stu Phillips, Producer - Nina Simone, Composer, MainArtist

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1962, 2017 Parlophone Records Ltd, a Warner Music Group Company

11
I Got It Bad (And That Ain't Good) (Mono; Single Edit; 2017 Remaster)
00:03:38

Ralph Burns, Conductor, Arranger - Duke Ellington, Composer - Paul Francis Webster, Composer - Stu Phillips, Producer - Nina Simone, MainArtist

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1962, 2017 Parlophone Records Ltd, a Warner Music Group Company

12
Little Liza Jane (Mono; Single Edit; 2017 Remaster)
00:02:30

Traditional, Composer - Nina Simone, Piano, Vocals, MainArtist - Montego Joe, Drums - Lisle Atkinson, Bass - Alvin Schackman, Guitar - Phil Orlando, Guitar

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1963, 2017 Parlophone Records Ltd, a Warner Music Group Company

13
Blackbird (Mono; Single Edit; 2017 Remaster)
00:03:54

Nina Simone, Piano, Vocals, MainArtist - N. Simone, Writer - H. Sacker, Writer - Montego Joe, Drums - Lisle Atkinson, Bass - Alvin Schackman, Guitar - Phil Orlando, Guitar

© 2018 Parlophone Records Ltd, a Warner Music Group Company ℗ 1963, 2017 Parlophone Records Ltd, a Warner Music Group Company

Presentación del Álbum

When Nina Simone released her first recordings for Bethlehem Records in 1958, she sounded strikingly accomplished both as a singer and a pianist, displaying the skill and the inspiration of a seasoned veteran. However, her Bethlehem sides only captured one aspect of her musical personality, and as even the most cursory examination of Simone's career makes clear, she was an artist who stubbornly refused to be pigeonholed. After Simone learned her first lesson about the vagaries of the music business when her deal with Bethlehem went sour, she signed with the Colpix label, where she recorded from 1959 to 1964, a time when jazz artists still made occasional appearances on the pop charts. The Colpix Singles is a collection that brings together the monophonic 45-rpm mixes of the 14 7"s released during Simone's tenure with the label, and it makes for a reasonably thorough overview of her work for Colpix. Simone's Bethlehem sides were recorded simply with a small rhythm section, but at Colpix she had the resources for more polished production and significantly more elaborate arrangements, some of which honor her jazz and blues influences, while others sound like clear efforts to introduce her to a mainstream pop audience. Whatever the surroundings, Simone never sounds like anything other than herself; her voice is strong and confident, her phrasing brings out the many moods and meanings of these songs, and her piano work is virtuosic without calling undue attention to itself. Even when the backings sound treacly, Simone rarely makes an emotionally false move. Simone also cut four live albums for Colpix, and the samples of her concert performances are outstanding; the live tracks capture Simone in her element and in the moment, and preserve her brilliance in simple but mesmerizing form. Completists will be happy to know that seven of these songs appear in single edits and mixes that have never before appeared in digital format, and the remastering is clean and well executed. The Colpix Singles covers a time when Simone was still exploring the boundaries of her creative approach, and not long before activism became a key part of her music and her life; this is far from a definitive sampling of this period, but it does make clear just how fruitful it was.

© Mark Deming /TiVo

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