Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Idioma disponible: inglés
Curious listeners who encounter Lee Morgan for the first time through this single-disc anthology will come away mightily impressed, even inspired, but they will be hearing only the first part of the story. The album picks up on his teenage whiz kid days circa 1957, then jumps ahead to his renaissance in 1963-1965 as the high priest of hard bop boogaloo. Besides showcasing Morgan's brash, crackling, infinitely expressive trumpet playing, the album does a good job of emphasizing his abundant, still-underrated gifts as a composer -- with "The Sidewinder," of course, but also the strikingly lovely bossa nova "Ceora" and the near standard "Speedball." With its three bonus tracks, "I Remember Clifford," "Cornbread," and especially "Mr. Kenyatta," the CD version adds compelling corroborating evidence of Morgan's originality. The major hang-up, alas, is that the album cuts off the time line at 1965, thus leaving out Morgan's gradual move away from boilerplate hard bop toward modal, progressive explorations that reached an exciting peak on 1970's Live at the Lighthouse. The selections included here will no doubt satisfy those who would want to keep this tremendous talent locked into a single airtight box -- and frankly, it would be difficult to dispute any of the choices on their own terms. But the rest of Morgan's tragically aborted evolution deserves representation on a set like this.
© Richard S. Ginell /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde $ 16.190,00/mes
HERBIE HANCOCK, Piano, AssociatedPerformer - Billy Higgins, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Hank Mobley, Tenor Saxophone, AssociatedPerformer - Lee Morgan, Composer, Trumpet, MainArtist, AssociatedPerformer - Jackie McLean, Alto Saxophone, AssociatedPerformer - Larry Ridley, AssociatedPerformer, Bass (Vocal)
(C) 1998 Blue Note Records ℗ 1966 Blue Note Records
Bob Cranshaw, Bass Guitar, AssociatedPerformer - Billy Higgins, Drums, AssociatedPerformer - Alfred Lion, Producer - Lee Morgan, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Barry Harris, Piano, AssociatedPerformer - Joe Henderson, Tenor Saxophone, AssociatedPerformer
(C) 1998 Blue Note Records ℗ 1964 Capitol Records, LLC
Alfred Lion, Producer - Lee Morgan, MainArtist, ComposerLyricist
(C) 1998 Blue Note Records ℗ 1965 Blue Note Records
Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Paul Chambers, AssociatedPerformer, Bass (Vocal) - Lee Morgan, Trumpet, MainArtist, AssociatedPerformer - Philly Joe Jones, Drums, AssociatedPerformer - Bobby Timmons, Piano, AssociatedPerformer - Pepper Adams, Baritone Saxophone, AssociatedPerformer - Dizzy Gillespie, Composer - FRANK PAPARELLI, Composer
(C) 1998 Blue Note Records ℗ 1958 Blue Note Records
Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Doug Watkins, AssociatedPerformer, Bass (Vocal) - Lee Morgan, Trumpet, MainArtist, AssociatedPerformer - Art Taylor, Drums, AssociatedPerformer - Sonny Clark, Piano, AssociatedPerformer - Woodrow Wilson Johnson, ComposerLyricist
(C) 1998 Blue Note Records ℗ 1958 Blue Note Records
Billy Higgins, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Lee Morgan, Trumpet, MainArtist, AssociatedPerformer - Andrew Hill, Composer - Joe Henderson, Tenor Saxophone, AssociatedPerformer - Ronnie Mathews, Piano, AssociatedPerformer - Victor Sproles, AssociatedPerformer, Bass (Vocal)
(C) 1998 Blue Note Records ℗ 1966 Capitol Records, LLC
Benny Golson, Tenor Saxophone, AssociatedPerformer, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Charlie Persip, Drums, AssociatedPerformer - Paul Chambers, AssociatedPerformer, Bass (Vocal) - Lee Morgan, MainArtist - Wynton Kelly, Piano, AssociatedPerformer - Gigi Gryce, Flute, AssociatedPerformer
(C) 1998 Blue Note Records ℗ 1957 Blue Note Records
Grant Green, Guitar, AssociatedPerformer - HERBIE HANCOCK, Piano, AssociatedPerformer - Billy Higgins, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Lee Morgan, Composer, MainArtist - Wayne Shorter, Tenor Saxophone, AssociatedPerformer - Reggie Workman, AssociatedPerformer, Bass (Vocal)
(C) 1998 Blue Note Records ℗ 1964 Blue Note Records
HERBIE HANCOCK, Piano, AssociatedPerformer - Billy Higgins, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Hank Mobley, Tenor Saxophone, AssociatedPerformer - Lee Morgan, Composer, Trumpet, MainArtist, AssociatedPerformer - Jackie McLean, Alto Saxophone, AssociatedPerformer - Larry Ridley, AssociatedPerformer, Bass (Vocal)
(C) 1998 Blue Note Records ℗ 1966 Blue Note Records
Presentación del Álbum
Curious listeners who encounter Lee Morgan for the first time through this single-disc anthology will come away mightily impressed, even inspired, but they will be hearing only the first part of the story. The album picks up on his teenage whiz kid days circa 1957, then jumps ahead to his renaissance in 1963-1965 as the high priest of hard bop boogaloo. Besides showcasing Morgan's brash, crackling, infinitely expressive trumpet playing, the album does a good job of emphasizing his abundant, still-underrated gifts as a composer -- with "The Sidewinder," of course, but also the strikingly lovely bossa nova "Ceora" and the near standard "Speedball." With its three bonus tracks, "I Remember Clifford," "Cornbread," and especially "Mr. Kenyatta," the CD version adds compelling corroborating evidence of Morgan's originality. The major hang-up, alas, is that the album cuts off the time line at 1965, thus leaving out Morgan's gradual move away from boilerplate hard bop toward modal, progressive explorations that reached an exciting peak on 1970's Live at the Lighthouse. The selections included here will no doubt satisfy those who would want to keep this tremendous talent locked into a single airtight box -- and frankly, it would be difficult to dispute any of the choices on their own terms. But the rest of Morgan's tragically aborted evolution deserves representation on a set like this.
© Richard S. Ginell /TiVo
Acerca del álbum
- 1 disco(s) - 9 pista(s)
- Duración total: 01:12:44
- Artistas principales: Lee Morgan
- Compositor: Various Composers
- Sello: Blue Note Records
- Género Jazz
© 1998 Blue Note Records This Compilation ℗ 1998 Blue Note Records
Mejorar la información del álbum