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The Shadows|Tasty  (Expanded)

Tasty (Expanded)

The Shadows

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1977 probably wasn't a good year for any returning heroes to be trying to make an impression, especially if they wanted anyone to remember what they'd done. In a year that was devoured by punk rock, and which history recalls only for that monster's most fiery antics, a group like the Shadows wasn't even an irrelevance. They weren't noticed. And so Tasty came and went, the Shadows album that time forgot, and it was only if you really, really cared about the band that you hunted it down, dropped the needle on the vinyl, and wondered why you'd bothered. Firmly into easy listening territory now, the Shadows had so thoroughly perfected their signature sound that nothing could break through it. The sweetly chiming guitar lead, each note resonating in its own musical universe; the gentle rhythms percolating behind it; they could have recorded any song in the world, and it would have sounded just like you'd expect. So "Goodbye Yellow Brick Road" bleeds into "Walk Don't Run," "Superstar" dances the "Cricket Bat Boogie," and even "Honky Tonk Women," a song that really shouldn't have easily succumbed to their charms, becomes just another gentle drift. None of which is to say Tasty is not a tasty treat. Play it, and you can feel your body melting into the moods; you don't even need to think about it, it just takes you over and does what it will. Which was a remarkable achievement in 1977, and is still a surprise today. Nobody would ever rate Tasty in their Top 20 Shadows albums. But it's certainly one of the most archetypal of them all.

© Dave Thompson /TiVo

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Tasty (Expanded)

The Shadows

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1
Cricket Bat Boogie
00:03:24

Bruce Welch, Composer, Guitar - The Shadows, Producer, MainArtist - John Farrar, Guitar - Dick Plant, Engineer - Hank Marvin, Composer, Guitar - Brian Bennett, Composer, Drums - Tony Clark, Engineer

© 1992 Parlophone Records Ltd, a Warner Music Group Company ℗ 1977 Parlophone Records Ltd, a Warner Music Group Company

2
Return to the Alamo
00:04:09

Norrie Paramor, Orchestral Arranger - Bruce Welch, Composer, Guitar - The Shadows, Producer, MainArtist - John Farrar, Guitar - Dick Plant, Engineer - Hank Marvin, Composer, Guitar - Brian Bennett, Composer, Drums - Tony Clark, Engineer

© 1992 Parlophone Records Ltd, a Warner Music Group Company ℗ 1977 Parlophone Records Ltd, a Warner Music Group Company

3
Goodbye Yellow Brick Road
00:03:11

Bruce Welch, Guitar - Bernie Taupin, Composer - Elton John, Composer - The Shadows, Producer, MainArtist - John Farrar, Guitar - Dick Plant, Engineer - Hank Marvin, Guitar - Brian Bennett, Drums - Tony Clark, Engineer

© 1992 Parlophone Records Ltd, a Warner Music Group Company ℗ 1977 Parlophone Records Ltd, a Warner Music Group Company

4
Another Night
00:03:28

Alan Tarney, Composer - Bruce Welch, Composer, Guitar - The Shadows, Producer, MainArtist - John Farrar, Guitar - Dick Plant, Engineer - Hank Marvin, Composer, Guitar - Brian Bennett, Composer, Drums - Tony Clark, Engineer

© 1992 Parlophone Records Ltd, a Warner Music Group Company ℗ 1977 Parlophone Records Ltd, a Warner Music Group Company

5
Honky Tonk Women
00:03:00

Bruce Welch, Guitar - The Shadows, Producer, MainArtist - John Farrar, Guitar - KEITH RICHARDS, Composer - MICK JAGGER, Composer - Dick Plant, Engineer - Hank Marvin, Guitar - Brian Bennett, Drums - Tony Clark, Engineer

© 1992 Parlophone Records Ltd, a Warner Music Group Company ℗ 1977 Parlophone Records Ltd, a Warner Music Group Company

6
Montezuma's Revenge
00:04:07

Bruce Welch, Composer, Guitar - The Shadows, Producer, MainArtist - John Farrar, Guitar - Dick Plant, Engineer - Hank Marvin, Composer, Guitar - Brian Bennett, Composer, Drums - Tony Clark, Engineer

© 1992 Parlophone Records Ltd, a Warner Music Group Company ℗ 1977 Parlophone Records Ltd, a Warner Music Group Company

7
Walk Don't Run
00:02:52

Bruce Welch, Guitar - SMITH, Composer, Writer - The Shadows, Producer, MainArtist - John Farrar, Guitar - Dick Plant, Engineer - Hank Marvin, Guitar - Brian Bennett, Drums - Johnny Smith, Composer - Tony Clark, Engineer

© 1992 Parlophone Records Ltd, a Warner Music Group Company ℗ 1977 Parlophone Records Ltd, a Warner Music Group Company

8
Superstar
00:04:15

Bonnie Bramlett, Composer - Bruce Welch, Guitar - Leon Russell, Composer - The Shadows, Producer, MainArtist - John Farrar, Guitar - Dick Plant, Engineer - Hank Marvin, Guitar - Brian Bennett, Drums - Tony Clark, Engineer - Thumser, Composer

© 1992 Parlophone Records Ltd, a Warner Music Group Company ℗ 1977 Parlophone Records Ltd, a Warner Music Group Company

9
Bermuda Triangle
00:05:21

Bruce Welch, Composer, Guitar - The Shadows, Producer, MainArtist - John Farrar, Guitar - Dick Plant, Engineer - Hank Marvin, Composer, Guitar - Brian Bennett, Composer, Drums - Tony Clark, Engineer

© 1992 Parlophone Records Ltd, a Warner Music Group Company ℗ 1977 Parlophone Records Ltd, a Warner Music Group Company

10
The Most Beautiful Girl
00:02:49

Norris Wilson, Writer - Rory Bourke, Writer - Bruce Welch, Guitar - The Shadows, Producer, MainArtist - John Farrar, Guitar - Dick Plant, Engineer - Hank Marvin, Guitar - Brian Bennett, Drums - BILLY SHERRILL, Writer - Tony Clark, Engineer

© 1992 Parlophone Records Ltd, a Warner Music Group Company ℗ 1977 Parlophone Records Ltd, a Warner Music Group Company

11
Creole Nights
00:04:29

Bruce Welch, Composer, Guitar - The Shadows, Producer, MainArtist - John Farrar, Guitar - Dick Plant, Engineer - Hank Marvin, Composer, Guitar - Brian Bennett, Composer, Drums - Tony Clark, Engineer

© 1992 Parlophone Records Ltd, a Warner Music Group Company ℗ 1977 Parlophone Records Ltd, a Warner Music Group Company

12
Black Is Black
00:04:02

Bruce Welch, Guitar - Hayes, Composer - The Shadows, Producer, MainArtist - Grainger, Composer - John Farrar, Guitar - Dick Plant, Engineer - Hank Marvin, Guitar - Brian Bennett, Drums - Wadey, Composer - Tony Clark, Engineer

© 1992 Parlophone Records Ltd, a Warner Music Group Company ℗ 1980 Parlophone Records Ltd, a Warner Music Group Company

13
The Air That I Breathe
00:03:57

Bruce Welch, Guitar - The Shadows, Producer, MainArtist - John Farrar, Guitar - Mike Hazlewood, Writer - Hank Marvin, Guitar - Brian Bennett, Drums - Albert Hammond Jr, Writer

© 1992 Parlophone Records Ltd, a Warner Music Group Company ℗ 1992 Parlophone Records Ltd, a Warner Music Group Company

14
Sweet Saturday Night
00:04:22

Bruce Welch, Composer, Guitar - The Shadows, Producer, MainArtist - John Farrar, Guitar - Dick Plant, Engineer - Hank Marvin, Composer, Guitar - Brian Bennett, Composer, Drums - Tony Clark, Engineer

© 1992 Parlophone Records Ltd, a Warner Music Group Company ℗ 1978 Parlophone Records Ltd, a Warner Music Group Company

15
Rusk
00:03:53

Bruce Welch, Composer, Guitar - The Shadows, Producer, MainArtist - John Farrar, Guitar - Dick Plant, Engineer - Hank Marvin, Composer, Guitar - Brian Bennett, Composer, Drums - Tony Clark, Engineer

© 1992 Parlophone Records Ltd, a Warner Music Group Company ℗ 1980 Parlophone Records Ltd, a Warner Music Group Company

Presentación del Álbum

1977 probably wasn't a good year for any returning heroes to be trying to make an impression, especially if they wanted anyone to remember what they'd done. In a year that was devoured by punk rock, and which history recalls only for that monster's most fiery antics, a group like the Shadows wasn't even an irrelevance. They weren't noticed. And so Tasty came and went, the Shadows album that time forgot, and it was only if you really, really cared about the band that you hunted it down, dropped the needle on the vinyl, and wondered why you'd bothered. Firmly into easy listening territory now, the Shadows had so thoroughly perfected their signature sound that nothing could break through it. The sweetly chiming guitar lead, each note resonating in its own musical universe; the gentle rhythms percolating behind it; they could have recorded any song in the world, and it would have sounded just like you'd expect. So "Goodbye Yellow Brick Road" bleeds into "Walk Don't Run," "Superstar" dances the "Cricket Bat Boogie," and even "Honky Tonk Women," a song that really shouldn't have easily succumbed to their charms, becomes just another gentle drift. None of which is to say Tasty is not a tasty treat. Play it, and you can feel your body melting into the moods; you don't even need to think about it, it just takes you over and does what it will. Which was a remarkable achievement in 1977, and is still a surprise today. Nobody would ever rate Tasty in their Top 20 Shadows albums. But it's certainly one of the most archetypal of them all.

© Dave Thompson /TiVo

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