Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Idioma disponible: inglés
Brazilian composer Ernesto Nazareth attempted to bring popular Brazilian dances into the concert sphere. One of these was the Argentine tango, which was all the rage during the years when he was active, on either side of 1900. He often labeled his short piano pieces "tangos brasileiros," which could indicate specifically Brazilian variants but more often was a kind of catch-all term, as ragtime became in the United States. Indeed, U.S. listeners and others interested in ragtime are likely to notice a strong similarity between a piece like Escovado (CD 1, track 4) and some of Scott Joplin's slower rags (and, of course, Joplin wrote tangos too). Recordings of Nazareth's music are not numerous, and for that reason alone this recording by Canadian pianist Christina Petrowska Quilico is to be welcomed; the question of what rhythms Nazareth was hearing and what he did with them deserves further study. All of the pieces heard here were, with the exception of one called a "fado," were indeed designated by Nazareth as tangos brasileiros. For the reasons outlined above, their rhythms vary considerably, and there's no monotony in hearing two CDs' worth of them at a sitting, even though Nazareth's music is most interesting when his various dance genres are mixed (you might not think of the polka as a Brazilian genre, but it was, and he wrote lots of them). Pianists debate how to play Joplin: should the music be kept exactly rhythmically square as written, varied slightly, or elaborated both rhythmically and melodically in the manner of a jazz pianist? The same questions apply to Nazareth, and they've just begun to be answered. Quilico hews very close to the literal end, and you may find her a trifle on the mechanical side, but this is likely to be a matter of taste. In any event, it is good to see the recorded Nazareth literature expand.
© TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde $ 16.190,00/mes
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
DISCO 2
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist
2013 Marquis Classics 2013 Marquis Classics
Presentación del Álbum
Brazilian composer Ernesto Nazareth attempted to bring popular Brazilian dances into the concert sphere. One of these was the Argentine tango, which was all the rage during the years when he was active, on either side of 1900. He often labeled his short piano pieces "tangos brasileiros," which could indicate specifically Brazilian variants but more often was a kind of catch-all term, as ragtime became in the United States. Indeed, U.S. listeners and others interested in ragtime are likely to notice a strong similarity between a piece like Escovado (CD 1, track 4) and some of Scott Joplin's slower rags (and, of course, Joplin wrote tangos too). Recordings of Nazareth's music are not numerous, and for that reason alone this recording by Canadian pianist Christina Petrowska Quilico is to be welcomed; the question of what rhythms Nazareth was hearing and what he did with them deserves further study. All of the pieces heard here were, with the exception of one called a "fado," were indeed designated by Nazareth as tangos brasileiros. For the reasons outlined above, their rhythms vary considerably, and there's no monotony in hearing two CDs' worth of them at a sitting, even though Nazareth's music is most interesting when his various dance genres are mixed (you might not think of the polka as a Brazilian genre, but it was, and he wrote lots of them). Pianists debate how to play Joplin: should the music be kept exactly rhythmically square as written, varied slightly, or elaborated both rhythmically and melodically in the manner of a jazz pianist? The same questions apply to Nazareth, and they've just begun to be answered. Quilico hews very close to the literal end, and you may find her a trifle on the mechanical side, but this is likely to be a matter of taste. In any event, it is good to see the recorded Nazareth literature expand.
© TiVo
Acerca del álbum
- 2 disco(s) - 24 pista(s)
- Duración total: 01:35:54
- Artistas principales: Christina Petrowska-Quilico
- Compositor: Ernesto Nazareth
- Sello: Marquis Classics
- Género Clásica Música de cámara
2013 Marquis Classics 2013 Marquis Classics
Mejorar la información del álbum