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Idioma disponible: inglés
Ray Brown has many great contributions to jazz as a leader and a sideman, but one additional way in which he helped jazz was his encouraging Gene Harris to give up his early retirement and go back out on the road. The pianist was a part of Brown's groups for several years before he formed a working quartet and became a leader for good once again. This 1988 concert at a since-defunct Santa Monica night club (co-owned by Brown) finds the two, along with drummer Jeff Hamilton, at the top of their game. A phone ringing in the background distracts momentarily from Brown's opening solo in his composition "The Real Blues," during which Harris repeats a bluesy tremolo, which may be an inside joke about the early distraction. Harris take a blues-drenched approach to "Mona Lisa" before giving way to the leader's solo, while his lyrical approach to "Can't Help Lovin' Dat Man" is shimmering. Hamilton's soft brushes are prominent in "Little Darlin'," but his explosive playing provides a powerful pulse to the very unusual strutting take of "It Don't Mean a Thing." This extremely satisfying CD is warmly recommended.
© Ken Dryden /TiVo
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Johnny Mercer, Translator - Hans Bradtke, ComposerLyricist - Henry Mayer, ComposerLyricist - Ray Brown Trio, MainArtist
℗ 1990 Concord Jazz, Inc.
Nick Phillips, Producer, Assistant Producer - RAY BROWN, Composer, Upright Bass, AssociatedPerformer - Jeff Hamilton, Drums, AssociatedPerformer - Gene Harris, Piano, AssociatedPerformer - Phil Edwards, Recording Engineer, StudioPersonnel - Ray Brown Trio, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Allen Farnham, Producer, Recording Producer
℗ 1990 Concord Jazz
Neal Hefti, ComposerLyricist - Ray Brown Trio, MainArtist
℗ 1990 Concord Jazz, Inc.
Duke Ellington, Composer - Irving Mills, Author - Ray Brown Trio, MainArtist
℗ 1990 Concord Jazz, Inc.
Jay Livingston, ComposerLyricist - RAYMOND B. EVANS, ComposerLyricist - Ray Brown Trio, MainArtist
℗ 1990 Concord Jazz, Inc.
Nick Phillips, Producer, Assistant Producer - RAY BROWN, Upright Bass, AssociatedPerformer, ComposerLyricist - Jeff Hamilton, Drums, AssociatedPerformer - Gene Harris, Piano, AssociatedPerformer - Phil Edwards, Recording Engineer, StudioPersonnel - Ray Brown Trio, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Allen Farnham, Producer, Recording Producer
℗ 1990 Concord Jazz
Jerome Kern, ComposerLyricist - Oscar Hammerstein II , ComposerLyricist - Ray Brown Trio, MainArtist
℗ 1990 Concord Jazz, Inc.
Milt Jackson, ComposerLyricist - Ray Brown Trio, MainArtist
℗ 1990 Concord Jazz, Inc.
Presentación del Álbum
Ray Brown has many great contributions to jazz as a leader and a sideman, but one additional way in which he helped jazz was his encouraging Gene Harris to give up his early retirement and go back out on the road. The pianist was a part of Brown's groups for several years before he formed a working quartet and became a leader for good once again. This 1988 concert at a since-defunct Santa Monica night club (co-owned by Brown) finds the two, along with drummer Jeff Hamilton, at the top of their game. A phone ringing in the background distracts momentarily from Brown's opening solo in his composition "The Real Blues," during which Harris repeats a bluesy tremolo, which may be an inside joke about the early distraction. Harris take a blues-drenched approach to "Mona Lisa" before giving way to the leader's solo, while his lyrical approach to "Can't Help Lovin' Dat Man" is shimmering. Hamilton's soft brushes are prominent in "Little Darlin'," but his explosive playing provides a powerful pulse to the very unusual strutting take of "It Don't Mean a Thing." This extremely satisfying CD is warmly recommended.
© Ken Dryden /TiVo
Acerca del álbum
- 1 disco(s) - 8 pista(s)
- Duración total: 00:55:40
- Artistas principales: Ray Brown Trio
- Compositor: Various Composers
- Sello: Concord Jazz
- Género Jazz
© 1990 Concord Jazz, Inc. ℗ 1990 Concord Jazz, Inc.
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