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Thievery Corporation|Sounds From The Thievery Hi Fi (Remastered 2022)

Sounds From The Thievery Hi Fi (Remastered 2022)

Thievery Corporation

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Idioma disponible: inglés

Rare-groove duo Thievery Corporation may fall under the general classification of electronica, but their album Sounds from the Thievery Hi-Fi, like much of their music, is such a confluence of subgenres that techno fans might not find what they're looking for in it. This record is electronic in that nearly everything heard on it has been tweaked in the studio, but almost all of the actual synth sounds on Sounds from the Thievery Hi-Fi lie in the background. What carry each song are recordings of actual instruments, either live or sampled, mixed to create the arc of the specific track. Add a smattering of vocal samples, and the result is the love-child of Massive Attack and Mondo Grosso, a trip-hoppy, acid jazz mutant that will make you want to dance, have sex, or lounge by the pool (if you're not left walking in confused circles, trying to figure out which one). That seems to be the CD's only real weakness: the seams that bind the various influences involved in the music can be a bit ragged, leading to some songs that come off as awkward, rather than eclectic. The amalgamations throughout most of the disc are quite effective, however. The track "Scene at the Open Air Market," for instance, sounds like the melody is played on a xylophone, before switching to perhaps an accordion, eventually coming to sound like a mixture of lounge music, rhumba, and Eastern European folk -- but sexy. The samples of a man yelling reggae-style shout-outs during "2001 Spliff Odyssey," however, are mostly just distracting from the ultra-smooth groove, and can feel like interruptions. In the end, assuming that almost everyone who picks up Sounds from the Thievery Hi-Fi is a fan of trip-hop, acid jazz, club/dance, or electronica, then it is essentially a record for everybody. Its only real fault is that occasionally, it edges on being a record for nobody.

© Cammila Albertson /TiVo

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Sounds From The Thievery Hi Fi (Remastered 2022)

Thievery Corporation

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1
A Warning (Remastered 2022)
00:02:15

Eric Hilton, Producer, ComposerLyricist - Rob Garza, Producer, ComposerLyricist - Thievery Corporation, MainArtist

℗ 1997 Primary Wave Music

2
2001 Spliff Odyssey (Remastered 2022)
00:05:06

Eric Hilton, Producer, ComposerLyricist - Rob Garza, Producer, ComposerLyricist - Thievery Corporation, MainArtist

℗ 1997 Primary Wave Music

3
Shaolin Satellite (Remastered 2022)
00:06:24

Eric Hilton, Producer, ComposerLyricist - Rob Garza, Producer, ComposerLyricist - Thievery Corporation, MainArtist

℗ 1997 Primary Wave Music

4
Transcendance (Remastered 2022)
00:04:07

Eric Hilton, Producer, ComposerLyricist - Rob Garza, Producer, ComposerLyricist - Thievery Corporation, MainArtist

℗ 1997 Primary Wave Music

5
Universal Highness (Remastered 2022)
00:04:22

Eric Hilton, Producer, ComposerLyricist - Rob Garza, Producer, ComposerLyricist - Thievery Corporation, MainArtist

℗ 1997 Primary Wave Music

6
Incident at Gate 7 (Remastered 2022)
00:06:29

Eric Hilton, Producer, ComposerLyricist - Rob Garza, Producer, ComposerLyricist - Thievery Corporation, MainArtist

℗ 1997 Primary Wave Music

7
Scene at the Open Air Market (Remastered 2022)
00:02:58

Eric Hilton, Producer, ComposerLyricist - Rob Garza, Producer, ComposerLyricist - Thievery Corporation, MainArtist

℗ 1997 Primary Wave Music

8
The Glass Bead Game (Remastered 2022)
00:06:12

Eric Hilton, Producer, ComposerLyricist - Rob Garza, Producer, ComposerLyricist - Thievery Corporation, MainArtist

℗ 1997 Primary Wave Music

9
Encounter in Bahia (Remastered 2022)
00:04:00

Eric Hilton, Producer, ComposerLyricist - Rob Garza, Producer, ComposerLyricist - Thievery Corporation, MainArtist

℗ 1997 Primary Wave Music

10
The Foundation (Remastered 2022)
00:05:38

Eric Hilton, Producer, ComposerLyricist - Rob Garza, Producer, ComposerLyricist - Thievery Corporation, MainArtist

℗ 1997 Primary Wave Music

11
Interlude (Remastered 2022)
00:02:22

Eric Hilton, Producer, ComposerLyricist - Rob Garza, Producer, ComposerLyricist - Thievery Corporation, MainArtist

℗ 1997 Primary Wave Music

12
The Oscillator (Remastered 2022)
00:04:14

Eric Hilton, Producer, ComposerLyricist - Rob Garza, Producer, ComposerLyricist - Thievery Corporation, MainArtist

℗ 1997 Primary Wave Music

13
Assault On Babylon (Remastered 2022)
00:04:26

Eric Hilton, Producer, ComposerLyricist - Rob Garza, Producer, ComposerLyricist - Thievery Corporation, MainArtist

℗ 1997 Primary Wave Music

14
.38.45 (A Thievery Number) (Remastered 2022)
00:05:07

Eric Hilton, Producer, ComposerLyricist - Rob Garza, Producer, ComposerLyricist - Thievery Corporation, MainArtist

℗ 1997 Primary Wave Music

15
One (Remastered 2022)
00:04:52

Eric Hilton, Producer, ComposerLyricist - Rob Garza, Producer, ComposerLyricist - Thievery Corporation, MainArtist

℗ 1997 Primary Wave Music

16
Sun, Moon and Stars (Remastered 2022)
00:04:30

Eric Hilton, Producer, ComposerLyricist - Rob Garza, Producer, ComposerLyricist - Thievery Corporation, MainArtist

℗ 1997 Primary Wave Music

17
Sleeper Car (Remastered 2022)
00:03:07

Eric Hilton, Producer, ComposerLyricist - Rob Garza, Producer, ComposerLyricist - Thievery Corporation, MainArtist

℗ 1997 Primary Wave Music

Presentación del Álbum

Rare-groove duo Thievery Corporation may fall under the general classification of electronica, but their album Sounds from the Thievery Hi-Fi, like much of their music, is such a confluence of subgenres that techno fans might not find what they're looking for in it. This record is electronic in that nearly everything heard on it has been tweaked in the studio, but almost all of the actual synth sounds on Sounds from the Thievery Hi-Fi lie in the background. What carry each song are recordings of actual instruments, either live or sampled, mixed to create the arc of the specific track. Add a smattering of vocal samples, and the result is the love-child of Massive Attack and Mondo Grosso, a trip-hoppy, acid jazz mutant that will make you want to dance, have sex, or lounge by the pool (if you're not left walking in confused circles, trying to figure out which one). That seems to be the CD's only real weakness: the seams that bind the various influences involved in the music can be a bit ragged, leading to some songs that come off as awkward, rather than eclectic. The amalgamations throughout most of the disc are quite effective, however. The track "Scene at the Open Air Market," for instance, sounds like the melody is played on a xylophone, before switching to perhaps an accordion, eventually coming to sound like a mixture of lounge music, rhumba, and Eastern European folk -- but sexy. The samples of a man yelling reggae-style shout-outs during "2001 Spliff Odyssey," however, are mostly just distracting from the ultra-smooth groove, and can feel like interruptions. In the end, assuming that almost everyone who picks up Sounds from the Thievery Hi-Fi is a fan of trip-hop, acid jazz, club/dance, or electronica, then it is essentially a record for everybody. Its only real fault is that occasionally, it edges on being a record for nobody.

© Cammila Albertson /TiVo

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