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Bill Dixon|Son Of Sisyphus

Son Of Sisyphus

Bill Dixon

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Bill Dixon's Soul Note exploration is typically thoughtful, introverted and often downbeat. Two duets on piano with bassist Mario Pavone ("Silences For Jack Moore" and "Sumi-E") both put as much emphasis on space as on the sounds. The other pieces find Dixon's tonal distortions on the trumpet often joined by moaning long tones from the tuba of John Buckingham, the competing ideas of Pavone and the often-fiery drums of Laurence Cook. "Schema V1-88" uses a single sound as the basis for the group improvisation while other pieces feature the musicians reacting quite freely to each other. These lyrical explorations move forward without a pulse and, once one gets used to the "style" (or lack of), they reward repeated listenings.

© Scott Yanow /TiVo

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Son Of Sisyphus

Bill Dixon

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1
Silences For Jack Moore
00:02:22

Bill Dixon, Composer, MainArtist, AssociatedPerformer - Laurence Cook, AssociatedPerformer - John Buckingham, AssociatedPerformer - Mario Pavone, AssociatedPerformer - Metamorphosis Music, MusicPublisher - Giovanni Bonandrini, Producer

1990 Kepach Music S.r.l. 1991 Kepach Music S.r.l.

2
Vecctor
00:01:58

Bill Dixon, Composer, MainArtist, AssociatedPerformer - Laurence Cook, AssociatedPerformer - John Buckingham, AssociatedPerformer - Mario Pavone, AssociatedPerformer - Metamorphosis Music, MusicPublisher - Giovanni Bonandrini, Producer

1990 Kepach Music S.r.l. 1991 Kepach Music S.r.l.

3
Son Of Sisyphus
00:07:22

Bill Dixon, Composer, MainArtist, AssociatedPerformer - Laurence Cook, AssociatedPerformer - John Buckingham, AssociatedPerformer - Mario Pavone, AssociatedPerformer - Metamorphosis Music, MusicPublisher - Giovanni Bonandrini, Producer

1990 Kepach Music S.r.l. 1991 Kepach Music S.r.l.

4
Schema VI - 88
00:03:11

Dixon, Composer - Bill Dixon, Composer, MainArtist, AssociatedPerformer - Laurence Cook, AssociatedPerformer - John Buckingham, AssociatedPerformer - Mario Pavone, AssociatedPerformer - Metamorphosis Music, MusicPublisher - Giovanni Bonandrini, Producer

1990 Kepach Music S.r.l. 1991 Kepach Music S.r.l.

5
Fusama Codex
00:05:25

Bill Dixon, Composer, MainArtist, AssociatedPerformer - Laurence Cook, AssociatedPerformer - John Buckingham, AssociatedPerformer - Mario Pavone, AssociatedPerformer - Metamorphosis Music, MusicPublisher - Giovanni Bonandrini, Producer

1990 Kepach Music S.r.l. 1991 Kepach Music S.r.l.

6
Mandala Per Mandela
00:03:52

Bill Dixon, Composer, MainArtist, AssociatedPerformer - Laurence Cook, AssociatedPerformer - John Buckingham, AssociatedPerformer - Mario Pavone, AssociatedPerformer - Metamorphosis Music, MusicPublisher - Giovanni Bonandrini, Producer

1990 Kepach Music S.r.l. 1991 Kepach Music S.r.l.

7
Sumi - E
00:02:59

Bill Dixon, Composer, MainArtist, AssociatedPerformer - Laurence Cook, AssociatedPerformer - John Buckingham, AssociatedPerformer - Mario Pavone, AssociatedPerformer - Metamorphosis Music, MusicPublisher - Giovanni Bonandrini, Producer

1990 Kepach Music S.r.l. 1991 Kepach Music S.r.l.

8
Negoro Codex
00:04:30

Bill Dixon, Composer, MainArtist, AssociatedPerformer - Laurence Cook, AssociatedPerformer - John Buckingham, AssociatedPerformer - Mario Pavone, AssociatedPerformer - Metamorphosis Music, MusicPublisher - Giovanni Bonandrini, Producer

1990 Kepach Music S.r.l. 1991 Kepach Music S.r.l.

9
Molti Molti Anni Fa...
00:07:41

Bill Dixon, Composer, MainArtist, AssociatedPerformer - Laurence Cook, AssociatedPerformer - John Buckingham, AssociatedPerformer - Mario Pavone, AssociatedPerformer - Metamorphosis Music, MusicPublisher - Giovanni Bonandrini, Producer

1990 Kepach Music S.r.l. 1991 Kepach Music S.r.l.

Presentación del Álbum

Bill Dixon's Soul Note exploration is typically thoughtful, introverted and often downbeat. Two duets on piano with bassist Mario Pavone ("Silences For Jack Moore" and "Sumi-E") both put as much emphasis on space as on the sounds. The other pieces find Dixon's tonal distortions on the trumpet often joined by moaning long tones from the tuba of John Buckingham, the competing ideas of Pavone and the often-fiery drums of Laurence Cook. "Schema V1-88" uses a single sound as the basis for the group improvisation while other pieces feature the musicians reacting quite freely to each other. These lyrical explorations move forward without a pulse and, once one gets used to the "style" (or lack of), they reward repeated listenings.

© Scott Yanow /TiVo

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