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Derek Smalls|Smalls Change (Meditations Upon Ageing)

Smalls Change (Meditations Upon Ageing)

Derek Smalls

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Idioma disponible: inglés

The story behind Smalls Change (Meditations Upon Ageing) goes like this: Derek Smalls, the bass player for metal relics Spinal Tap, mustered the wherewithal to craft a grand, star-studded final statement at the age of 77. By having his creation Derek Smalls go solo, Harry Shearer gets to sidestep the difficultly of mounting an actual Spinal Tap reunion and also craft a nearly bulletproof project: if the album is bad, well, that's just part of the joke, because solo albums by bassists are almost always bad. As it turns out, Smalls Change is difficult to quantify as either bad or good. It simply is, a collection of songs about growing old in the modern world, filled with vulgar jokes and fond memories of days gone by. Shearer's subterranean growl serves as an anchor to a collection that's largely lumbering metal, but there are times when his guests help lighten the touch -- notably Donald Fagen, who delivers a killer punch line on the chorus of "Memo to Willie." By grounding it so heavily in the metal that served Spinal Tap so well, Shearer turns Smalls Change into a bit of a grueling hourlong experience -- there may be the occasional taste of prog pomp or a Richard Thompson cameo, but it's all in the context of hard rock -- but listened to as a series of EPs, the craft behind its silliness shines through and it's quite palatable. Which makes it not all that different from a John Entwistle album.

© Stephen Thomas Erlewine /TiVo

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Smalls Change (Meditations Upon Ageing)

Derek Smalls

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1
Openture
00:00:39

Derek Smalls, Composer, MainArtist

© 2018 BMG Rights Management (US) LLC ℗ 2018 BMG Rights Management (US) LLC

2
Rock And Roll Transplant (feat. Steve Lukather, Jim Keltner and Chad Smith)
00:04:16

Jim Keltner, FeaturedArtist - STEVE LUKATHER, FeaturedArtist - Chad Smith, FeaturedArtist - Derek Smalls, Composer, MainArtist

© 2018 BMG Rights Management (US) LLC ℗ 2018 BMG Rights Management (US) LLC

3
Butt Call (feat. Phil X and Taylor Hawkins)
00:03:37

Taylor Hawkins, FeaturedArtist - Phil X, FeaturedArtist - Derek Smalls, Composer, MainArtist

© 2018 BMG Rights Management (US) LLC ℗ 2018 BMG Rights Management (US) LLC

4
Smalls Change (feat. Judith Owen, Danny Kortchmar and Russ Kunkel)
00:04:49

Danny Kortchmar, FeaturedArtist - Russ Kunkel, FeaturedArtist - Judith Owen, FeaturedArtist - Derek Smalls, Composer, MainArtist

© 2018 BMG Rights Management (US) LLC ℗ 2018 BMG Rights Management (US) LLC

5
Memo To Willie (feat. Donald Fagen, Jeff "Skunk" Baxter, Larry Carlton and The Snarky Puppy Horns)
00:03:51

Donald Fagen, FeaturedArtist - Jeff "Skunk" Baxter, FeaturedArtist - LARRY CARLTON, FeaturedArtist - Derek Smalls, Composer, MainArtist - The Snarky Puppy Horns, FeaturedArtist

© 2018 BMG Rights Management (US) LLC ℗ 2018 BMG Rights Management (US) LLC

6
It Don't Get Old (feat. Waddy Wachtel)
00:04:27

Waddy Wachtel, FeaturedArtist - Derek Smalls, Composer, MainArtist

© 2018 BMG Rights Management (US) LLC ℗ 2018 BMG Rights Management (US) LLC

7
Complete Faith
00:00:31

Derek Smalls, Composer, MainArtist

© 2018 BMG Rights Management (US) LLC ℗ 2018 BMG Rights Management (US) LLC

8
Faith No More
00:05:36

Derek Smalls, Composer, MainArtist

© 2018 BMG Rights Management (US) LLC ℗ 2018 BMG Rights Management (US) LLC

9
Gimme Some (More) Money (feat. Paul Shaffer, Waddy Wachtel, and David Crosby)
00:03:33

David Crosby, FeaturedArtist - Waddy Wachtel, FeaturedArtist - Paul Shaffer, FeaturedArtist - Derek Smalls, Composer, MainArtist

© 2018 BMG Rights Management (US) LLC ℗ 2018 BMG Rights Management (US) LLC

10
MRI (feat. Dweezil Zappa)
00:04:10

Dweezil Zappa, Female Vocals, FeaturedArtist - Derek Smalls, Composer, MainArtist

© 2018 BMG Rights Management (US) LLC ℗ 2018 BMG Rights Management (US) LLC

11
Hell Toupee
00:05:21

Derek Smalls, Composer, MainArtist

© 2018 BMG Rights Management (US) LLC ℗ 2018 BMG Rights Management (US) LLC

12
Gummin' The Gash (feat. Steve Vai, Todd Sucheeman and Jane Lynch)
00:03:23

Steve Vai, FeaturedArtist - Derek Smalls, Composer, MainArtist - Jane Lynch, FeaturedArtist - Todd Sucheeman, FeaturedArtist

© 2018 BMG Rights Management (US) LLC ℗ 2018 BMG Rights Management (US) LLC

13
She Puts The Bitch In Obituary (feat. Richard Thompson and Jane Lynch)
00:05:23

Richard Thompson, FeaturedArtist - Derek Smalls, Composer, MainArtist - Jane Lynch, FeaturedArtist

© 2018 BMG Rights Management (US) LLC ℗ 2018 BMG Rights Management (US) LLC

14
When Men Did Rock (feat. Michael League, Joe Satriani and Rick Wakeman)
00:09:25

Joe Satriani, FeaturedArtist - Rick Wakeman, FeaturedArtist - Derek Smalls, Composer, MainArtist - Michael League, FeaturedArtist

© 2018 BMG Rights Management (US) LLC ℗ 2018 BMG Rights Management (US) LLC

Presentación del Álbum

The story behind Smalls Change (Meditations Upon Ageing) goes like this: Derek Smalls, the bass player for metal relics Spinal Tap, mustered the wherewithal to craft a grand, star-studded final statement at the age of 77. By having his creation Derek Smalls go solo, Harry Shearer gets to sidestep the difficultly of mounting an actual Spinal Tap reunion and also craft a nearly bulletproof project: if the album is bad, well, that's just part of the joke, because solo albums by bassists are almost always bad. As it turns out, Smalls Change is difficult to quantify as either bad or good. It simply is, a collection of songs about growing old in the modern world, filled with vulgar jokes and fond memories of days gone by. Shearer's subterranean growl serves as an anchor to a collection that's largely lumbering metal, but there are times when his guests help lighten the touch -- notably Donald Fagen, who delivers a killer punch line on the chorus of "Memo to Willie." By grounding it so heavily in the metal that served Spinal Tap so well, Shearer turns Smalls Change into a bit of a grueling hourlong experience -- there may be the occasional taste of prog pomp or a Richard Thompson cameo, but it's all in the context of hard rock -- but listened to as a series of EPs, the craft behind its silliness shines through and it's quite palatable. Which makes it not all that different from a John Entwistle album.

© Stephen Thomas Erlewine /TiVo

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