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Sheryl Crow|Sheryl Crow

Sheryl Crow

Sheryl Crow

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Hiring noted roots experimentalists Tchad Blake and Mitchell Froom as engineer and consultant, respectively, Sheryl Crow took a cue from their Latin Playboys project for her second album -- she kept her roots rock foundation and added all sorts of noises, weird instruments, percussion loops, and off-balance production to give Sheryl Crow a distinctly modern flavor. And, even with the Stonesy grind of "Sweet Rosalyn" or hippie spirits of "Love Is a Good Thing," it is an album that couldn't have been made any other time than the '90s. As strange as it may sound, Sheryl Crow is a postmodern masterpiece of sorts -- albeit a mainstream, post-alternative, postmodern masterpiece. It may not be as hip or innovative as, say, the Beastie Boys' Paul's Boutique, but it is as self-referential, pop culture obsessed, and musically eclectic. Throughout the record, Crow spins out wild, nearly incomprehensible stream-of-consciousness lyrics, dropping celebrity names and products every chance she gets ("drinking Falstaff beer/Mercedes Ruehl and a rented Leer"). Often, these litanies don't necessarily add up to anything specific, but they're a perfect match for the mess of rock, blues, alt-rock, country, folk, and lite hip-hop loops that dominate the record. At her core, she remains a traditionalist -- the songcraft behind the infectious "Change Would Do You Good," the bubbly "Everyday Is a Winding Road," and the weary "If It Makes You Happy" helped get the singles on the radio -- but the production and lyrics are often at odds with those instincts, creating for a fascinating and compelling (and occasionally humorous) listen and one of the most individual albums of its era.

© Stephen Thomas Erlewine /TiVo

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Sheryl Crow

Sheryl Crow

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1
Maybe Angels
00:04:56

Sheryl Crow, Producer, MainArtist, ComposerLyricist - BILL BOTTRELL, ComposerLyricist - Tchad Blake, Mixer, StudioPersonnel

℗ 1996 UMG Recordings, Inc.

2
A Change Would Do You Good
00:03:50

Jeff Trott, ComposerLyricist - Brian MacLeod, ComposerLyricist - Sheryl Crow, Producer, MainArtist, ComposerLyricist

℗ 1996 A&M Records

3
Home (Album Version)
00:04:50

Sheryl Crow, Producer, MainArtist, ComposerLyricist - Tchad Blake, Mixer, StudioPersonnel

℗ 1996 UMG Recordings, Inc.

4
Sweet Rosalyn
00:03:58

Sheryl Crow, Producer, MainArtist, ComposerLyricist - Tchad Blake, Mixer, StudioPersonnel - Jeffrey Trott, ComposerLyricist

℗ 1996 UMG Recordings, Inc.

5
If It Makes You Happy (Album Version)
00:05:24

Jeff Trott, ComposerLyricist - Sheryl Crow, Producer, MainArtist, ComposerLyricist - Tchad Blake, Mixer, StudioPersonnel

℗ 1996 UMG Recordings, Inc.

6
Redemption Day
00:04:26

Sheryl Crow, Producer, MainArtist, ComposerLyricist - Tchad Blake, Mixer, StudioPersonnel

℗ 1996 UMG Recordings, Inc.

7
Hard To Make A Stand
00:03:06

Todd Wolfe, ComposerLyricist - Sheryl Crow, Producer, MainArtist, ComposerLyricist - BILL BOTTRELL, ComposerLyricist - Tchad Blake, Mixer, StudioPersonnel - R.S. Bryan, ComposerLyricist

℗ 1996 UMG Recordings, Inc.

8
Everyday Is A Winding Road (Album Version)
00:04:16

Jeff Trott, ComposerLyricist - Brian MacLeod, ComposerLyricist - Sheryl Crow, Producer, MainArtist, ComposerLyricist - Tchad Blake, Mixer, StudioPersonnel

℗ 1996 UMG Recordings, Inc.

9
Love Is A Good Thing (Album Version)
00:04:43

Sheryl Crow, Producer, MainArtist, ComposerLyricist - Tchad Blake, Mixer, StudioPersonnel - Tad Wadhams, ComposerLyricist

℗ 1996 UMG Recordings, Inc.

10
Oh Marie
00:03:30

Sheryl Crow, Producer, MainArtist, ComposerLyricist - BILL BOTTRELL, ComposerLyricist - Tchad Blake, Mixer, StudioPersonnel - Jeffrey Trott, ComposerLyricist

℗ 1996 UMG Recordings, Inc.

11
Superstar
00:04:59

Sheryl Crow, Producer, MainArtist, ComposerLyricist - Tchad Blake, Mixer, StudioPersonnel - Jeffrey Trott, ComposerLyricist

℗ 1996 UMG Recordings, Inc.

12
The Book
00:04:35

Sheryl Crow, Producer, MainArtist, ComposerLyricist - Tchad Blake, Mixer, StudioPersonnel - Jeffrey Trott, ComposerLyricist

℗ 1996 UMG Recordings, Inc.

13
Ordinary Morning
00:04:05

Sheryl Crow, Producer, MainArtist, ComposerLyricist - Tchad Blake, Mixer, StudioPersonnel

℗ 1996 UMG Recordings, Inc.

14
Sad Sad World
00:04:07

Sheryl Crow, Producer, MainArtist, ComposerLyricist - Tchad Blake, Mixer, StudioPersonnel - Jeffrey Trott, ComposerLyricist - Brian S. Mcleod, ComposerLyricist

℗ 1996 UMG Recordings, Inc.

15
Hard To Make A Stand (Alternate Version)
00:03:32

Todd Wolfe, ComposerLyricist - Sheryl Crow, Producer, MainArtist, ComposerLyricist - BILL BOTTRELL, ComposerLyricist - Tchad Blake, Mixer, StudioPersonnel - R.S. Bryan, ComposerLyricist

℗ 1996 UMG Recordings, Inc.

Presentación del Álbum

Hiring noted roots experimentalists Tchad Blake and Mitchell Froom as engineer and consultant, respectively, Sheryl Crow took a cue from their Latin Playboys project for her second album -- she kept her roots rock foundation and added all sorts of noises, weird instruments, percussion loops, and off-balance production to give Sheryl Crow a distinctly modern flavor. And, even with the Stonesy grind of "Sweet Rosalyn" or hippie spirits of "Love Is a Good Thing," it is an album that couldn't have been made any other time than the '90s. As strange as it may sound, Sheryl Crow is a postmodern masterpiece of sorts -- albeit a mainstream, post-alternative, postmodern masterpiece. It may not be as hip or innovative as, say, the Beastie Boys' Paul's Boutique, but it is as self-referential, pop culture obsessed, and musically eclectic. Throughout the record, Crow spins out wild, nearly incomprehensible stream-of-consciousness lyrics, dropping celebrity names and products every chance she gets ("drinking Falstaff beer/Mercedes Ruehl and a rented Leer"). Often, these litanies don't necessarily add up to anything specific, but they're a perfect match for the mess of rock, blues, alt-rock, country, folk, and lite hip-hop loops that dominate the record. At her core, she remains a traditionalist -- the songcraft behind the infectious "Change Would Do You Good," the bubbly "Everyday Is a Winding Road," and the weary "If It Makes You Happy" helped get the singles on the radio -- but the production and lyrics are often at odds with those instincts, creating for a fascinating and compelling (and occasionally humorous) listen and one of the most individual albums of its era.

© Stephen Thomas Erlewine /TiVo

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