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Caroline Clemmow|Schubert: The Unauthorised Piano Duos, Vol. 2

Schubert: The Unauthorised Piano Duos, Vol. 2

Anthony Goldstone, Caroline Clemmow

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Once again, the piano duo of Goldstone and Clemmow has discovered works transcribed for piano, four-hands that are sure to fascinate not only fans of piano duets, but also those of the original composer. Through observant reading of a biography of Schubert, the team realized that transcriptions had been made of some of his chamber music by one Josef von Gahy. Gahy was one of Schubert's closest friends in Vienna, a civil servant, and very accomplished amateur pianist. Gahy frequently played Schubert's piano music at evening Schubertiades, but more importantly, Gahy and Schubert often played duets at the piano together. Gahy made his transcriptions after Schubert's death, hence the "Unauthorised" in this disc's title, but given his close relationship with Schubert, they are authoritative. Goldstone and Clemmow found Gahy's manuscripts at the Vienna City Library, and obtained copies of the Piano Trio No. 1, the Notturno for piano trio, and the "Arpeggione" Sonata for this recording. The first two works lose only a little of the original's lush lyricism of the strings, most noticeably in the outer sections of the Notturno, but otherwise, the transcriptions are extremely well suited to the piano. In fact, the faster sections of the Notturno sound exactly as if Schubert had written it for just the piano. Any loss, however, is made up for in the duo's attention to the shaping and shading of the music, which is just as lovely as one could hope. The Arpeggione, of course, has already proven to be hardy enough to withstand performances on every instrument imaginable without losing any of its warm charm and playfulness, so it's no surprise that it also works well in a piano duet version. (There is a small surprise in the opening of this version of the sonata for anyone who knows the piece intimately.) The team rounds out the disc with a Rondo, D. 608, that almost assuredly was performed by Gahy and Schubert themselves. Goldstone and Clemmow's dedication to expanding the piano duet repertoire has once again found treasure with these Schubert transcriptions.
© TiVo

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Schubert: The Unauthorised Piano Duos, Vol. 2

Caroline Clemmow

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Piano Trio No. 1 in B-Flat Major, Op. 99, D. 898 (Franz Schubert)

1
I. Allegro moderato (Arr. J. Von Gahy)
Anthony Goldstone
00:10:45

Anthony Goldstone, Performer - Caroline Clemmow, Performer - Franz Schubert, Composer - Josef von Gahy, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

2
II. Andante un poco mosso (Arr. J. Von Gahy)
Anthony Goldstone
00:08:21

Anthony Goldstone, Performer - Caroline Clemmow, Performer - Franz Schubert, Composer - Josef von Gahy, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

3
III. Scherzo. Allegro (Arr. J. Von Gahy)
Anthony Goldstone
00:06:23

Anthony Goldstone, Performer - Caroline Clemmow, Performer - Franz Schubert, Composer - Josef von Gahy, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

4
IV. Rondo. Allegro vivace (Arr. J. Von Gahy)
Anthony Goldstone
00:08:58

Anthony Goldstone, Performer - Caroline Clemmow, Performer - Franz Schubert, Composer - Josef von Gahy, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

Piano Trio in E flat major, Op. 148, D. 897, 'Notturno' (arr. J. von Gahy) (Franz Schubert)

5
Piano Trio in E-Flat Major, Op. 148, D. 897, "Notturno" (Arr. J. Von Gahy)
Anthony Goldstone
00:07:45

Anthony Goldstone, Performer - Caroline Clemmow, Performer - Josef von Gahy, Composer - Franz Schubert, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

Cello Sonata in A Minor, D. 821 (Franz Schubert)

6
I. Allegro moderato (Arr. J. Von Gahy)
Anthony Goldstone
00:08:09

Caroline Clemmow, Performer - Anthony Goldstone, Performer - Josef von Gahy, Composer - Franz Schubert, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

7
II. Adagio - (Arr. J. Von Gahy)
Anthony Goldstone
00:03:39

Caroline Clemmow, Performer - Anthony Goldstone, Performer - Josef von Gahy, Composer - Franz Schubert, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

8
III. Allegretto (Arr. J. Von Gahy)
Anthony Goldstone
00:08:27

Caroline Clemmow, Performer - Anthony Goldstone, Performer - Josef von Gahy, Composer - Franz Schubert, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

Rondo In D Major, D. 608 (Franz Schubert)

9
Rondo in D Major, D. 608
Anthony Goldstone
00:08:33

Anthony Goldstone, Performer - Caroline Clemmow, Performer - Franz Schubert, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

Presentación del Álbum

Once again, the piano duo of Goldstone and Clemmow has discovered works transcribed for piano, four-hands that are sure to fascinate not only fans of piano duets, but also those of the original composer. Through observant reading of a biography of Schubert, the team realized that transcriptions had been made of some of his chamber music by one Josef von Gahy. Gahy was one of Schubert's closest friends in Vienna, a civil servant, and very accomplished amateur pianist. Gahy frequently played Schubert's piano music at evening Schubertiades, but more importantly, Gahy and Schubert often played duets at the piano together. Gahy made his transcriptions after Schubert's death, hence the "Unauthorised" in this disc's title, but given his close relationship with Schubert, they are authoritative. Goldstone and Clemmow found Gahy's manuscripts at the Vienna City Library, and obtained copies of the Piano Trio No. 1, the Notturno for piano trio, and the "Arpeggione" Sonata for this recording. The first two works lose only a little of the original's lush lyricism of the strings, most noticeably in the outer sections of the Notturno, but otherwise, the transcriptions are extremely well suited to the piano. In fact, the faster sections of the Notturno sound exactly as if Schubert had written it for just the piano. Any loss, however, is made up for in the duo's attention to the shaping and shading of the music, which is just as lovely as one could hope. The Arpeggione, of course, has already proven to be hardy enough to withstand performances on every instrument imaginable without losing any of its warm charm and playfulness, so it's no surprise that it also works well in a piano duet version. (There is a small surprise in the opening of this version of the sonata for anyone who knows the piece intimately.) The team rounds out the disc with a Rondo, D. 608, that almost assuredly was performed by Gahy and Schubert themselves. Goldstone and Clemmow's dedication to expanding the piano duet repertoire has once again found treasure with these Schubert transcriptions.
© TiVo

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