Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Idioma disponible: inglés
“The pupil Beethoven was here!” – the young piano virtuoso Ignaz Moscheles caught sight of this sentence in block letters on a note in the house of his teacher Antonio Salieri, Kapellmeister to the Viennese court. “A man like Beethoven still has something to learn from somebody like Salieri? How much more do I!” thought the fourteen-year-old acolyte of the arts and ardent admirer of Beethoven. It is indeed noteworthy that Beethoven, who by 1808 was already widely acknowledged as a genius, was still ready to take advice from Salieri.
The two musicians must first have met in the mid-1790s; Beethoven made his first appearance as a soloist in Vienna in March 1795 with a piano concerto of his own that Salieri conducted. He was already known as a virtuoso and instrumental composer, but had yet to make his mark in the prestigious genre of opera. Beethoven began at that time to pursue his goal of employment in the operatic sphere and was evidently aware of his relative lack of experience in the field of vocal music. Salieri for his part was Vienna’s unchallenged authority on the subject and had been so for decades. The sociable and well connected maestro never charged his students, and Beethoven made good use of the offer of free lessons over the years. He thanked Salieri for his generosity by dedicating his Op. 12 Violin Sonatas to him and by composing a set of variations on a Duettino from Salieri’s opera Falstaff ossia Le tre burle. © Haenssler Classic
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde $ 16.190,00/mes
Habsburg (Antonio Salieri)
Antonio Salieri, Composer - Heidelberger Sinfoniker, Orchestra, MainArtist - Timo Jouko Herrmann, Conductor, MainArtist
(C) 2020 haenssler CLASSIC (P) 2020 haenssler CLASSIC
Vestas Feuer, Hess 115 (Ludwig van Beethoven)
Ludwig van Beethoven, Composer - Kai Preußker, Artist, MainArtist - Diana Tomsche, Artist, MainArtist - Heidelberger Sinfoniker, Orchestra, MainArtist - Thomas Jakobs, Artist, MainArtist - Timo Jouko Herrmann, Conductor, MainArtist - Joshua Whitener, Artist, MainArtist
(C) 2020 haenssler CLASSIC (P) 2020 haenssler CLASSIC
Cesare in Farmacusa (Antonio Salieri)
Antonio Salieri, Composer - Heidelberger Sinfoniker, Orchestra, MainArtist - Timo Jouko Herrmann, Conductor, MainArtist
(C) 2020 haenssler CLASSIC (P) 2020 haenssler CLASSIC
Tremate, empi tremate, Op. 116 (Ludwig van Beethoven)
Ludwig van Beethoven, Composer - Kai Preußker, Artist, MainArtist - Diana Tomsche, Artist, MainArtist - Heidelberger Sinfoniker, Orchestra, MainArtist - Timo Jouko Herrmann, Conductor, MainArtist - Joshua Whitener, Artist, MainArtist
(C) 2020 haenssler CLASSIC (P) 2020 haenssler CLASSIC
L'oracolo muto (Antonio Salieri)
Antonio Salieri, Composer - Heidelberger Sinfoniker, Orchestra, MainArtist - Timo Jouko Herrmann, Conductor, MainArtist
(C) 2020 haenssler CLASSIC (P) 2020 haenssler CLASSIC
La riedificazione di Gerusalemme (Antonio Salieri)
Antonio Salieri, Composer - Stefan Müller-Ruppert, Artist, MainArtist - Kai Preußker, Artist, MainArtist - Diana Tomsche, Artist, MainArtist - Heidelberger Sinfoniker, Orchestra, MainArtist - Thomas Jakobs, Artist, MainArtist - Timo Jouko Herrmann, Conductor, MainArtist - Joshua Whitener, Artist, MainArtist - Thomas Dorn, Artist, MainArtist - Matthias Eschli, Artist, MainArtist
(C) 2020 haenssler CLASSIC (P) 2020 haenssler CLASSIC
Presentación del Álbum
“The pupil Beethoven was here!” – the young piano virtuoso Ignaz Moscheles caught sight of this sentence in block letters on a note in the house of his teacher Antonio Salieri, Kapellmeister to the Viennese court. “A man like Beethoven still has something to learn from somebody like Salieri? How much more do I!” thought the fourteen-year-old acolyte of the arts and ardent admirer of Beethoven. It is indeed noteworthy that Beethoven, who by 1808 was already widely acknowledged as a genius, was still ready to take advice from Salieri.
The two musicians must first have met in the mid-1790s; Beethoven made his first appearance as a soloist in Vienna in March 1795 with a piano concerto of his own that Salieri conducted. He was already known as a virtuoso and instrumental composer, but had yet to make his mark in the prestigious genre of opera. Beethoven began at that time to pursue his goal of employment in the operatic sphere and was evidently aware of his relative lack of experience in the field of vocal music. Salieri for his part was Vienna’s unchallenged authority on the subject and had been so for decades. The sociable and well connected maestro never charged his students, and Beethoven made good use of the offer of free lessons over the years. He thanked Salieri for his generosity by dedicating his Op. 12 Violin Sonatas to him and by composing a set of variations on a Duettino from Salieri’s opera Falstaff ossia Le tre burle. © Haenssler Classic
Acerca del álbum
- 1 disco(s) - 6 pista(s)
- Duración total: 00:48:18
- 1 Libreto digital
- Artistas principales: Heidelberger Sinfoniker
- Compositor: Various Composers
- Sello: haenssler CLASSIC
- Género Clásica
(C) 2020 haenssler CLASSIC (P) 2020 haenssler CLASSIC
Mejorar la información del álbum