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Mura Masa|R.Y.C

R.Y.C

Mura Masa

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The title of Mura Masa's second album, R.Y.C., stands for Raw Youth Collage, and its contents zero in on all of the messy, uncertain feelings that come with young adulthood. Not quite as long or guest-heavy as the producer's 2017 major-label debut, the album feels much more personal and introspective, with lyrics directly addressing confusion and alienation. First track "Raw Youth Collage" features a sequence of barely connected thoughts ("I don't know who I'm supposed to be," "All my friends have changed," "I can't see past the screen") over chiming guitars and floating, atmospheric synths. "No Hope Generation" is a very millennial-friendly blend of pop-punk-lite guitar melodies and Auto-Tuned vocals describing the hopelessness of it all, while a trace of drum'n'bass breakbeats creep in below the surface. The other tracks sung by Mura Masa (Alex Crossan) himself continue in this vein, particularly the rollicking "Vicarious Living Anthem," and while the songs with guest vocalists all stay within the album's general themes of angst and escapism, they take much different approaches than Crossan's solo tunes. Slowthai's rowdy "Deal Wiv It" is about having no choice but to face a constantly changing world, while Ned Green's "A Meeting at an Oak Tree" is brief, imaginative narrative describing an awkward, suspenseful situation in a teenage relationship. Tirzah takes the lead on "Today," a downcast but still hopeful reflection on the state of the world, ultimately encouraging positive change rather than staying passive and simply letting the days pass by. Georgia guests on the disco cut "Live Like We're Dancing," easily the most determined, joyous track on the album. R.Y.C. is scattered and uneasy, but considering its subject matter and the emotions it expresses, it seems like it couldn't have turned out any other way, so it sounds undeniably genuine.

© Paul Simpson /TiVo

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R.Y.C

Mura Masa

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1
Raw Youth Collage
00:03:37

Stuart Hawkes, Mastering Engineer, StudioPersonnel - Kai Campos, Synthesizer, Programming, AssociatedPerformer - Nathan Boddy, Mix Engineer, StudioPersonnel - Mura Masa, Producer, Guitar, Bass Guitar, Vocals, Recording Engineer, Bass Programming, Drum Programming, Music Production, Synthesizer Programming, MainArtist, AssociatedPerformer, StudioPersonnel - Alexander Crossan, ComposerLyricist

℗ 2020 Anchor Point Records

2
No Hope Generation Explicit
00:03:54

Stuart Hawkes, Mastering Engineer, StudioPersonnel - Nathan Boddy, Mixer, StudioPersonnel - Mura Masa, Producer, Guitar, Bass Guitar, Vocals, Recording Engineer, Bass Programming, Drum Programming, Music Production, Synthesizer Programming, MainArtist, AssociatedPerformer, StudioPersonnel - Alexander Crossan, ComposerLyricist

℗ 2020 Anchor Point Records

3
I Don't Think I Can Do This Again
00:03:42

TOM VERLAINE, ComposerLyricist - Stuart Hawkes, Mastering Engineer, StudioPersonnel - Nathan Boddy, Mixer, StudioPersonnel - Mura Masa, Producer, Drums, Guitar, Additional Vocals, Recording Engineer, Synthesizer, Music Production, Programming, MainArtist, AssociatedPerformer, StudioPersonnel, Bass (Vocal) - Alexander Crossan, ComposerLyricist - Clairo, Vocalist, MainArtist, AssociatedPerformer - Claire Cottrill, ComposerLyricist

℗ 2019 Anchor Point Records

4
a meeting at an oak tree
00:01:29

Stuart Hawkes, Mastering Engineer, StudioPersonnel - Nathan Boddy, Mixer, StudioPersonnel - Mura Masa, Producer, Guitar, Bass Guitar, Recording Engineer, Bass Programming, Drum Programming, Music Production, Synthesizer Programming, MainArtist, AssociatedPerformer, StudioPersonnel - Alexander Crossan, ComposerLyricist - Ned Green, Spoken Word, FeaturedArtist, AssociatedPerformer, ComposerLyricist

℗ 2020 Anchor Point Records

5
Deal Wiv It Explicit
00:02:56

Stuart Hawkes, Mastering Engineer, StudioPersonnel - Nathan Boddy, Mixer, StudioPersonnel - Mura Masa, Producer, Guitar, Bass Guitar, Vocals, Recording Engineer, Drum Programming, Music Production, Synthesizer Programming, MainArtist, AssociatedPerformer, StudioPersonnel - Alexander Crossan, ComposerLyricist - slowthai, Vocals, MainArtist, AssociatedPerformer - Tyron Frampton, ComposerLyricist

℗ 2020 Anchor Point Records

6
vicarious living anthem Explicit
00:02:05

Stuart Hawkes, Mastering Engineer, StudioPersonnel - Nathan Boddy, Mixer, StudioPersonnel - Mura Masa, Producer, Guitar, Vocals, Recording Engineer, Bass Programming, Drum Programming, Music Production, Synthesizer Programming, MainArtist, AssociatedPerformer, StudioPersonnel - Alexander Crossan, ComposerLyricist - Fredrik Ball, ComposerLyricist

℗ 2020 Anchor Point Records

7
In My Mind
00:05:31

Stuart Hawkes, Mastering Engineer, StudioPersonnel - Nathan Boddy, Mixer, StudioPersonnel - Mura Masa, Producer, Guitar, Vocals, Recording Engineer, Bass Programming, Drum Programming, Music Production, Synthesizer Programming, MainArtist, AssociatedPerformer, StudioPersonnel - Alexander Crossan, ComposerLyricist

℗ 2020 Anchor Point Records

8
Today
00:03:20

Tirzah, Vocals, MainArtist, AssociatedPerformer - Stuart Hawkes, Mastering Engineer, StudioPersonnel - Nathan Boddy, Mix Engineer, StudioPersonnel - Tirzah Mastin, ComposerLyricist - Mura Masa, Producer, Guitar, Piano, Additional Vocals, Bass Programming, Drum Programming, Synthesizer Programming, MainArtist, AssociatedPerformer - Alexander Crossan, ComposerLyricist

℗ 2020 Anchor Point Records

9
Live Like We're Dancing
00:04:09

Stuart Hawkes, Mastering Engineer, StudioPersonnel - Georgia, Vocals, MainArtist, AssociatedPerformer - Nathan Boddy, Mixer, StudioPersonnel - Georgia Barnes, ComposerLyricist - Mura Masa, Producer, Piano, Vocals, Recording Engineer, Bass Programming, Drum Programming, Music Production, Synthesizer Programming, MainArtist, AssociatedPerformer, StudioPersonnel - Alexander Crossan, ComposerLyricist

℗ 2020 Anchor Point Records

10
Teenage Headache Dreams
00:04:42

Stuart Hawkes, Mastering Engineer, StudioPersonnel - Nathan Boddy, Mixer, StudioPersonnel - Wolf Alice, MainArtist - Mura Masa, Producer, Guitar, Bass Guitar, Vocals, Recording Engineer, Bass Programming, Drum Programming, Synthesizer Programming, MainArtist, AssociatedPerformer, StudioPersonnel - Alexander Crossan, ComposerLyricist - Ellie Rowsell, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2020 Anchor Point Records

11
(nocturne for strings and a conversation)
00:02:19

Stuart Hawkes, Mastering Engineer, StudioPersonnel - Nathan Boddy, Mixer, StudioPersonnel - Mura Masa, Producer, Guitar, Bass Guitar, Recording Engineer, Strings, Programming, Spoken Word, MainArtist, AssociatedPerformer, StudioPersonnel - Alexander Crossan, ComposerLyricist

℗ 2020 Anchor Point Records

Presentación del Álbum

The title of Mura Masa's second album, R.Y.C., stands for Raw Youth Collage, and its contents zero in on all of the messy, uncertain feelings that come with young adulthood. Not quite as long or guest-heavy as the producer's 2017 major-label debut, the album feels much more personal and introspective, with lyrics directly addressing confusion and alienation. First track "Raw Youth Collage" features a sequence of barely connected thoughts ("I don't know who I'm supposed to be," "All my friends have changed," "I can't see past the screen") over chiming guitars and floating, atmospheric synths. "No Hope Generation" is a very millennial-friendly blend of pop-punk-lite guitar melodies and Auto-Tuned vocals describing the hopelessness of it all, while a trace of drum'n'bass breakbeats creep in below the surface. The other tracks sung by Mura Masa (Alex Crossan) himself continue in this vein, particularly the rollicking "Vicarious Living Anthem," and while the songs with guest vocalists all stay within the album's general themes of angst and escapism, they take much different approaches than Crossan's solo tunes. Slowthai's rowdy "Deal Wiv It" is about having no choice but to face a constantly changing world, while Ned Green's "A Meeting at an Oak Tree" is brief, imaginative narrative describing an awkward, suspenseful situation in a teenage relationship. Tirzah takes the lead on "Today," a downcast but still hopeful reflection on the state of the world, ultimately encouraging positive change rather than staying passive and simply letting the days pass by. Georgia guests on the disco cut "Live Like We're Dancing," easily the most determined, joyous track on the album. R.Y.C. is scattered and uneasy, but considering its subject matter and the emotions it expresses, it seems like it couldn't have turned out any other way, so it sounds undeniably genuine.

© Paul Simpson /TiVo

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