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Rosanne Philippens|Rosanne Philippens Plays Prokofiev

Rosanne Philippens Plays Prokofiev

Rosanne Philippens, Sinfonieorchester St. Gallen and Otto Tausk

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Is Prokofiev ‘the composer with the mask’, as one of his biographers described him? It seems likely, if you read many people’s descriptions of his character. Those who knew him tell of his unfathomableness, his imperturbability and his sometimes detached analysis. Shostakovich castigated him in his biography: Prokofiev is close-lipped, haughty, a spoilt child prodigy always on the lookout for a quarrel.
His music, however, speaks a different language. It possesses an often fairytale-like beauty in which deep emotions surge. If we look at his life history, and especially his wanderings through a wide range of cultures, much becomes clear.
Prokofiev came from a well-to-do family in which his mother immersed him in music. She took him to faraway Saint Petersburg, where they often attended concerts. In 1904, at the age of thirteen, he began to study piano at the local conservatory. Music occupied him greatly, political events less. Thus the 1905 revolution escaped his attention, even though his teachers Rimsky-Korsakov and Glazunov became entangled in political intrigues. He wrote to his father about how he saw all sorts of youths going around in groups ‘without a clear purpose’.
(Read more in the booklet.)

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Rosanne Philippens Plays Prokofiev

Rosanne Philippens

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Violin Concerto No. 2 in G minor, Op. 63 (Sergei Prokofiev)

1
I. Allegro moderato
Rosanne Philippens
00:10:54

Sergei Prokofiev, Composer - Boosey and Hawkes, MusicPublisher - Rosanne Philippens, MainArtist - Sinfonieorchester St. Gallen, Orchestra, MainArtist - Otto Tausk, Conductor, MainArtist

2017 Channel Classics Records 2017 Channel Classics Records

2
II. Andante assai
Rosanne Philippens
00:09:41

Sergei Prokofiev, Composer - Boosey and Hawkes, MusicPublisher - Rosanne Philippens, MainArtist - Sinfonieorchester St. Gallen, Orchestra, MainArtist - Otto Tausk, Conductor, MainArtist

2017 Channel Classics Records 2017 Channel Classics Records

3
III. Allegro ben marcato
Rosanne Philippens
00:06:24

Sergei Prokofiev, Composer - Boosey and Hawkes, MusicPublisher - Rosanne Philippens, MainArtist - Sinfonieorchester St. Gallen, Orchestra, MainArtist - Otto Tausk, Conductor, MainArtist

2017 Channel Classics Records 2017 Channel Classics Records

Sonata for Solo Violin in D Major, Op. 115 (Sergei Prokofiev)

4
I. Moderato
Rosanne Philippens
00:05:47

Sergei Prokofiev, Composer - Boosey and Hawkes, MusicPublisher - Rosanne Philippens, MainArtist

2017 Channel Classics Records 2017 Channel Classics Records

5
II. Tema. Andante dolce - Var. I - Var. II. Scherzando - Var. III. Andante - Var. IV, V
Rosanne Philippens
00:04:11

Sergei Prokofiev, Composer - Boosey and Hawkes, MusicPublisher - Rosanne Philippens, MainArtist

2017 Channel Classics Records 2017 Channel Classics Records

6
III. Con brio - Allegro precipitato
Rosanne Philippens
00:04:00

Sergei Prokofiev, Composer - Boosey and Hawkes, MusicPublisher - Rosanne Philippens, MainArtist

2017 Channel Classics Records 2017 Channel Classics Records

5 Melodies, Op. 35bis (Sergei Prokofiev)

7
No. 1. Andante
Rosanne Philippens
00:02:21

Sergei Prokofiev, Composer - Boosey and Hawkes, MusicPublisher - Rosanne Philippens, MainArtist - Julien Quentin, MainArtist

2017 Channel Classics Records 2017 Channel Classics Records

8
No. 2. Lento, ma non troppo - Poco più mosso
Rosanne Philippens
00:02:54

Sergei Prokofiev, Composer - Boosey and Hawkes, MusicPublisher - Rosanne Philippens, MainArtist - Julien Quentin, MainArtist

2017 Channel Classics Records 2017 Channel Classics Records

9
No. 3. Animato, ma non allegro
Rosanne Philippens
00:03:42

Sergei Prokofiev, Composer - Boosey and Hawkes, MusicPublisher - Rosanne Philippens, MainArtist - Julien Quentin, MainArtist

2017 Channel Classics Records 2017 Channel Classics Records

10
No. 4. Andantino, un poco scherzando
Rosanne Philippens
00:01:31

Sergei Prokofiev, Composer - Boosey and Hawkes, MusicPublisher - Rosanne Philippens, MainArtist - Julien Quentin, MainArtist

2017 Channel Classics Records 2017 Channel Classics Records

11
No. 5. Andante non troppo
Rosanne Philippens
00:03:27

Sergei Prokofiev, Composer - Boosey and Hawkes, MusicPublisher - Rosanne Philippens, MainArtist - Julien Quentin, MainArtist

2017 Channel Classics Records 2017 Channel Classics Records

12
The Love for Three Oranges, Op. 33bis: III. March. Tempo di Marcia
Rosanne Philippens
00:01:39

Sergei Prokofiev, Composer - Boosey and Hawkes, MusicPublisher - Rosanne Philippens, MainArtist - Julien Quentin, MainArtist

2017 Channel Classics Records 2017 Channel Classics Records

13
Piano Sonata No. 4, Op. 29: II. Andante assai (Orchestra Version)
Sinfonieorchester St. Gallen
00:08:31

Sergei Prokofiev, Composer - Sinfonieorchester St. Gallen, Orchestra, MainArtist - Otto Tausk, Conductor, MainArtist - Boosey and Hawkes, Albersen Verhuur B.V., MusicPublisher

2017 Channel Classics Records 2017 Channel Classics Records

Presentación del Álbum

Is Prokofiev ‘the composer with the mask’, as one of his biographers described him? It seems likely, if you read many people’s descriptions of his character. Those who knew him tell of his unfathomableness, his imperturbability and his sometimes detached analysis. Shostakovich castigated him in his biography: Prokofiev is close-lipped, haughty, a spoilt child prodigy always on the lookout for a quarrel.
His music, however, speaks a different language. It possesses an often fairytale-like beauty in which deep emotions surge. If we look at his life history, and especially his wanderings through a wide range of cultures, much becomes clear.
Prokofiev came from a well-to-do family in which his mother immersed him in music. She took him to faraway Saint Petersburg, where they often attended concerts. In 1904, at the age of thirteen, he began to study piano at the local conservatory. Music occupied him greatly, political events less. Thus the 1905 revolution escaped his attention, even though his teachers Rimsky-Korsakov and Glazunov became entangled in political intrigues. He wrote to his father about how he saw all sorts of youths going around in groups ‘without a clear purpose’.
(Read more in the booklet.)

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