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Jean-Paul Gasparian|Rachmaninoff: Études-tableaux, Op. 39 (& Works by Scriabin & Prokofiev)

Rachmaninoff: Études-tableaux, Op. 39 (& Works by Scriabin & Prokofiev)

Jean-Paul Gasparian

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Twenty years of Russian piano: that's what we're being offered by the young pianist Jean-Paul Gasparian in his first - much-remarked-upon and very remarkable - discographic work. Gasparian starts in 1897 with Scriabin's Second Sonata (also known as the Sonata Fantasy), still strongly redolent of Chopin, but already showing a few of those harmonic equivocations which were so dear to the mystical composer). And then another Second Sonata, this one by Prokofiev in 1912 - with the "motoric", wild aspect very much to the fore. The pianist has made the very wise decision not to overdo the score's brutality, and carefully avoids drowning the work in noisome pedal effects. In the same year, 1912, Scriabin wrote his Three Études Op. 65 in the style of his late maturity, which shines through on Poem of Ecstasy: here again, the soloist opts for transparency, allowing the listener to really follow the harmonic and thematic content - if we can really give the name "themes" to these snatched vignettes, these stitched-together scraps, these ferocious sallies which sound like calls to musical revolt. The album opens with nine Études-tableaux Op. 39 by Rachmaninov, written in 1917, which mix the technical side of the étude with evocative art; deliberately imprecise, the composer never prescribes a programme, providing every listener and pianist with a blank canvas to fill as they see fit. To be sure, the "Isle of the Dead" element breaks out most fully in the second étude, in particular with the deathlessly evocative scraps of the Dies irae... In any case, let us welcome Jean-Paul Gasparian to the great European stage, after his short-notice stint as a stand-in for Zacharias in Germany, and whose career is unfolding with speed and confidence. © SM/Qobuz

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Rachmaninoff: Études-tableaux, Op. 39 (& Works by Scriabin & Prokofiev)

Jean-Paul Gasparian

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1
Etudes-tableaux, Op. 39: I. Allegro agitato in C Minor
00:03:01

Sergei Rachmaninoff, Composer - Jean-Paul Gasparian, Piano, MainArtist

2018 Evidence/Little Tribeca 2017 Evidence/Little Tribeca

2
Etudes-Tableaux, Op. 39: II. Lento assai in A Minor
00:07:04

Sergei Rachmaninoff, Composer - Jean-Paul Gasparian, Piano, MainArtist

2018 Evidence/Little Tribeca 2017 Evidence/Little Tribeca

3
Etudes-tableaux, Op. 39: III. Allegro molto in F-Sharp Minor
00:02:39

Sergei Rachmaninoff, Composer - Jean-Paul Gasparian, Piano, MainArtist

2018 Evidence/Little Tribeca 2017 Evidence/Little Tribeca

4
Etudes-Tableaux, Op. 39: IV. Allegro assai in B Minor
00:02:27

Sergei Rachmaninoff, Composer - Jean-Paul Gasparian, Piano, MainArtist

2018 Evidence/Little Tribeca 2017 Evidence/Little Tribeca

5
Etudes-tableaux, Op. 39: V. Appassionato in E-Flat Minor
00:04:49

Sergei Rachmaninoff, Composer - Jean-Paul Gasparian, Piano, MainArtist

2018 Evidence/Little Tribeca 2017 Evidence/Little Tribeca

6
Etudes-Tableaux, Op. 39: VI. Allegro in A Minor
00:02:28

Sergei Rachmaninoff, Composer - Jean-Paul Gasparian, Piano, MainArtist

2018 Evidence/Little Tribeca 2017 Evidence/Little Tribeca

7
Etudes-tableaux, Op. 39: VII. Lento lugubre in C Minor
00:07:07

Sergei Rachmaninoff, Composer - Jean-Paul Gasparian, Piano, MainArtist

2018 Evidence/Little Tribeca 2017 Evidence/Little Tribeca

8
Etudes-Tableaux, Op. 39: VIII. Allegro moderato in D Minor
00:03:23

Sergei Rachmaninoff, Composer - Jean-Paul Gasparian, Piano, MainArtist

2018 Evidence/Little Tribeca 2017 Evidence/Little Tribeca

9
Etudes-tableaux, Op. 39: IX. Allegro moderato. Tempo di marcia in D Major
00:03:38

Sergei Rachmaninoff, Composer - Jean-Paul Gasparian, Piano, MainArtist

2018 Evidence/Little Tribeca 2017 Evidence/Little Tribeca

10
Piano Sonata No. 2 in G-Sharp Minor, Op. 19 "Sonata Fantasy": I. Andante
00:08:34

Alexandre Scriabin, Composer - Jean-Paul Gasparian, Piano, MainArtist

2018 Evidence/Little Tribeca 2017 Evidence/Little Tribeca

11
Piano Sonata No. 2 in G-Sharp Minor, Op. 19 "Sonata Fantasy": II. Finale presto
00:03:53

Alexandre Scriabin, Composer - Jean-Paul Gasparian, Piano, MainArtist

2018 Evidence/Little Tribeca 2017 Evidence/Little Tribeca

Trois Études, Op. 65 (Alexandre Scriabin)

12
Allegro fantastico
00:02:57

Alexandre Scriabin, Composer - Jean-Paul Gasparian, Piano, MainArtist

2018 Evidence/Little Tribeca 2017 Evidence/Little Tribeca

13
Allegretto fantastico
00:01:58

Alexandre Scriabin, Composer - Jean-Paul Gasparian, Piano, MainArtist

2018 Evidence/Little Tribeca 2017 Evidence/Little Tribeca

14
Molto vivace
00:01:45

Alexandre Scriabin, Composer - Jean-Paul Gasparian, Piano, MainArtist

2018 Evidence/Little Tribeca 2017 Evidence/Little Tribeca

15
Piano Sonata No. 2 in D Minor, Op. 14: I. Allegro ma non troppo
00:06:11

Sergei Prokofiev, Composer - Jean-Paul Gasparian, Piano, MainArtist

2018 Evidence/Little Tribeca 2017 Evidence/Little Tribeca

16
Piano Sonata No. 2 in D Minor, Op. 14: II. Scherzo. Allegro marcato
00:01:56

Sergei Prokofiev, Composer - Jean-Paul Gasparian, Piano, MainArtist

2018 Evidence/Little Tribeca 2017 Evidence/Little Tribeca

17
Piano Sonata No. 2 in D Minor, Op. 14: III. Andante
00:05:56

Sergei Prokofiev, Composer - Jean-Paul Gasparian, Piano, MainArtist

2018 Evidence/Little Tribeca 2017 Evidence/Little Tribeca

18
Piano Sonata No. 2 in D Minor, Op. 14: IV. Vivace
00:04:28

Sergei Prokofiev, Composer - Jean-Paul Gasparian, Piano, MainArtist

2018 Evidence/Little Tribeca 2017 Evidence/Little Tribeca

Presentación del Álbum

Twenty years of Russian piano: that's what we're being offered by the young pianist Jean-Paul Gasparian in his first - much-remarked-upon and very remarkable - discographic work. Gasparian starts in 1897 with Scriabin's Second Sonata (also known as the Sonata Fantasy), still strongly redolent of Chopin, but already showing a few of those harmonic equivocations which were so dear to the mystical composer). And then another Second Sonata, this one by Prokofiev in 1912 - with the "motoric", wild aspect very much to the fore. The pianist has made the very wise decision not to overdo the score's brutality, and carefully avoids drowning the work in noisome pedal effects. In the same year, 1912, Scriabin wrote his Three Études Op. 65 in the style of his late maturity, which shines through on Poem of Ecstasy: here again, the soloist opts for transparency, allowing the listener to really follow the harmonic and thematic content - if we can really give the name "themes" to these snatched vignettes, these stitched-together scraps, these ferocious sallies which sound like calls to musical revolt. The album opens with nine Études-tableaux Op. 39 by Rachmaninov, written in 1917, which mix the technical side of the étude with evocative art; deliberately imprecise, the composer never prescribes a programme, providing every listener and pianist with a blank canvas to fill as they see fit. To be sure, the "Isle of the Dead" element breaks out most fully in the second étude, in particular with the deathlessly evocative scraps of the Dies irae... In any case, let us welcome Jean-Paul Gasparian to the great European stage, after his short-notice stint as a stand-in for Zacharias in Germany, and whose career is unfolding with speed and confidence. © SM/Qobuz

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