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Milt Jackson|Plenty, Plenty Soul

Plenty, Plenty Soul

Milt Jackson

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This superior reissue combines together two sessions led by vibraphonist Milt Jackson. Actually, although Bags is in fine form (and contributed four of the seven selections), he is often overshadowed by rather inspired solos from his sidemen. The first side of Plenty, Plenty Soul, which features a nine-piece group, is highlighted by the contributions of the exuberant altoist Cannonball Adderley, while the flip side has a sextet that is not hurt by the solos of tenor-saxophonist Lucky Thompson. With pianist Horace Silver helping out on both sessions, these all-star dates still sound fresh and enthusiastic decades later.

© Scott Yanow /TiVo

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Plenty, Plenty Soul

Milt Jackson

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1
Plenty, Plenty Soul
00:09:27

Joe Newman, Trumpet - Jimmy Cleveland, Trombone - Quincy Jones, Arranger, Writer - Nesuhi Ertegun, Producer - Art Blakey, Drums - Horace Silver, Piano - Milt Jackson, Vibraphone, Writer, MainArtist - Percy Heath, Bass Guitar - Frank Foster, Tenor Saxophone - Sahib Shihbab, Bass Saxophone - Julian "Cannonball" Adderly, Alto Saxophone

© 1989 Atlantic Recording Corp. ℗ 1956 Atlantic Recording Corp. for the US and WEA International for the world outside the US.

2
Boogity Boogity
00:04:56

Joe Newman, Trumpet - Jimmy Cleveland, Trombone - Quincy Jones, Arranger, Writer - Nesuhi Ertegun, Producer - Art Blakey, Drums - Horace Silver, Piano - Milt Jackson, Vibraphone, MainArtist - Percy Heath, Bass Guitar - Frank Foster, Tenor Saxophone - Sahib Shihbab, Bass Saxophone - Julian "Cannonball" Adderly, Alto Saxophone

© 1989 Atlantic Recording Corp. ℗ 1957 Atlantic Recording Corp. for the US and WEA International for the world outside the US.

3
Heartstrings
00:04:57

Joe Newman, Trumpet - Jimmy Cleveland, Trombone - Quincy Jones, Arranger - Nesuhi Ertegun, Producer - Art Blakey, Drums - Horace Silver, Piano - Milt Jackson, Vibraphone, Writer, MainArtist - Percy Heath, Bass Guitar - Frank Foster, Tenor Saxophone - Sahib Shihbab, Bass Saxophone - Julian "Cannonball" Adderly, Alto Saxophone

© 1989 Atlantic Recording Corp. ℗ 1957 Atlantic Recording Corp. for the US and WEA International for the world outside the US.

4
Sermonette
00:05:28

Connie Kay, Drums - Joe Newman, Trumpet - Quincy Jones, Arranger - Oscar Pettiford, Bass Guitar - Nesuhi Ertegun, Producer - Milt Jackson, Vibraphone, MainArtist - Lucky Thompson, Tenor Saxophone - Julian Adderley, Writer

© 1989 Atlantic Recording Corp. ℗ 1957 Atlantic Recording Corp. for the US and WEA International for the world outside the US.

5
The Spirit-Feel
00:04:24

Connie Kay, Drums - Joe Newman, Trumpet - Quincy Jones, Arranger - Oscar Pettiford, Bass Guitar - Nesuhi Ertegun, Producer - Milt Jackson, Vibraphone, Writer, MainArtist - Lucky Thompson, Tenor Saxophone

© 1989 Atlantic Recording Corp. ℗ 1957 Atlantic Recording Corp. for the US and WEA International for the world outside the US.

6
Ignunt Oil
00:05:38

Connie Kay, Drums - Joe Newman, Trumpet - Quincy Jones, Arranger - Oscar Pettiford, Bass Guitar - Nesuhi Ertegun, Producer - Milt Jackson, Composer, Vibraphone, Writer, MainArtist - Lucky Thompson, Tenor Saxophone

© 1989 Atlantic Recording Corp. ℗ 1957 Atlantic Recording Corp. for the US and WEA International for the world outside the US.

7
Blues at Twilight
00:06:47

Connie Kay, Drums - Joe Newman, Trumpet - Quincy Jones, Arranger, Writer - Oscar Pettiford, Bass Guitar - Nesuhi Ertegun, Producer - Milt Jackson, Vibraphone, MainArtist - Lucky Thompson, Tenor Saxophone

© 1989 Atlantic Recording Corp. ℗ 1957 Atlantic Recording Corp. for the US and WEA International for the world outside the US.

Presentación del Álbum

This superior reissue combines together two sessions led by vibraphonist Milt Jackson. Actually, although Bags is in fine form (and contributed four of the seven selections), he is often overshadowed by rather inspired solos from his sidemen. The first side of Plenty, Plenty Soul, which features a nine-piece group, is highlighted by the contributions of the exuberant altoist Cannonball Adderley, while the flip side has a sextet that is not hurt by the solos of tenor-saxophonist Lucky Thompson. With pianist Horace Silver helping out on both sessions, these all-star dates still sound fresh and enthusiastic decades later.

© Scott Yanow /TiVo

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