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Stina Nordenstam|People Are Strange

People Are Strange

Stina Nordenstam

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The cover notes of People Are Strange state that the songs have been heard before. And at the first look, the choice of songs seems strange and brave, if not foolhardy, starting off with the somewhat overexposed "Sailing" sung to a simplistic piano and strings. This sets the tone, swerving far from the original versions. Track number three, only a half-minute long, mumbling, with a distant piano and an even more distant car passing, turns out to be Gram Parson's "Love Hurts." But one needs to check out the credits to be sure. Prince's classic "Purple Rain" is treated with total lack of respect, given sampled industrial sounds for drums and sung in a sad way, giving the song a completely new meaning without changing the lyrics. And this is what it is all about, and what maybe covers should be about -- giving songs a new meaning, making them all her own, as artists are so often called to do. Stina Nordenstam manages this in a way second only to Johnny Cash, though he does not need the samplers. The album also does the good deed of reviving songs that seemed totally dead. Even the original version of "Sailing" gets interesting to hear again after hearing it sung with the fragile whispering voice Nordenstam used on And She Closed Her Eyes. But on the total, this album has left the naïveté and girlishness of that album behind, as it has with the distorted guitars of Dynamite, keeping the melancholy.

© Lars Lovén /TiVo

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People Are Strange

Stina Nordenstam

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1
Sailing
00:03:15

Gavin Sutherland, Writer - Stina Nordenstam, Producer, MainArtist - Manne von Ahn Öberg, Producer

© 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

2
I Dream of Jeannie (With Light Brown Hair)
00:03:56

Stina Nordenstam, Producer, MainArtist - Manne von Ahn Öberg, Producer - Nordenstam, Composer

© 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

3
Love Hurts
00:00:33

Boudleaux Bryant, Writer - Stina Nordenstam, Producer, MainArtist - Manne von Ahn Öberg, Producer

© 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

4
Lonesome Road
00:02:08

Trad., Composer - Stina Nordenstam, Producer, MainArtist - Manne von Ahn Öberg, Producer - Arr. Stina Nordenstam, Composer

© 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

5
Bird On a Wire
00:03:42

Cohen, Composer - Stina Nordenstam, Producer, MainArtist - Manne von Ahn Öberg, Producer

© 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

6
Purple Rain
00:03:52

Prince, Writer - Stina Nordenstam, Producer, MainArtist - Manne von Ahn Öberg, Producer

© 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

7
Swallow Strings
00:01:10

Stina Nordenstam, Composer, Producer, MainArtist - Manne von Ahn Öberg, Producer

© 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

8
He's Like a Swallow
00:02:45

Trad., Composer - Stina Nordenstam, Producer, MainArtist - Manne von Ahn Öberg, Producer - Arr. Stina Nordenstam, Composer

© 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

9
Reason to Believe
00:04:12

Tim Hardin, Composer - Stina Nordenstam, Producer, MainArtist - Manne von Ahn Öberg, Producer

© 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

10
I Came So Far for Beauty
00:04:01

Leonard Cohen, Composer - John Lissauer, Composer - Stina Nordenstam, Producer, MainArtist - Manne von Ahn Öberg, Producer

© 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

11
Come to Me
00:03:31

Stina Nordenstam, Composer, Producer, MainArtist - Manne von Ahn Öberg, Producer - Cieslak, Composer - Krazter, Composer

© 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

12
People Are Strange
00:03:35

JOHN DENSMORE, Writer - Jim Morrison, Writer - Ray Manzarek, Writer - Robby Krieger, Writer - Stina Nordenstam, Producer, MainArtist - Manne von Ahn Öberg, Producer

© 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 1998 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

Presentación del Álbum

The cover notes of People Are Strange state that the songs have been heard before. And at the first look, the choice of songs seems strange and brave, if not foolhardy, starting off with the somewhat overexposed "Sailing" sung to a simplistic piano and strings. This sets the tone, swerving far from the original versions. Track number three, only a half-minute long, mumbling, with a distant piano and an even more distant car passing, turns out to be Gram Parson's "Love Hurts." But one needs to check out the credits to be sure. Prince's classic "Purple Rain" is treated with total lack of respect, given sampled industrial sounds for drums and sung in a sad way, giving the song a completely new meaning without changing the lyrics. And this is what it is all about, and what maybe covers should be about -- giving songs a new meaning, making them all her own, as artists are so often called to do. Stina Nordenstam manages this in a way second only to Johnny Cash, though he does not need the samplers. The album also does the good deed of reviving songs that seemed totally dead. Even the original version of "Sailing" gets interesting to hear again after hearing it sung with the fragile whispering voice Nordenstam used on And She Closed Her Eyes. But on the total, this album has left the naïveté and girlishness of that album behind, as it has with the distorted guitars of Dynamite, keeping the melancholy.

© Lars Lovén /TiVo

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