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NDR Radio Philharmonic|Paul Wranitzky: Symphonies Opp. 37, 50 & 51

Paul Wranitzky: Symphonies Opp. 37, 50 & 51

NDR Radio Philharmonic, Rolf Gupta

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Idioma disponible: inglés

According to current research, Paul Wranitzky composed at least 47 symphonies for which sources have been preserved. The Symphonies, Op. 50 and Op. 51 belong to Wranitzky's last series of symphonies. They were published in late 1804 by Wranitzky's main publisher, André, in Offenbach. The Symphony in D major, Op. 37, was published by the same publisher in November 1799.

All three works recognizably follow Haydn's model in structure, movement types, and thematic formation, though not without setting individual accents. For example, the opening and closing movements are not thematic in the true sense of the word; Wranitzky treats his motivic material more like a musical construction kit : identical material is used in different places with different functions. The motivic material is deliberately kept simple, but possesses enough specificity to give the individual movements motivic coherence. And once again, the composer's "melodic ingenuity, the effectively juxtaposed rhythms and the effectively exploited orchestral apparatus" (klassik.com on the first volume). © CPO

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Paul Wranitzky: Symphonies Opp. 37, 50 & 51

NDR Radio Philharmonic

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Symphony in G Major, Op. 50 (Paul Wranitzky)

1
I. Poco adagio - Allegro molto
00:07:15

Rolf Gupta, Conductor, MainArtist - Paul Wranitzky, Composer - NDR Radio Philharmonic, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

2
II. Andante
00:06:45

Rolf Gupta, Conductor, MainArtist - Paul Wranitzky, Composer - NDR Radio Philharmonic, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

3
III. Allegretto vivace - Alternativo - Allegretto
00:04:33

Rolf Gupta, Conductor, MainArtist - Paul Wranitzky, Composer - NDR Radio Philharmonic, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

4
IV. Finale. Allegro vivace
00:07:15

Rolf Gupta, Conductor, MainArtist - Paul Wranitzky, Composer - NDR Radio Philharmonic, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

Symphony in D Major, Op. 37 (Paul Wranitzky)

5
I. Larghetto - Allegro molto
00:07:45

Rolf Gupta, Conductor, MainArtist - Paul Wranitzky, Composer - NDR Radio Philharmonic, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

6
II. Andante
00:06:15

Rolf Gupta, Conductor, MainArtist - Paul Wranitzky, Composer - NDR Radio Philharmonic, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

7
III. Menuetto & trio
00:03:28

Rolf Gupta, Conductor, MainArtist - Paul Wranitzky, Composer - NDR Radio Philharmonic, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

8
IV. Finale. Allegro
00:04:31

Rolf Gupta, Conductor, MainArtist - Paul Wranitzky, Composer - NDR Radio Philharmonic, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

Symphony in A Major, Op. 51 (Paul Wranitzky)

9
I. Adagio - Allegro molto vivace
00:08:56

Rolf Gupta, Conductor, MainArtist - Paul Wranitzky, Composer - NDR Radio Philharmonic, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

10
II. Andante
00:06:57

Rolf Gupta, Conductor, MainArtist - Paul Wranitzky, Composer - NDR Radio Philharmonic, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

11
III. Allegretto - Alternativo - Allegretto dacapo
00:04:47

Rolf Gupta, Conductor, MainArtist - Paul Wranitzky, Composer - NDR Radio Philharmonic, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

12
IV. Finale. Allegro vivace assai
00:03:54

Rolf Gupta, Conductor, MainArtist - Paul Wranitzky, Composer - NDR Radio Philharmonic, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

Presentación del Álbum

According to current research, Paul Wranitzky composed at least 47 symphonies for which sources have been preserved. The Symphonies, Op. 50 and Op. 51 belong to Wranitzky's last series of symphonies. They were published in late 1804 by Wranitzky's main publisher, André, in Offenbach. The Symphony in D major, Op. 37, was published by the same publisher in November 1799.

All three works recognizably follow Haydn's model in structure, movement types, and thematic formation, though not without setting individual accents. For example, the opening and closing movements are not thematic in the true sense of the word; Wranitzky treats his motivic material more like a musical construction kit : identical material is used in different places with different functions. The motivic material is deliberately kept simple, but possesses enough specificity to give the individual movements motivic coherence. And once again, the composer's "melodic ingenuity, the effectively juxtaposed rhythms and the effectively exploited orchestral apparatus" (klassik.com on the first volume). © CPO

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