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Anonymous 4|Miracles of Sant'iago (Medieval Chant & Polyphony for St. James from the Codex Calixtinus)

Miracles of Sant'iago (Medieval Chant & Polyphony for St. James from the Codex Calixtinus)

Anonymous 4

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The Codex Calixtinus, a document housed at the Cathedral of Santiago de Compostela, includes an odd assortment of writings relating to St. James the Greater -- sermons, lessons, miracle stories, guides to medieval pilgrimage routes, grammatical exercises for schools boys, and a wealth of chant, as well as some of the earliest examples of two- and three-part vocal polyphony. On this 1995 recording the a cappella women's quartet Anonymous 4 sings 21 intriguingly diverse selections from the collection, ranging from simple monophonic chant to astonishingly dissonant polyphony. The textural variety is one of the album's greatest charms; even within the same piece, the texture can beguilingly shift from one to three voices (since many of the chants and two-voice pieces use drones). The two-part responsory, Portum in ultimo, sung over a drone, is particularly haunting. Other pieces are so melodically eccentric and memorable that they should dispel any stereotypes about medieval music being boring and predictable, particularly the two Benedicamus tropes Ad superni regis decus and Gratulantes celebremus festum. Anonymous 4 sings with its customary blend of purity and expressiveness, with warmth and immaculate intonation, and it's a performance of great serenity. Harmonia Mundi's sound is ideally warm, clean, and resonant.
© TiVo

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Miracles of Sant'iago (Medieval Chant & Polyphony for St. James from the Codex Calixtinus)

Anonymous 4

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1
The Great Pilgrimages, The Miracles of St James: Invitatio "Venites omnes cristicole"
00:01:15

Anonymous 4, MainArtist, MusicalEnsemble - Anonymous, Composer

1995 harmonia mundi usa 1995 harmonia mundi usa

2
Processional "Salve festa dies"
00:04:37

Anonymous 4, MainArtist, MusicalEnsemble - Anonymous, Composer

1995 harmonia mundi usa 1995 harmonia mundi usa

3
Benedicamus trope "Vox nostra resonet"
00:01:40

Anonymous 4, MainArtist, MusicalEnsemble - Anonymous, Composer

1995 harmonia mundi usa 1995 harmonia mundi usa

4
Invitatory "Regem regum dominum"
00:00:49

Anonymous 4, MainArtist, MusicalEnsemble - Anonymous, Composer

1995 harmonia mundi usa 1995 harmonia mundi usa

5
Benedicamus trope "Nostra phalanx plaudat leta"
00:02:26

Anonymous 4, MainArtist, MusicalEnsemble - Anonymous, Composer

1995 harmonia mundi usa 1995 harmonia mundi usa

6
Antiphon "Ad sepulcrum beati Iacobi"
00:02:12

Anonymous 4, MainArtist, MusicalEnsemble - Anonymous, Composer

1995 harmonia mundi usa 1995 harmonia mundi usa

7
Benedicamus trope "Ad superni regis decus"
00:03:04

Anonymous 4, MainArtist, MusicalEnsemble - Anonymous, Composer

1995 harmonia mundi usa 1995 harmonia mundi usa

8
Brief responsory "Iacobe servorum"
00:02:13

Anonymous 4, MainArtist, MusicalEnsemble - Anonymous, Composer

1995 harmonia mundi usa 1995 harmonia mundi usa

9
Benedicamus Domino
00:01:53

Anonymous 4, MainArtist, MusicalEnsemble - Anonymous, Composer

1995 harmonia mundi usa 1995 harmonia mundi usa

10
Conductus "In hac die laudes"
00:04:28

Anonymous 4, MainArtist, MusicalEnsemble - Anonymous, Composer

1995 harmonia mundi usa 1995 harmonia mundi usa

11
Kyrie trope "Cunctipotens genitor"
00:05:13

Anonymous 4, MainArtist, MusicalEnsemble - Anonymous, Composer

1995 harmonia mundi usa 1995 harmonia mundi usa

12
Hymn "Psallat chorus celestium"
00:01:10

Anonymous 4, MainArtist, MusicalEnsemble - Anonymous, Composer

1995 harmonia mundi usa 1995 harmonia mundi usa

13
Prosa "Gratulemur et letemur"
00:06:27

Anonymous 4, MainArtist, MusicalEnsemble - Anonymous, Composer

1995 harmonia mundi usa 1995 harmonia mundi usa

14
Offertory "Ascendens Ihesus in montem"
00:03:47

Anonymous 4, MainArtist, MusicalEnsemble - Anonymous, Composer

1995 harmonia mundi usa 1995 harmonia mundi usa

15
Agnus dei trope "Qui pius ac mitis"
00:02:24

Anonymous 4, MainArtist, MusicalEnsemble - Anonymous, Composer

1995 harmonia mundi usa 1995 harmonia mundi usa

16
Benedicamus trope "Gratulantes celebremus festum"
00:02:47

Anonymous 4, MainArtist, MusicalEnsemble - Anonymous, Composer

1995 harmonia mundi usa 1995 harmonia mundi usa

17
Conductus "Iacobe sancte tuum"
00:05:00

Anonymous 4, MainArtist, MusicalEnsemble - Anonymous, Composer

1995 harmonia mundi usa 1995 harmonia mundi usa

18
The Great Pilgrimages, The Miracles of St James: Responsorium "O adiutor omnium seculorum"
00:08:36

Anonymous 4, MainArtist, MusicalEnsemble - Anonymous, Composer

1995 harmonia mundi usa 1995 harmonia mundi usa

19
Prosa "Portum in ultimo"
00:02:42

Anonymous 4, MainArtist, MusicalEnsemble - Anonymous, Composer

1995 harmonia mundi usa 1995 harmonia mundi usa

20
Benedicamus trope "Congaudeant catholici"
00:03:37

Anonymous 4, MainArtist, MusicalEnsemble - Anonymous, Composer

1995 harmonia mundi usa 1995 harmonia mundi usa

21
Prosa "Clemens servulorum"
00:04:48

Anonymous 4, MainArtist, MusicalEnsemble - Anonymous, Composer

1995 harmonia mundi usa 1995 harmonia mundi usa

Presentación del Álbum

The Codex Calixtinus, a document housed at the Cathedral of Santiago de Compostela, includes an odd assortment of writings relating to St. James the Greater -- sermons, lessons, miracle stories, guides to medieval pilgrimage routes, grammatical exercises for schools boys, and a wealth of chant, as well as some of the earliest examples of two- and three-part vocal polyphony. On this 1995 recording the a cappella women's quartet Anonymous 4 sings 21 intriguingly diverse selections from the collection, ranging from simple monophonic chant to astonishingly dissonant polyphony. The textural variety is one of the album's greatest charms; even within the same piece, the texture can beguilingly shift from one to three voices (since many of the chants and two-voice pieces use drones). The two-part responsory, Portum in ultimo, sung over a drone, is particularly haunting. Other pieces are so melodically eccentric and memorable that they should dispel any stereotypes about medieval music being boring and predictable, particularly the two Benedicamus tropes Ad superni regis decus and Gratulantes celebremus festum. Anonymous 4 sings with its customary blend of purity and expressiveness, with warmth and immaculate intonation, and it's a performance of great serenity. Harmonia Mundi's sound is ideally warm, clean, and resonant.
© TiVo

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1995 harmonia mundi usa 1995 harmonia mundi usa

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