Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Idioma disponible: inglés
Any Willie Colón fan who couldn't understand why Colón and Hector Lavoe would want to go their separate ways must have been reassured by the recruitment of Rubén Blades to take his place in 1977. (Surely, no one could argue with the results of 1975's The Good, the Bad, the Ugly, which featured all three figures on one of the best LPs that any of them ever recorded, together or apart.) But Blades certainly wasn't a double for Lavoe; in fact, their styles were completely different. Lavoe was a spark plug of a sonero who could motivate the oldest abuela to get up and dance. Blades, while he may have had the ability to sound like a romantic crooner, only hit with a punch when he wanted to, instead pushing to the front his lyrical concerns with the underclass through a variety of storytelling modes (an interest he shared with Colón himself). There aren't any standout tracks like both its predecessor (The Good, the Bad, the Ugly) and successor (Siembra), but Metiendo Mano! was a worthy introduction to the two recording as twin leads. It's certainly an adventurous record. Colón kept only three arranging assignments for himself, which makes it sound less like a Willie Colón record (and is probably why it's remembered slightly less fondly than its bookends). Luis Ortiz's two excellent charts included one that sounded a much different note than Colón (the opener "Pablo Pueblo") as well as another that sounded as though Colón were writing it himself ("La Maleta"). Colón bolstered his strong brass lineup with additional power (including a tuba solo on the opener), and the lineup is a powerhouse (including frequent collaborator Yomo Toro on two tracks). Meanwhile, Blades proved his range, moving from raging first-person narratives to pastoral boleros -- with no lack of passion on each -- and although Colón is heard less here than on his previous classics, his lieutenants proved the confidence he had in them.
© John Bush /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde $ 16.190,00/mes
Salvador Cuevas, Bass Guitar, AssociatedPerformer - Milton Cardona, Percussion, Chorus, Conga, AssociatedPerformer - José Torres, Piano, AssociatedPerformer - Tom Malone, Harp, Tuba, AssociatedPerformer - Ruben Blades, Composer, Author, Acoustic Guitar, Vocals, Chorus, MainArtist, AssociatedPerformer - Jon Fausty, Mastering Engineer, StudioPersonnel - Willie Colon, Producer, Percussion, Trombone, Chorus, Recording Producer, MainArtist, AssociatedPerformer - José Mangual Jr, Percussion, Bongos, Chorus, Maracas, AssociatedPerformer - Nicky Marrero, Timbales , AssociatedPerformer - Papo Vasquez, Trombone, AssociatedPerformer - Sonny Bravo, Piano, AssociatedPerformer - Irv Greenbaum, Mastering Engineer, StudioPersonnel
℗ 1977 Craft Recordings, a division of Concord Music Group, Inc.
Salvador Cuevas, Bass Guitar, AssociatedPerformer - Milton Cardona, Percussion, Chorus, Conga, AssociatedPerformer - José Torres, Piano, AssociatedPerformer - Tom Malone, Harp, Tuba, AssociatedPerformer - Ruben Blades, Acoustic Guitar, Vocals, Chorus, MainArtist, AssociatedPerformer - Jon Fausty, Mastering Engineer, StudioPersonnel - Yomo Toro, Acoustic Guitar, AssociatedPerformer - Willie Colon, Producer, Percussion, Trombone, Chorus, Recording Producer, MainArtist, AssociatedPerformer - José Mangual Jr, Percussion, Bongos, Chorus, Maracas, AssociatedPerformer - Félix Hernández, Composer, Author - Nicky Marrero, Timbales , AssociatedPerformer - Papo Vasquez, Trombone, AssociatedPerformer - Sonny Bravo, Piano, AssociatedPerformer - Irv Greenbaum, Mastering Engineer, StudioPersonnel
℗ 1977 Craft Recordings, a division of Concord Music Group, Inc.
Salvador Cuevas, Bass Guitar, AssociatedPerformer - Milton Cardona, Percussion, Chorus, Conga, AssociatedPerformer - José Torres, Piano, AssociatedPerformer - Tom Malone, Harp, Tuba, AssociatedPerformer - Ruben Blades, Composer, Author, Acoustic Guitar, Vocals, Chorus, MainArtist, AssociatedPerformer - Jon Fausty, Mastering Engineer, StudioPersonnel - Willie Colon, Producer, Percussion, Trombone, Chorus, Recording Producer, MainArtist, AssociatedPerformer - José Mangual Jr, Percussion, Bongos, Chorus, Maracas, AssociatedPerformer - Nicky Marrero, Timbales , AssociatedPerformer - Papo Vasquez, Trombone, AssociatedPerformer - Irv Greenbaum, Mastering Engineer, StudioPersonnel
℗ 1977 Craft Recordings, a division of Concord Music Group, Inc.
Salvador Cuevas, Bass Guitar, AssociatedPerformer - Milton Cardona, Percussion, Chorus, Conga, AssociatedPerformer - José Torres, Piano, AssociatedPerformer - Tom Malone, Harp, Tuba, AssociatedPerformer - Frank Dominguez, ComposerLyricist - Ruben Blades, Acoustic Guitar, Vocals, Chorus, MainArtist, AssociatedPerformer - Yomo Toro, Acoustic Guitar, AssociatedPerformer - Willie Colon, Percussion, Trombone, Chorus, MainArtist, AssociatedPerformer - José Mangual Jr, Percussion, Bongos, Chorus, Maracas, AssociatedPerformer - Nicky Marrero, Timbales , AssociatedPerformer - Jerry Masucci, Producer, Executive Producer - Papo Vasquez, Trombone, AssociatedPerformer
℗ 1977 Craft Recordings, a division of Concord Music Group, Inc.
Salvador Cuevas, Bass Guitar, AssociatedPerformer - Milton Cardona, Percussion, Chorus, Conga, AssociatedPerformer - José Torres, Piano, AssociatedPerformer - Tom Malone, Harp, Tuba, AssociatedPerformer - Ruben Blades, Acoustic Guitar, Vocals, Chorus, MainArtist, AssociatedPerformer - Jon Fausty, Mastering Engineer, StudioPersonnel - C. Curet Alonso, ComposerLyricist - Willie Colon, Producer, Percussion, Trombone, Chorus, Recording Producer, MainArtist, AssociatedPerformer - José Mangual Jr, Percussion, Bongos, Chorus, Maracas, AssociatedPerformer - Nicky Marrero, Timbales , AssociatedPerformer - Papo Vasquez, Trombone, AssociatedPerformer - Irv Greenbaum, Mastering Engineer, StudioPersonnel
℗ 1977 Craft Recordings, a division of Concord Music Group, Inc.
Salvador Cuevas, Bass Guitar, AssociatedPerformer - Milton Cardona, Percussion, Chorus, Conga, AssociatedPerformer - José Torres, Piano, AssociatedPerformer - Tom Malone, Harp, Tuba, AssociatedPerformer - Ruben Blades, Acoustic Guitar, Vocals, Chorus, MainArtist, AssociatedPerformer - Jon Fausty, Mastering Engineer, StudioPersonnel - Eliseo Grenet, ComposerLyricist - Willie Colon, Percussion, Trombone, Chorus, MainArtist, AssociatedPerformer - José Mangual Jr, Percussion, Bongos, Chorus, Maracas, AssociatedPerformer - Nicky Marrero, Timbales , AssociatedPerformer - Jerry Masucci, Producer, Executive Producer - Papo Vasquez, Trombone, AssociatedPerformer - Irv Greenbaum, Mastering Engineer, StudioPersonnel
℗ 1977 Craft Recordings, a division of Concord Music Group, Inc.
Johnny Ortiz, Composer, Author - Salvador Cuevas, Bass Guitar, AssociatedPerformer - Milton Cardona, Percussion, Chorus, Conga, AssociatedPerformer - José Torres, Piano, AssociatedPerformer - Tom Malone, Harp, Tuba, AssociatedPerformer - Ruben Blades, Acoustic Guitar, Vocals, Chorus, MainArtist, AssociatedPerformer - Jon Fausty, Mastering Engineer, StudioPersonnel - Willie Colon, Producer, Percussion, Trombone, Chorus, Recording Producer, MainArtist, AssociatedPerformer - José Mangual Jr, Percussion, Bongos, Chorus, Maracas, AssociatedPerformer - Nicky Marrero, Timbales , AssociatedPerformer - Papo Vasquez, Trombone, AssociatedPerformer - Irv Greenbaum, Mastering Engineer, StudioPersonnel
℗ 1977 Craft Recordings, a division of Concord Music Group, Inc.
Salvador Cuevas, Bass Guitar, AssociatedPerformer - Milton Cardona, Percussion, Chorus, Conga, AssociatedPerformer - José Torres, Piano, AssociatedPerformer - Tom Malone, Harp, Tuba, AssociatedPerformer - Ruben Blades, Composer, Author, Acoustic Guitar, Vocals, Chorus, MainArtist, AssociatedPerformer - Jon Fausty, Mastering Engineer, StudioPersonnel - Leopoldo Pineda, Trombone, AssociatedPerformer - Willie Colon, Producer, Percussion, Trombone, Chorus, Recording Producer, MainArtist, AssociatedPerformer - José Mangual Jr, Percussion, Bongos, Chorus, Maracas, AssociatedPerformer - Nicky Marrero, Timbales , AssociatedPerformer - Papo Vasquez, Trombone, AssociatedPerformer - Irv Greenbaum, Mastering Engineer, StudioPersonnel
℗ 1977 Craft Recordings, a division of Concord Music Group, Inc.
Salvador Cuevas, Bass Guitar, AssociatedPerformer - Milton Cardona, Guitar, Percussion, Chorus, Conga, AssociatedPerformer - José Torres, Piano, AssociatedPerformer - Tom Malone, Harp, Tuba, AssociatedPerformer - Ruben Blades, Composer, Author, Acoustic Guitar, Vocals, Chorus, MainArtist, AssociatedPerformer - Jon Fausty, Mastering Engineer, StudioPersonnel - Willie Colon, Producer, Percussion, Trombone, Chorus, Recording Producer, MainArtist, AssociatedPerformer - José Mangual Jr, Percussion, Bongos, Chorus, Maracas, AssociatedPerformer - Nicky Marrero, Timbales , AssociatedPerformer - Papo Vasquez, Trombone, AssociatedPerformer - Irv Greenbaum, Mastering Engineer, StudioPersonnel
℗ 1977 Craft Recordings, a division of Concord Music Group, Inc.
Presentación del Álbum
Any Willie Colón fan who couldn't understand why Colón and Hector Lavoe would want to go their separate ways must have been reassured by the recruitment of Rubén Blades to take his place in 1977. (Surely, no one could argue with the results of 1975's The Good, the Bad, the Ugly, which featured all three figures on one of the best LPs that any of them ever recorded, together or apart.) But Blades certainly wasn't a double for Lavoe; in fact, their styles were completely different. Lavoe was a spark plug of a sonero who could motivate the oldest abuela to get up and dance. Blades, while he may have had the ability to sound like a romantic crooner, only hit with a punch when he wanted to, instead pushing to the front his lyrical concerns with the underclass through a variety of storytelling modes (an interest he shared with Colón himself). There aren't any standout tracks like both its predecessor (The Good, the Bad, the Ugly) and successor (Siembra), but Metiendo Mano! was a worthy introduction to the two recording as twin leads. It's certainly an adventurous record. Colón kept only three arranging assignments for himself, which makes it sound less like a Willie Colón record (and is probably why it's remembered slightly less fondly than its bookends). Luis Ortiz's two excellent charts included one that sounded a much different note than Colón (the opener "Pablo Pueblo") as well as another that sounded as though Colón were writing it himself ("La Maleta"). Colón bolstered his strong brass lineup with additional power (including a tuba solo on the opener), and the lineup is a powerhouse (including frequent collaborator Yomo Toro on two tracks). Meanwhile, Blades proved his range, moving from raging first-person narratives to pastoral boleros -- with no lack of passion on each -- and although Colón is heard less here than on his previous classics, his lieutenants proved the confidence he had in them.
© John Bush /TiVo
Acerca del álbum
- 1 disco(s) - 9 pista(s)
- Duración total: 00:50:20
- Artistas principales: Ruben Blades Willie Colón
- Compositor: Various Composers
- Sello: Fania
- Género World Music
© 1977 Craft Recordings, a division of Concord Music Group, Inc. ℗ 1977 Craft Recordings, a division of Concord Music Group, Inc.
Mejorar la información del álbum