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The Brian Jonestown Massacre|Methodrone

Methodrone

The Brian Jonestown Massacre

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While Brian Jonestown Massacre have since become known for their wasted Stones take on music (in any number of permutations), when the debut album Methodrone finally surfaced after months of delay (to the point where a side project album by ImaJinary Friends actually came out first), there was an easy, one-word reaction: shoegazers. Redolent with the spirit of such high priests of effects and delay as Loop, Spaceman 3, and My Bloody Valentine, not to mention a fair dollop of the Jesus and Mary Chain (sample song titles: "That Girl Suicide," "Hyperventilation," "She's Gone"), Methodrone clearly is the sum of its influences. Thankfully BJM does a very solid job with them throughout the album's course of over 70 minutes. Anton Newcombe favors breathy, sighing vocals over post-Jagger drawls, understandably ("Crushed" is as perfect an example of American Anglo singing as it gets), while the seven other rotating bandmembers whip up a good amount of machine-like chugging and rave-up bliss as they go. Part of the reason why it all works so well is Newcombe's impressive abilities to actually perform rather than pose. "Wisdom," for instance, isn't very complex, but it successfully creates a psychedelic haze. While assembled from a variety of different sessions and about seven different engineers, Methodrone feels like a unified collection. Newcombe is due further credit for ensuring that his own particular (if second-hand) vision is carried throughout. The album closes on a spectacular high, with the wafting feedback prettiness of "Outback" followed by the majestic drone of "She's Gone," armed with a stunning guitar line, then wrapping up with an untitled bonus track that assuredly builds to a strong end with quirky touches. Though the band never returned to this sound in full, Newcombe and BJM as a whole have nothing to be ashamed of here.

© Ned Raggett /TiVo

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Methodrone

The Brian Jonestown Massacre

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1
Evergreen
00:03:24

The Brian Jonestown Massacre, MainArtist - Anton Newcombe, Composer - Tepid Peppermint Wonderland, MusicPublisher

2008 'a' Records 2008 'a' Records

2
Wisdom
00:05:20

The Brian Jonestown Massacre, MainArtist - Anton Newcombe, Composer - Tepid Peppermint Wonderland, MusicPublisher

2008 'a' Records 2008 'a' Records

3
Crushed
00:06:08

The Brian Jonestown Massacre, MainArtist - Anton Newcombe, Composer - Tepid Peppermint Wonderland, MusicPublisher

2008 'a' Records 2008 'a' Records

4
That Girl Suicide
00:03:41

The Brian Jonestown Massacre, MainArtist - Anton Newcombe, Composer - Tepid Peppermint Wonderland, MusicPublisher

2008 'a' Records 2008 'a' Records

5
Wasted
00:04:21

The Brian Jonestown Massacre, MainArtist - Anton Newcombe, Composer - Tepid Peppermint Wonderland, MusicPublisher

2008 'a' Records 2008 'a' Records

6
Everyone Says
00:04:15

The Brian Jonestown Massacre, MainArtist - Anton Newcombe, Composer - Tepid Peppermint Wonderland, MusicPublisher

2008 'a' Records 2008 'a' Records

7
Short Wave
00:02:47

The Brian Jonestown Massacre, MainArtist - Anton Newcombe, Composer - Tepid Peppermint Wonderland, MusicPublisher

2008 'a' Records 2008 'a' Records

8
She Made Me
00:04:42

The Brian Jonestown Massacre, MainArtist - Anton Newcombe, Composer - Tepid Peppermint Wonderland, MusicPublisher

2008 'a' Records 2008 'a' Records

9
Hyperventilation
00:09:52

The Brian Jonestown Massacre, MainArtist - Anton Newcombe, Composer - Tepid Peppermint Wonderland, MusicPublisher

2008 'a' Records 2008 'a' Records

10
Records
00:01:50

The Brian Jonestown Massacre, MainArtist - Anton Newcombe, Composer - Tepid Peppermint Wonderland, MusicPublisher

2008 'a' Records 2008 'a' Records

11
I Love You
00:04:11

The Brian Jonestown Massacre, MainArtist - Anton Newcombe, Composer - Tepid Peppermint Wonderland, MusicPublisher

2008 'a' Records 2008 'a' Records

12
End Of The Day
00:05:09

The Brian Jonestown Massacre, MainArtist - Anton Newcombe, Composer - Tepid Peppermint Wonderland, MusicPublisher

2008 'a' Records 2008 'a' Records

13
Outback
00:04:07

The Brian Jonestown Massacre, MainArtist - Anton Newcombe, Composer - Tepid Peppermint Wonderland, MusicPublisher

2008 'a' Records 2008 'a' Records

14
She's Gone
00:07:18

The Brian Jonestown Massacre, MainArtist - Anton Newcombe, Composer - Tepid Peppermint Wonderland, MusicPublisher

2008 'a' Records 2008 'a' Records

15
Untitled (Methodrone)
00:04:52

The Brian Jonestown Massacre, MainArtist - Anton Newcombe, Composer - Tepid Peppermint Wonderland, MusicPublisher

2008 'a' Records 2008 'a' Records

16
In India You (Bonus Track)
00:03:42

The Brian Jonestown Massacre, MainArtist - Anton Newcombe, Composer - Tepid Peppermint Wonderland, MusicPublisher

2008 'a' Records 2008 'a' Records

Presentación del Álbum

While Brian Jonestown Massacre have since become known for their wasted Stones take on music (in any number of permutations), when the debut album Methodrone finally surfaced after months of delay (to the point where a side project album by ImaJinary Friends actually came out first), there was an easy, one-word reaction: shoegazers. Redolent with the spirit of such high priests of effects and delay as Loop, Spaceman 3, and My Bloody Valentine, not to mention a fair dollop of the Jesus and Mary Chain (sample song titles: "That Girl Suicide," "Hyperventilation," "She's Gone"), Methodrone clearly is the sum of its influences. Thankfully BJM does a very solid job with them throughout the album's course of over 70 minutes. Anton Newcombe favors breathy, sighing vocals over post-Jagger drawls, understandably ("Crushed" is as perfect an example of American Anglo singing as it gets), while the seven other rotating bandmembers whip up a good amount of machine-like chugging and rave-up bliss as they go. Part of the reason why it all works so well is Newcombe's impressive abilities to actually perform rather than pose. "Wisdom," for instance, isn't very complex, but it successfully creates a psychedelic haze. While assembled from a variety of different sessions and about seven different engineers, Methodrone feels like a unified collection. Newcombe is due further credit for ensuring that his own particular (if second-hand) vision is carried throughout. The album closes on a spectacular high, with the wafting feedback prettiness of "Outback" followed by the majestic drone of "She's Gone," armed with a stunning guitar line, then wrapping up with an untitled bonus track that assuredly builds to a strong end with quirky touches. Though the band never returned to this sound in full, Newcombe and BJM as a whole have nothing to be ashamed of here.

© Ned Raggett /TiVo

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