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Bernard Haitink|Mahler: Symphony No. 3

Mahler: Symphony No. 3

Bernard Haitink, Symphonieorchester des Bayerischen Rundfunks

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Bernard Haitink has had a long association with Gustav Mahler's Symphony No. 3 in D minor, from his classic 1966 stereo recording with the Royal Concertgebouw Orchestra to his 2006 audiophile recording with the Chicago Symphony Orchestra. This 2016 release on BR Klassik finds Haitink leading the Bavarian Radio Symphony Orchestra in a stirring live performance that shows no diminishment of the conductor's interpretive powers, and compares quite well with his previous renditions. Joined by mezzo-soprano Gerhild Romberger, the Augsburger Domsingknaben, and the women of the Bavarian Radio Women's Choir, Haitink explores the symphony's extraordinary mix of musical styles and genres, and ties them all together in an exuberant reading that is compelling from beginning to end. Even though this is Mahler's longest symphony, at close to an hour and 40 minutes total, with a first movement that is more than a half-hour long, the performance is so engaging and joyful that time seems to fly by, especially as the mood brightens over the five remaining movements. The sound of this recording is first-rate for a standard CD and approaches the quality of multichannel with its precise details, clear separation of parts, and remarkable physical depth. Highly recommended.

© TiVo

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Mahler: Symphony No. 3

Bernard Haitink

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Symphony No. 3 in D Minor (Gustav Mahler)

1
Symphony No. 3: I. Kräftig. Entschieden
Bernard Haitink
00:35:49

Traditional, Lyricist - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Bavarian Radio Symphony Orchestra, Orchestra, MainArtist - Friedrich Nietzsche, Lyricist

2017 BR-Klassik 2017 (P) BR-Klassik

DISCO 2

1
Symphony No. 3: II. Tempo di menuetto. Sehr mäßig
Bernard Haitink
00:10:06

Traditional, Lyricist - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Bavarian Radio Symphony Orchestra, Orchestra, MainArtist - Friedrich Nietzsche, Lyricist

2017 BR-Klassik 2017 (P) BR-Klassik

2
Symphony No. 3: III. Comodo. Scherzando. Ohne Hast
Bernard Haitink
00:17:52

Traditional, Lyricist - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Bavarian Radio Symphony Orchestra, Orchestra, MainArtist - Friedrich Nietzsche, Lyricist

2017 BR-Klassik 2017 (P) BR-Klassik

3
Symphony No. 3: IV. Sehr langsam. Misterioso
Gerhild Romberger
00:09:34

Traditional, Lyricist - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Bavarian Radio Symphony Orchestra, Orchestra, MainArtist - Friedrich Nietzsche, Lyricist - Gerhild Romberger, MainArtist, AssociatedPerformer

2017 BR-Klassik 2017 (P) BR-Klassik

4
Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck
Gerhild Romberger
00:04:26

Bavarian Radio Chorus, Choir, MainArtist - Augsburger Domsingknaben, Choir, FeaturedArtist - Traditional, Lyricist - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Bavarian Radio Symphony Orchestra, Orchestra, MainArtist - Friedrich Nietzsche, Lyricist - Gerhild Romberger, MainArtist, AssociatedPerformer

2017 BR-Klassik 2017 (P) BR-Klassik

5
Symphony No. 3: VI. Langsam. Ruhevoll. Empfunden
Bernard Haitink
00:23:39

Traditional, Lyricist - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Bavarian Radio Symphony Orchestra, Orchestra, MainArtist - Friedrich Nietzsche, Lyricist

2017 BR-Klassik 2017 (P) BR-Klassik

Presentación del Álbum

Bernard Haitink has had a long association with Gustav Mahler's Symphony No. 3 in D minor, from his classic 1966 stereo recording with the Royal Concertgebouw Orchestra to his 2006 audiophile recording with the Chicago Symphony Orchestra. This 2016 release on BR Klassik finds Haitink leading the Bavarian Radio Symphony Orchestra in a stirring live performance that shows no diminishment of the conductor's interpretive powers, and compares quite well with his previous renditions. Joined by mezzo-soprano Gerhild Romberger, the Augsburger Domsingknaben, and the women of the Bavarian Radio Women's Choir, Haitink explores the symphony's extraordinary mix of musical styles and genres, and ties them all together in an exuberant reading that is compelling from beginning to end. Even though this is Mahler's longest symphony, at close to an hour and 40 minutes total, with a first movement that is more than a half-hour long, the performance is so engaging and joyful that time seems to fly by, especially as the mood brightens over the five remaining movements. The sound of this recording is first-rate for a standard CD and approaches the quality of multichannel with its precise details, clear separation of parts, and remarkable physical depth. Highly recommended.

© TiVo

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