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Simone Kermes|Love (Monteverdi, Merula, Boësset, Briceño...)

Love (Monteverdi, Merula, Boësset, Briceño...)

Simone Kermes, Magnifica Comunità, Enrico Casazza

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After a flirtation with the 19th century, soprano Simone Kermes is back on familiar Baroque ground, with a new collection that is once again organized around a theme rather than a place or time or technique. Indeed, Kermes is resolutely not after an ideal of historical performance; she draws together material from four different national traditions (English, French, Spanish, and Italian), and she has one of the players in her small La Magnifica Comunità orchestra rearrange pieces at will to fit the sequence of events in the program. Kermes has the chops to carry off this kind of freedom. Her voice is utterly distinctive and may be a matter of taste, but there are some wonderful pieces here, each of them introduced in the booklet by a trio of adjectives ("Clandestine love -- bashfulness -- inexperience," for Michel Lambert's Sombres déserts, track six). There is a striking range of moods and of vocal qualities to go with them. The program ends with and in some ways builds to Purcell's "When I am laid in earth," which receives a performance of great gravity, but equally interesting if not more so are the obscure pieces that Kermes shapes into a tour of the dangerous emotion. Sample "Che si può fare? ("Yearning -- compassion -- despair," track five) by Barbara Strozzi, who is still more talked about than performed; it's a deliciously messy and modern piece. This is a very strong recital, as well executed as it is original.

© TiVo

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Love (Monteverdi, Merula, Boësset, Briceño...)

Simone Kermes

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Lamento della Ninfa (Claudio Monteverdi)

1
Lamento della ninfa, SV 163: Amor, amor
00:04:24

Simone Kermes, Soprano - La Magnifica Comunità - Enrico Casazza, Conductor - Claudio Monteverdi, Composer

(P) 2016 Sony Music Entertainment

Folle è ben che si crede (Tarquinio Merula)

2
Folle è ben che si crede
00:02:59

Simone Kermes, Soprano - La Magnifica Comunità - Enrico Casazza, Conductor - Tarquinio Merula (1595-1665), Composer

(P) 2016 Sony Music Entertainment

Récit de Mnémosyne (Antoine Boësset)

3
Quelles beautés, ô mortels (Récit de Mnémosyne)
00:02:32

Simone Kermes, Soprano - La Magnifica Comunità (Jasser Haj Youssef, Viola) - Enrico Casazza, Conductor - Antoine Boësset (1586-1643), Composer - Matteo Messori, String arrangement

(P) 2016 Sony Music Entertainment

Ay amor loco (Luis de Briceño)

4
Ay amor loco
00:03:09

Simone Kermes, Soprano - La Magnifica Comunità - Enrico Casazza, Conductor - Luis de Briceño (fl. 1610-1637), Composer - Luigi Mangiocavallo, Orchestration

(P) 2016 Sony Music Entertainment

Che si può fare ? (Barbara Strozzi)

5
Che si può fare?
00:04:23

Simone Kermes, Soprano - La Magnifica Comunità - Enrico Casazza, Conductor - Barbara Strozzi (1619-1677), Composer - Luigi Mangiocavallo, Orchestration

(P) 2016 Sony Music Entertainment

Sombres déserts (Michel Lambert)

6
Sombres déserts
00:03:13

Simone Kermes, Soprano - La Magnifica Comunità - Enrico Casazza, Conductor - Michel Lambert (1610-1696), Composer

(P) 2016 Sony Music Entertainment

The Fairy Queen (Henry Purcell)

7
The Fairy Queen, Z. 629, Act III: If Love's a Sweet Passion
00:02:08

Simone Kermes, Soprano - La Magnifica Comunità - Enrico Casazza, Conductor - Henry Purcell, Composer

(P) 2016 Sony Music Entertainment

8
Grida l'alma a tutt' ore
00:02:31

Simone Kermes, Soprano - La Magnifica Comunità (Jasser Haj Youssef, Viola) - Enrico Casazza, Conductor - Francesco Manelli (1592-1667), Composer

(P) 2016 Sony Music Entertainment

Frescos ayres del prado (Antoine Boësset)

9
Frescos ayres del prado
00:04:37

Simone Kermes, Soprano - La Magnifica Comunità - Enrico Casazza, Conductor - Antoine Boësset (1586-1643), Composer - Matteo Messori, String arrangement

(P) 2016 Sony Music Entertainment

Chi vuol ch'io m'innamori (Tarquinio Merula)

10
Chi vuol ch'io m'innamori
00:02:22

Simone Kermes, Soprano - La Magnifica Comunità - Enrico Casazza, Conductor - Tarquinio Merula (1595-1665), Composer

(P) 2016 Sony Music Entertainment

La Divisione del Mondo (Giovanni Legrenzi)

11
Chi mi tolse alle sfere! ... Lumi potete piangere
00:03:32

Simone Kermes, Soprano - La Magnifica Comunità - Enrico Casazza, Conductor - Giovanni Legrenzi (1626-1690), Composer - Matteo Messori, Violin Ritornellos

(P) 2016 Sony Music Entertainment

The Comical History of Don Quixote (John Eccles)

12
I Burn, I Burn
00:03:22

Simone Kermes, Soprano - La Magnifica Comunità - Enrico Casazza, Conductor - John Eccles (ca.1668-1735), Composer

(P) 2016 Sony Music Entertainment

L'Arigia (Antonio Cesti)

13
Disserratevi abissi
00:04:58

Simone Kermes, Soprano - La Magnifica Comunità - Enrico Casazza, Conductor - Antonio Cesti (1623-1669), Composer - Luigi Mangiocavallo, Orchestration

(P) 2016 Sony Music Entertainment

Restless in Thoughts (John Eccles)

14
Restless in Thoughts
00:07:44

Simone Kermes, Soprano - La Magnifica Comunità - Enrico Casazza, Conductor - John Eccles (ca.1668-1735), Composer - Matteo Messori, Orchestration

(P) 2016 Sony Music Entertainment

Now, o now I needs must part (John Dowland)

15
Now, O Now I Needs Must Part
00:05:07

Simone Kermes, Soprano - La Magnifica Comunità (Jasser Haj Youssef, Viola) - Enrico Casazza, Conductor - John Dowland, Composer

(P) 2016 Sony Music Entertainment

L'Orontea (Antonio Cesti)

16
Piu bella maestà ... Dormi, dormi ben mio
00:03:39

Simone Kermes, Soprano - La Magnifica Comunità - Enrico Casazza, Conductor - Antonio Cesti (1623-1669), Composer

(P) 2016 Sony Music Entertainment

Dido's Lament [Dido & Aeneas] (Henry Purcell)

17
Thy Hand Belinda ... When I Am Laid in Earth (Dido's Lament)
00:04:36

Simone Kermes, Soprano - La Magnifica Comunità - Enrico Casazza, Conductor - Henry Purcell, Composer

(P) 2016 Sony Music Entertainment

Presentación del Álbum

After a flirtation with the 19th century, soprano Simone Kermes is back on familiar Baroque ground, with a new collection that is once again organized around a theme rather than a place or time or technique. Indeed, Kermes is resolutely not after an ideal of historical performance; she draws together material from four different national traditions (English, French, Spanish, and Italian), and she has one of the players in her small La Magnifica Comunità orchestra rearrange pieces at will to fit the sequence of events in the program. Kermes has the chops to carry off this kind of freedom. Her voice is utterly distinctive and may be a matter of taste, but there are some wonderful pieces here, each of them introduced in the booklet by a trio of adjectives ("Clandestine love -- bashfulness -- inexperience," for Michel Lambert's Sombres déserts, track six). There is a striking range of moods and of vocal qualities to go with them. The program ends with and in some ways builds to Purcell's "When I am laid in earth," which receives a performance of great gravity, but equally interesting if not more so are the obscure pieces that Kermes shapes into a tour of the dangerous emotion. Sample "Che si può fare? ("Yearning -- compassion -- despair," track five) by Barbara Strozzi, who is still more talked about than performed; it's a deliciously messy and modern piece. This is a very strong recital, as well executed as it is original.

© TiVo

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