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Robin Thicke|Love After War

Love After War

Robin Thicke

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Robin Thicke's Vegas streak goes back as far as his debut single, “When I Get You Alone.” Based on Walter Murphy's 1976 disco hit “A Fifth of Beethoven,” it had the backbone of a flashy and theatrical production, but at that point, Thicke was more of a (likable) snotty brat than a slick showman. Eight years later, after other large-scale songs like “Everything I Can’t Have,” “Magic,” and “Million Dolla Baby,” Thicke has settled into a suave, and even more swashbuckling, sound. Throughout the first quarter of Love After War, Thicke might as well be gunning for a Vegas residency. In the bombastic intro “An Angel on Each Arm,” one can picture Thicke strutting onto a decked-out stage with, well, female dancers beside him, and the song has a grinding riff that could be used as a repeated motif throughout the rest of the performance. On the overloaded “I’m an Animal,” Thicke goes hammier: “I’m smokin’ TNT, I’m drinkin’ dyn-o-mite -- can you still love me?!” Then, on “Never Give Up,” Thicke nearly drowns in a tidal wave of sound that comes from a sampled recording of Mexican composer José Pablo Moncayo's symphonic “Huapango.” After the all-together-now anthem “The New Generation,” Love After War scales back to slow, soft material with a couple exceptions. “Full Time Believer” is a happy-go-lucky theme for an admired woman, while “The Lil’ Things” and “What Would I Be?” are reflective/thankful songs that would be ideal for the tail end of Thicke’s Sin City New Year’s Eve blowout. Otherwise, the second half is dominated by ballads made for seduction (with more than a little preening). They don’t offer much in the way of development from Thicke’s recent past -- shut-eyed falsetto cooing, classy Brazilian touches, and 1976 Marvin Gaye moves in steady supply -- but they should get the job done.

© Andy Kellman /TiVo

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Love After War

Robin Thicke

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1
An Angel On Each Arm
00:04:12

R. Thicke, ComposerLyricist - J. Gass, ComposerLyricist - Max, ComposerLyricist - Robin Thicke, Producer, MainArtist - Pro-Jay, Producer

℗ 2011 Star Trak, LLC

2
I'm An Animal
00:04:05

James Gass, ComposerLyricist - Robin Thicke, Producer, MainArtist, ComposerLyricist - Pro-Jay, Producer

℗ 2011 Star Trak, LLC

3
Never Give Up
00:02:37

Robin Thicke, Producer, MainArtist, ComposerLyricist - José Pablo Moncayo, ComposerLyricist - Pro-Jay, Producer

℗ 2011 Star Trak, LLC

4
The New Generation
00:03:58

Robin Thicke, Producer, MainArtist, ComposerLyricist - L. Cox, ComposerLyricist - Pro-Jay, Producer

℗ 2011 Star Trak, LLC

5
Love After War
00:03:15

Max, ComposerLyricist - Robin Thicke, Producer, MainArtist, ComposerLyricist - Pro-Jay, Producer

℗ 2011 Star Trak, LLC

6
All Tied Up
00:03:52

Larry Cox, ComposerLyricist - Robin Thicke, Producer, MainArtist, ComposerLyricist - R. Daniels, ComposerLyricist - Pro-Jay, Producer

℗ 2011 Star Trak, LLC

7
Pretty Lil' Heart
00:03:35

Lil Wayne, FeaturedArtist - D. Carter, ComposerLyricist - Robin Thicke, Producer, MainArtist, ComposerLyricist - Pro-Jay, Producer

℗ 2011 Star Trak, LLC

8
Mission
00:02:46

Robin Thicke, Producer, MainArtist, ComposerLyricist - Pro-Jay, Producer

℗ 2011 Star Trak, LLC

9
Tears On My Tuxedo
00:05:13

J. Gass, ComposerLyricist - Robin Thicke, Producer, MainArtist, ComposerLyricist - Pro-Jay, Producer

℗ 2011 Star Trak, LLC

10
Boring
00:03:28

Robin Thicke, Producer, MainArtist, ComposerLyricist - Pro-Jay, Producer

℗ 2011 Star Trak, LLC

11
Lovely Lady
00:02:04

Max, ComposerLyricist - Luiz Bonfa, ComposerLyricist - Robin Thicke, Producer, MainArtist, ComposerLyricist - Pro-Jay, Producer

℗ 2011 Star Trak, LLC

12
Dangerous
00:03:42

J. Gass, ComposerLyricist - Robin Thicke, Producer, MainArtist, ComposerLyricist - Pro-Jay, Producer

℗ 2011 Star Trak, LLC

13
Full Time Believer
00:04:02

Bobby Keys, ComposerLyricist - Robin Thicke, Producer, MainArtist, ComposerLyricist - Pro-Jay, Producer

℗ 2011 Star Trak, LLC

14
I Don't Know How It Feels To Be U
00:05:30

Robin Thicke, Producer, MainArtist, ComposerLyricist - Pro-Jay, Producer

℗ 2011 Star Trak, LLC

15
Cloud 9
00:02:56

Max, ComposerLyricist - Bobby Keys, ComposerLyricist - Robin Thicke, Producer, MainArtist, ComposerLyricist - Pro-Jay, Producer

℗ 2011 Star Trak, LLC

16
The Lil' Things
00:02:47

Robin Thicke, Producer, MainArtist, ComposerLyricist - Pro-Jay, Producer

℗ 2011 Star Trak, LLC

17
What Would I Be?
00:03:23

Robin Thicke, Producer, MainArtist, ComposerLyricist - Pro-Jay, Producer

℗ 2011 Star Trak, LLC

Presentación del Álbum

Robin Thicke's Vegas streak goes back as far as his debut single, “When I Get You Alone.” Based on Walter Murphy's 1976 disco hit “A Fifth of Beethoven,” it had the backbone of a flashy and theatrical production, but at that point, Thicke was more of a (likable) snotty brat than a slick showman. Eight years later, after other large-scale songs like “Everything I Can’t Have,” “Magic,” and “Million Dolla Baby,” Thicke has settled into a suave, and even more swashbuckling, sound. Throughout the first quarter of Love After War, Thicke might as well be gunning for a Vegas residency. In the bombastic intro “An Angel on Each Arm,” one can picture Thicke strutting onto a decked-out stage with, well, female dancers beside him, and the song has a grinding riff that could be used as a repeated motif throughout the rest of the performance. On the overloaded “I’m an Animal,” Thicke goes hammier: “I’m smokin’ TNT, I’m drinkin’ dyn-o-mite -- can you still love me?!” Then, on “Never Give Up,” Thicke nearly drowns in a tidal wave of sound that comes from a sampled recording of Mexican composer José Pablo Moncayo's symphonic “Huapango.” After the all-together-now anthem “The New Generation,” Love After War scales back to slow, soft material with a couple exceptions. “Full Time Believer” is a happy-go-lucky theme for an admired woman, while “The Lil’ Things” and “What Would I Be?” are reflective/thankful songs that would be ideal for the tail end of Thicke’s Sin City New Year’s Eve blowout. Otherwise, the second half is dominated by ballads made for seduction (with more than a little preening). They don’t offer much in the way of development from Thicke’s recent past -- shut-eyed falsetto cooing, classy Brazilian touches, and 1976 Marvin Gaye moves in steady supply -- but they should get the job done.

© Andy Kellman /TiVo

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