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Fennesz|Live At The Revolver Club

Live At The Revolver Club

Fennesz

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16-Bit/44.1 kHz Estéreo

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Idioma disponible: inglés

This EP was recorded live at the Revolver in Melbourne, Australia, on February 3, 2000. Although it bears a CD-R catalog number and is packaged like Touch's CD-R line, it is not a CD-R but a limited pressing of 1,000 copies. Christian Fennesz has quickly become a major figure on the free improv electronics scene, and here he shows what his live magic is all about. The piece is made of white noise, analog electronics, some digital real-time editing, and (maybe?) electric guitar. Fennesz' approach here is rather minimal. He eludes the standard built-up format and keeps the music delicate and low-profile for the first half, before it suddenly explodes at eight-and-a-half minutes into the track, creating a wake-up call effect. A few minutes later, the piece quiets down into a polluted new age mood. Impressive.
© François Couture /TiVo

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Live At The Revolver Club

Fennesz

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1
Live At The Revolver Club
00:16:33

Fennesz, MainArtist - Christian Fennesz, Composer - Touch Music (MCPS), MusicPublisher

2000 Touch 2000 Touch

Presentación del Álbum

This EP was recorded live at the Revolver in Melbourne, Australia, on February 3, 2000. Although it bears a CD-R catalog number and is packaged like Touch's CD-R line, it is not a CD-R but a limited pressing of 1,000 copies. Christian Fennesz has quickly become a major figure on the free improv electronics scene, and here he shows what his live magic is all about. The piece is made of white noise, analog electronics, some digital real-time editing, and (maybe?) electric guitar. Fennesz' approach here is rather minimal. He eludes the standard built-up format and keeps the music delicate and low-profile for the first half, before it suddenly explodes at eight-and-a-half minutes into the track, creating a wake-up call effect. A few minutes later, the piece quiets down into a polluted new age mood. Impressive.
© François Couture /TiVo

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