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Gennady Rozhdestvensky|Langgaard: Music of the Spheres & Four Tone Poems

Langgaard: Music of the Spheres & Four Tone Poems

Gennady Rozhdestvensky, Danish National Radio Symphony Orchestra, Gitta-Maria Sjöberg, Danish National Radio Choir, Jesper Grove Jorgensen

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A wonderfully gifted child, the Danish composer Rued Langgaard (1893-1952) occupies a completely unique place in the history of music, in which he is only just beginning to feature. A virtuoso organist at the age of eleven, he composed a First Symphony at the age of seventeen. An hour long, it was performed for the first time by no less than the Berlin Philharmonic Orchestra in 1913. But Langgaard was too visionary, too original, too far from fashion and the common world to be successful.

He was forty-seven when he finally got an official position as an organist on the west coast of Jutland (Jylland in Danish), a remote province with no connection to the musical life of the Danish capital. An idealist, isolated in absolute solitude, this strange composer wrote music that was full of peculiarities, complex and confusing, a good half-century ahead of the evolution of the musical language at the end of the 20th century.

Composed in 1918, the Music of the Spheres for a solo soprano, choir, organ and distant orchestra waited fifty years for its premiere, under the astonished eyes of György Ligeti, who immediately and humorously declared upon discovering this music that he was "an imitator of Langgaard without knowing it!" A lovely admission of admiration from one of the most original composers of the end of the last century. A sound object that is difficult to identify, this music is incredibly innovative with its notions of endless space, height, and depth between light and shadow. It touches on philosophy with its apocalyptic ending, expressing the conflict between Christ and Antichrist before dissolving into the cosmos.

Under the generic title 4 Tone Pictures, the four songs for voice and orchestra appearing on the same album date from the same time. Their late romantic musical language is sometimes quite similar to that of Music of the Spheres. Created only in 1980, these four pieces were recorded here for the first time. It took a conductor as out of the ordinary and as peculiar as Gennady Rozhdestvensky to bring this astonishing music to life, recorded in 1996 in Copenhagen in the large concert hall of the Danish Radio. © François Hudry/Qobuz

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Langgaard: Music of the Spheres & Four Tone Poems

Gennady Rozhdestvensky

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Music of the Spheres, BVN 128 (Rued Langgaard)

1
I. Like sunbeams on a coffin decorated with sweet smelling flowers
00:02:32

Gennady Rozhdestvensky, Conductor, MainArtist - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Rued Langgaard, Composer

1997 Chandos Records 1997 Chandos Records

2
II. Like the twinkling of stars in the blue sky at sunset
00:02:33

Gennady Rozhdestvensky, Conductor, MainArtist - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Rued Langgaard, Composer

1997 Chandos Records 1997 Chandos Records

3
III. Like light and the depths
00:02:07

Gennady Rozhdestvensky, Conductor, MainArtist - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Rued Langgaard, Composer

1997 Chandos Records 1997 Chandos Records

4
IV. Like the refraction of sunbeams in the waves
00:00:36

Gennady Rozhdestvensky, Conductor, MainArtist - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Rued Langgaard, Composer

1997 Chandos Records 1997 Chandos Records

5
V. Like the twinkling of a pearl of dew in the sun on
00:00:52

Gennady Rozhdestvensky, Conductor, MainArtist - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Rued Langgaard, Composer

1997 Chandos Records 1997 Chandos Records

6
VI. Longing - Despair - Ecstasy
00:03:33

Gennady Rozhdestvensky, Conductor, MainArtist - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Rued Langgaard, Composer

1997 Chandos Records 1997 Chandos Records

7
VII. Soul of the world - Abyss - All Soul's day
00:02:16

Gennady Rozhdestvensky, Conductor, MainArtist - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Rued Langgaard, Composer

1997 Chandos Records 1997 Chandos Records

8
VIII. I wish...!
00:01:20

Gennady Rozhdestvensky, Conductor, MainArtist - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Danish National Radio Choir, Choir, MainArtist - Rued Langgaard, Composer - Hedwig Rummel, MainArtist, ContraltoVocals - Jesper Grove Jorgensen, Conductor, MainArtist - Annette Simonsen, MainArtist, ContraltoVocals

1997 Chandos Records 1997 Chandos Records

9
IX. Chaos - Ruin - Far and near
00:02:07

Gennady Rozhdestvensky, Conductor, MainArtist - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Rued Langgaard, Composer

1997 Chandos Records 1997 Chandos Records

10
X. Flowers wither
00:01:36

Gennady Rozhdestvensky, Conductor, MainArtist - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Rued Langgaard, Composer

1997 Chandos Records 1997 Chandos Records

11
XI. Glimpse of the sum through tears
00:05:16

Gennady Rozhdestvensky, Conductor, MainArtist - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Rued Langgaard, Composer

1997 Chandos Records 1997 Chandos Records

12
XII. Bells pealing. Look! He comes
00:01:57

Gennady Rozhdestvensky, Conductor, MainArtist - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Rued Langgaard, Composer

1997 Chandos Records 1997 Chandos Records

13
XIII. The gospel of flowers - From the far distance
00:02:26

Gennady Rozhdestvensky, Conductor, MainArtist - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Rued Langgaard, Composer - Gitta-Maria Sjöberg, MainArtist, SopranoSolo

1997 Chandos Records 1997 Chandos Records

14
XIV. The new day
00:01:33

Gennady Rozhdestvensky, Conductor, MainArtist - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Rued Langgaard, Composer

1997 Chandos Records 1997 Chandos Records

15
XV. The end. Antichrist - Christ
00:04:46

Gennady Rozhdestvensky, Conductor, MainArtist - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Danish National Radio Choir, Choir, MainArtist - Rued Langgaard, Composer - Jesper Grove Jorgensen, Conductor, MainArtist

1997 Chandos Records 1997 Chandos Records

Four Tone Pictures (Rued Langgaard)

16
I. Likewords for a summer's day saga
00:04:29

Gennady Rozhdestvensky, Conductor, MainArtist - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Rued Langgaard, Composer - Gitta-Maria Sjöberg, MainArtist, SopranoSolo

1997 Chandos Records 1997 Chandos Records

17
II. A scent of mull and mud
00:03:36

Gennady Rozhdestvensky, Conductor, MainArtist - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Rued Langgaard, Composer - Gitta-Maria Sjöberg, MainArtist, SopranoSolo

1997 Chandos Records 1997 Chandos Records

18
III. A golden flake hovers above
00:04:41

Gennady Rozhdestvensky, Conductor, MainArtist - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Rued Langgaard, Composer - Gitta-Maria Sjöberg, MainArtist, SopranoSolo

1997 Chandos Records 1997 Chandos Records

19
IV. The flowering summer was linked to the harvest
00:04:56

Gennady Rozhdestvensky, Conductor, MainArtist - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Rued Langgaard, Composer - Gitta-Maria Sjöberg, MainArtist, SopranoSolo

1997 Chandos Records 1997 Chandos Records

Presentación del Álbum

A wonderfully gifted child, the Danish composer Rued Langgaard (1893-1952) occupies a completely unique place in the history of music, in which he is only just beginning to feature. A virtuoso organist at the age of eleven, he composed a First Symphony at the age of seventeen. An hour long, it was performed for the first time by no less than the Berlin Philharmonic Orchestra in 1913. But Langgaard was too visionary, too original, too far from fashion and the common world to be successful.

He was forty-seven when he finally got an official position as an organist on the west coast of Jutland (Jylland in Danish), a remote province with no connection to the musical life of the Danish capital. An idealist, isolated in absolute solitude, this strange composer wrote music that was full of peculiarities, complex and confusing, a good half-century ahead of the evolution of the musical language at the end of the 20th century.

Composed in 1918, the Music of the Spheres for a solo soprano, choir, organ and distant orchestra waited fifty years for its premiere, under the astonished eyes of György Ligeti, who immediately and humorously declared upon discovering this music that he was "an imitator of Langgaard without knowing it!" A lovely admission of admiration from one of the most original composers of the end of the last century. A sound object that is difficult to identify, this music is incredibly innovative with its notions of endless space, height, and depth between light and shadow. It touches on philosophy with its apocalyptic ending, expressing the conflict between Christ and Antichrist before dissolving into the cosmos.

Under the generic title 4 Tone Pictures, the four songs for voice and orchestra appearing on the same album date from the same time. Their late romantic musical language is sometimes quite similar to that of Music of the Spheres. Created only in 1980, these four pieces were recorded here for the first time. It took a conductor as out of the ordinary and as peculiar as Gennady Rozhdestvensky to bring this astonishing music to life, recorded in 1996 in Copenhagen in the large concert hall of the Danish Radio. © François Hudry/Qobuz

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