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Mitzi Meyerson|John Jones : 8 Setts of Lessons for the Harpsichord

John Jones : 8 Setts of Lessons for the Harpsichord

Mitzi Meyerson

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The English Baroque composer John Jones is virtually forgotten today, though harpsichordist Mitzi Meyerson has recorded his singular Eight Setts of Lessons for the Harpsichord, a 1754 collection that is full of surprises. Jones' obscurity is easily explained because he was a contemporary of George Frederick Handel, and like others at the time, he had to work in the great man's shadow. Yet in spite of the odds against him, Jones' career as an organist and composer brought him wealth and a good reputation as a composer. His harpsichord pieces were sold by subscription, mostly to aristocrats and others who could afford them, and they attracted the notice of Charles Avison, William Boyce, and Charles Burney, among other 18th century luminaries. The Eight Setts -- actually eight suites of short pieces of wide-ranging character -- are extraordinary for their technical demands, inventiveness, and brilliance, and at their finest, are reminiscent of pieces by Domenico Scarlatti, Jean-Philippe Rameau, and even Handel, whose influence Jones couldn't have escaped. Meyerson's virtuosity and exquisite feeling for this music make this double CD an extraordinary find, and she puts Jones back in the spotlight after two centuries of neglect, a major achievement in itself. Glossa's recording is clear and crisply detailed, even though the performances were recorded in a German church, and the package is a treat for lovers of Baroque harpsichord music. Highly recommended.

© TiVo

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John Jones : 8 Setts of Lessons for the Harpsichord

Mitzi Meyerson

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8 Setts of Lessons for the Harpsichord, No. 1 in G Minor-Major (John Jones)

1
I. Preludium
00:05:01

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

2
II. Allmand
00:03:16

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

3
III. Lentement
00:02:41

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

4
IV. Allegro
00:02:46

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

5
V. Andante affettuoso
00:02:38

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

8 Setts of Lessons for the Harpsichord, No. 2 in A Minor-Major (John Jones)

6
I. Larghetto
00:02:52

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

7
II. Allegro ma non troppo
00:03:19

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

8
III. Largo
00:01:23

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

9
IV. Giga
00:03:25

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

10
V. Vivace - Allegro
00:03:13

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

8 Setts of Lessons for the Harpsichord, No. 3 in D Major (John Jones)

11
I. Allemand
00:01:53

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

12
II. Courant
00:02:13

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

13
III. Saraband
00:01:21

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

14
IV. Giga: Presto
00:02:33

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

15
V. Gavot: Andante
00:02:36

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

8 Setts of Lessons for the Harpsichord, No. 4 in F Major (John Jones)

16
I. Siciliana
00:02:46

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

17
II. Allegro
00:02:04

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

18
III. Andantino
00:02:04

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

19
IV. Allegro
00:02:47

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

DISCO 2

8 Setts of Lessons for the Harpsichord, No. 5 in E-Flat Major (John Jones)

1
I. Andante moderato
00:03:34

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

2
II. Allmand
00:02:37

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

3
III. Corrante
00:02:56

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

4
IV. Andante
00:02:45

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

5
V. Minuet: Presto
00:02:06

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

8 Setts of Lessons for the Harpsichord, No. 6 in A Major (John Jones)

6
I. Largo
00:04:31

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

7
II. Allegro
00:03:03

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

8
III. Pastorale
00:01:20

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

9
IV. Air - Minuetto andante
00:04:03

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

8 Setts of Lessons for the Harpsichord, No. 7 in C Minor-Major (John Jones)

10
I. Moderato
00:04:21

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

11
II. Allegro
00:04:15

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

12
III. Grave
00:02:00

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

13
IV. Gig
00:02:01

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

14
V. Rondeau: Andante
00:02:18

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

8 Setts of Lessons for the Harpsichord, No. 8 in D Minor-Major (John Jones)

15
I. Spiritoso
00:02:18

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

16
II. Allegro
00:04:30

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

17
III. Minuet
00:02:43

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

18
IV. March: Grave
00:01:13

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

Lessons for the Harpsichord, Vol. 2, Lesson No. 17 in D Major (John Jones)

19
Lessons Vol. No. 2: Brillante
00:03:16

Mitzi Meyerson, Harpsichord (Michael Johnson, 2011) - John Jones, Composer

2016 Glossa 2016 Glossa

Presentación del Álbum

The English Baroque composer John Jones is virtually forgotten today, though harpsichordist Mitzi Meyerson has recorded his singular Eight Setts of Lessons for the Harpsichord, a 1754 collection that is full of surprises. Jones' obscurity is easily explained because he was a contemporary of George Frederick Handel, and like others at the time, he had to work in the great man's shadow. Yet in spite of the odds against him, Jones' career as an organist and composer brought him wealth and a good reputation as a composer. His harpsichord pieces were sold by subscription, mostly to aristocrats and others who could afford them, and they attracted the notice of Charles Avison, William Boyce, and Charles Burney, among other 18th century luminaries. The Eight Setts -- actually eight suites of short pieces of wide-ranging character -- are extraordinary for their technical demands, inventiveness, and brilliance, and at their finest, are reminiscent of pieces by Domenico Scarlatti, Jean-Philippe Rameau, and even Handel, whose influence Jones couldn't have escaped. Meyerson's virtuosity and exquisite feeling for this music make this double CD an extraordinary find, and she puts Jones back in the spotlight after two centuries of neglect, a major achievement in itself. Glossa's recording is clear and crisply detailed, even though the performances were recorded in a German church, and the package is a treat for lovers of Baroque harpsichord music. Highly recommended.

© TiVo

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