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Max Roach|Jazz In 3/4 Time

Jazz In 3/4 Time

Max Roach

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The post-Clifford Brown quintet that drummer Max Roach led tends to get overlooked, but it actually ranked up there with the Jazz Messengers and the Horace Silver Quintet in the late '50s. With tenor saxophonist Sonny Rollins becoming a stronger soloist month by month (he was arguably the top tenor in jazz at the time) and veteran trumpeter Kenny Dorham in prime form, Roach was able to stretch himself; the obscure pianist Billy Wallace and bassist George Morrow completed the group. On this LP, Roach explores six songs in waltz time, an innovation for the period (predating Dave Brubeck's recording of "Take Five" by two years). Roach contributed two originals and the group played 3/4 versions of three standards, but it was Rollins' "Valse Hot" (which clocks in on this Mercury album at over 14 minutes in length) that was the hit of the date. These excellent performances show that jazz does not always have to be in 4/4 time in order to swing.

© Scott Yanow /TiVo

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Jazz In 3/4 Time

Max Roach

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1
Blues Waltz
00:06:31

Kenny Dorham, Trumpet, AssociatedPerformer - Sonny Rollins, Tenor Saxophone, AssociatedPerformer - Max Roach, Drums, MainArtist, AssociatedPerformer, ComposerLyricist - Bob Shad, Producer - Billy Wallace, Piano, AssociatedPerformer - George Morrow, Upright Bass, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

2
Valse Hot
00:14:20

Kenny Dorham, Trumpet, AssociatedPerformer - Sonny Rollins, Tenor Saxophone, AssociatedPerformer, ComposerLyricist - Max Roach, Drums, MainArtist, AssociatedPerformer - Bob Shad, Producer - Billy Wallace, Piano, AssociatedPerformer - George Morrow, Upright Bass, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

3
I'll Take Romance
00:04:31

Oscar Hammerstein II , ComposerLyricist - Kenny Dorham, Trumpet, AssociatedPerformer - Ben Oakland, Composer - Sonny Rollins, Tenor Saxophone, AssociatedPerformer - Max Roach, Drums, MainArtist, AssociatedPerformer - Bob Shad, Producer - Billy Wallace, Piano, AssociatedPerformer - George Morrow, Upright Bass, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

4
Little Folks
00:05:36

Kenny Dorham, Trumpet, AssociatedPerformer - Sonny Rollins, Tenor Saxophone, AssociatedPerformer - Max Roach, Drums, MainArtist, AssociatedPerformer, ComposerLyricist - Bob Shad, Producer - Billy Wallace, Piano, AssociatedPerformer - George Morrow, Upright Bass, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

5
Lover (Mono)
00:05:34

Richard Rodgers, ComposerLyricist - Lorenz Hart, Author - Kenny Dorham, Trumpet, AssociatedPerformer - Sonny Rollins, Tenor Saxophone, AssociatedPerformer - Max Roach, Drums, MainArtist, AssociatedPerformer - Bob Shad, Producer - Billy Wallace, Piano, AssociatedPerformer - George Morrow, Upright Bass, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

6
The Most Beautiful Girl in the World
00:07:05

Richard Rodgers, Composer - Lorenz Hart, Author - Kenny Dorham, Trumpet, AssociatedPerformer - Sonny Rollins, Tenor Saxophone, AssociatedPerformer - Ray Bryant, Piano, AssociatedPerformer - Max Roach, Drums, MainArtist, AssociatedPerformer - Bob Shad, Producer - George Morrow, Upright Bass, AssociatedPerformer

℗ 1956 UMG Recordings, Inc.

Presentación del Álbum

The post-Clifford Brown quintet that drummer Max Roach led tends to get overlooked, but it actually ranked up there with the Jazz Messengers and the Horace Silver Quintet in the late '50s. With tenor saxophonist Sonny Rollins becoming a stronger soloist month by month (he was arguably the top tenor in jazz at the time) and veteran trumpeter Kenny Dorham in prime form, Roach was able to stretch himself; the obscure pianist Billy Wallace and bassist George Morrow completed the group. On this LP, Roach explores six songs in waltz time, an innovation for the period (predating Dave Brubeck's recording of "Take Five" by two years). Roach contributed two originals and the group played 3/4 versions of three standards, but it was Rollins' "Valse Hot" (which clocks in on this Mercury album at over 14 minutes in length) that was the hit of the date. These excellent performances show that jazz does not always have to be in 4/4 time in order to swing.

© Scott Yanow /TiVo

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