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Lambchop|Is a Woman

Is a Woman

Lambchop

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Many of the attributes that numerous alternative listeners have found endearing or annoying about Lambchop remain on this, the band's sixth album. There's the fragmented, sometimes mundane subject matter of Kurt Wagner's lyrics, his dry sing-speak voice, and an overall air of resignation that blurs the line between contentment and containment. Is a Woman has to rank as one of the group's better efforts, though, primarily since the coyness that could lead to aggravating pretensions has been muted, almost to the point of absence. It's also fair to say that, at this point, Lambchop was no longer an alt-country act. Perhaps there's still a touch of countrypolitan to the subdued songs and languorous tempos. But the effect is rather more like that of an arty lounge singer, with the deft piano, rich vibes, and occasional science fiction-like guitar effects. Wagner sounds something like an alternate-universe Randy Newman, not nearly as concise or direct in his imagery, but possessed of similar weary, reflective Americana. By focusing less on quotidian (i.e., boring) experiences of the proletariat and more on less-tangible allusions to death, troubled romance, and loneliness, Wagner's music is simply more approachable and meaningful, if still hard to puzzle out in its specific intent. Too, the sound is much more consistent from cut to cut than it has been on past Lambchop albums, with enough inventive tinges of soul and jazz to leaven the super-somber after-hours ethos. This is still way too idiosyncratic for mass digestion, but it's a definite positive artistic progression.

© Richie Unterberger /TiVo

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Is a Woman

Lambchop

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1
The Daily Growl
00:06:36

Kurt Wagner, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

2
The New Cobweb Summer
00:06:57

Kurt Wagner, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

3
My Blue Wave
00:07:52

Kurt Wagner, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

4
I Can Hardly Spell My Name
00:03:24

Kurt Wagner, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

5
Autumn's Vicar
00:04:16

Kurt Wagner, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

6
Flick
00:05:07

Kurt Wagner, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

7
Caterpillar
00:06:19

Kurt Wagner, Composer - Lambchop, MainArtist - D. C. Book, Composer

2002 City Slang 2002 Merge Records

8
D. Scott Parsley
00:05:57

Kurt Wagner, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

9
Bugs
00:05:43

Kurt Wagner, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

10
The Old Matchbook Trick
00:04:41

Kurt Wagner, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

11
Is a Woman
00:04:38

Kurt Wagner, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

DISCO 2

1
I'm Glad I Never
00:01:23

Lee Hazlewood, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

2
Art Lover
00:05:05

Davies, Composer - Lambchop, MainArtist - Raymond Douglas, Composer

2002 City Slang 2002 Merge Records

3
The Gusher (New)
00:03:45

Kurt Wagner, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

4
Flub
00:06:03

Kurt Wagner, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

5
Haul Away Joe
00:04:57

Kurt Wagner, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

6
Di Di 7
00:03:56

Kurt Wagner, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

7
Kurt Wagner's Heart Attack
00:02:56

Kurt Wagner, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

8
Uti
00:04:53

Kurt Wagner, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

9
We Shall Not Be Overhelmed
00:03:42

Kurt Wagner, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

10
The Gettysburg Address
00:05:59

Kurt Wagner, Composer, Producer - Mark Nevers, Producer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

11
The Fadeaway Jumper
00:05:43

Kurt Wagner, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

12
Yardwork
00:03:32

Kurt Wagner, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

13
Greylines in Heaven
00:05:53

Kurt Wagner, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

14
Backstreet Girl
00:04:31

Richards, Composer - Jagger, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

15
This Corrosion
00:06:11

Andrew Eldritch, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

16
The Puppy and the Leaf
00:03:57

Kurt Wagner, Composer - Lambchop, MainArtist

2002 City Slang 2002 Merge Records

Presentación del Álbum

Many of the attributes that numerous alternative listeners have found endearing or annoying about Lambchop remain on this, the band's sixth album. There's the fragmented, sometimes mundane subject matter of Kurt Wagner's lyrics, his dry sing-speak voice, and an overall air of resignation that blurs the line between contentment and containment. Is a Woman has to rank as one of the group's better efforts, though, primarily since the coyness that could lead to aggravating pretensions has been muted, almost to the point of absence. It's also fair to say that, at this point, Lambchop was no longer an alt-country act. Perhaps there's still a touch of countrypolitan to the subdued songs and languorous tempos. But the effect is rather more like that of an arty lounge singer, with the deft piano, rich vibes, and occasional science fiction-like guitar effects. Wagner sounds something like an alternate-universe Randy Newman, not nearly as concise or direct in his imagery, but possessed of similar weary, reflective Americana. By focusing less on quotidian (i.e., boring) experiences of the proletariat and more on less-tangible allusions to death, troubled romance, and loneliness, Wagner's music is simply more approachable and meaningful, if still hard to puzzle out in its specific intent. Too, the sound is much more consistent from cut to cut than it has been on past Lambchop albums, with enough inventive tinges of soul and jazz to leaven the super-somber after-hours ethos. This is still way too idiosyncratic for mass digestion, but it's a definite positive artistic progression.

© Richie Unterberger /TiVo

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