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The O'Jays|Imagination

Imagination

The O'Jays

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Idioma disponible: inglés

Like many soul giants of the '70s who continue to perform and record new material, the O'Jays have updated their sound for a more contemporary feel. While Eddie Levert and company's nearly flawless vocal harmonies continue to be the anchor of the group, the clinical production found throughout is in sharp contrast with some of the warmer, most intimate moments of their Philadelphia International years. The songwriting is still among the best of their contemporaries (most notably on the quite creative "Repair Man" and "Chauvinistic") and proves that you can keep up with popular music in a dignified, classy manner without pandering to younger audiences and paying ludicrous amounts of money to have A-list producers remix your tracks. It's not exactly a return to the fold of brilliance that they once had, but it's close and still quite a pleasant-sounding record. Most longtime devotees will enjoy this album from start to finish, and a few younger cats could learn a thing or two from a group of soul veterans who get the job done right nearly every time.
© Rob Theakston /TiVo

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Imagination

The O'Jays

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1
Made It Back
00:03:25

The O'Jays, MainArtist - Troy Taylor, Composer - G. Chambers, Composer - Eddie Levert Sr, Composer - Walter Williams Sr., Composer

(C) 2011 Music World Music LLC (P) 2011 Music World Music LLC

2
Repair Man
00:03:58

The O'Jays, MainArtist - Balewa Muhammad, Composer - Falonte Moore, Composer - Robert Fusari, Composer - Eddie Levert Sr, Composer - Walter Williams Sr., Composer

(C) 2011 Music World Music LLC (P) 2011 Music World Music LLC

3
Make Up
00:06:52

The O'Jays, MainArtist - Eddie Levert Sr, Composer - Walter Williams Sr., Composer

(C) 2011 Music World Music LLC (P) 2011 Music World Music LLC

4
Imagination
00:05:57

The O'Jays, MainArtist - James Harris III, Composer - TERRY LEWIS, Composer

(C) 2011 Music World Music LLC (P) 2011 Music World Music LLC

5
Chauvinistic
00:04:30

The O'Jays, MainArtist - Eddie Levert Sr, Composer - Walter Williams Sr., Composer

(C) 2011 Music World Music LLC (P) 2011 Music World Music LLC

6
Separate Ways
00:04:50

The O'Jays, MainArtist - Troy Taylor, Composer - Spanky Williams, Composer - Eddie Levert Sr, Composer - Walter Williams Sr., Composer

(C) 2011 Music World Music LLC (P) 2011 Music World Music LLC

7
Why You Wanna Settle for Less
00:06:37

The O'Jays, MainArtist - James Harris III, Composer - James Q. Wright, Composer - TERRY LEWIS, Composer - Eddie Levert Sr, Composer - Walter Williams Sr., Composer

(C) 2011 Music World Music LLC (P) 2011 Music World Music LLC

8
Busy Tonight
00:04:42

The O'Jays, MainArtist - Eddie Levert Sr, Composer - Walter Williams Sr., Composer

(C) 2011 Music World Music LLC (P) 2011 Music World Music LLC

9
One Good Woman
00:03:58

The O'Jays, MainArtist - Balewa Muhammad, Composer - Falonte Moore, Composer - Robert Fusari, Composer - C. Lightly, Composer - Eddie Levert Sr, Composer - Walter Williams Sr., Composer

(C) 2011 Music World Music LLC (P) 2011 Music World Music LLC

10
I Would Rather Cry
00:04:56

The O'Jays, MainArtist - Gerald Levert, Composer - E. Nicholas, Composer - Eddie Levert Sr, Composer - Walter Williams Sr., Composer

(C) 2011 Music World Music LLC (P) 2011 Music World Music LLC

11
For the Love of Money (Grizz Remix)
00:03:28

The O'Jays, MainArtist - Kenneth Gamble, Composer - LEON HUFF, Composer - Anthony Jackson, Composer

(C) 2011 Music World Music LLC (P) 2011 Music World Music LLC

12
The Christmas Song
00:04:55

The O'Jays, MainArtist - Mel TORME, Composer - Robert Wells, Composer

(C) 2011 Music World Music LLC (P) 2011 Music World Music LLC

Presentación del Álbum

Like many soul giants of the '70s who continue to perform and record new material, the O'Jays have updated their sound for a more contemporary feel. While Eddie Levert and company's nearly flawless vocal harmonies continue to be the anchor of the group, the clinical production found throughout is in sharp contrast with some of the warmer, most intimate moments of their Philadelphia International years. The songwriting is still among the best of their contemporaries (most notably on the quite creative "Repair Man" and "Chauvinistic") and proves that you can keep up with popular music in a dignified, classy manner without pandering to younger audiences and paying ludicrous amounts of money to have A-list producers remix your tracks. It's not exactly a return to the fold of brilliance that they once had, but it's close and still quite a pleasant-sounding record. Most longtime devotees will enjoy this album from start to finish, and a few younger cats could learn a thing or two from a group of soul veterans who get the job done right nearly every time.
© Rob Theakston /TiVo

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