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Tangerine Dream|Hyperborea (1995 Remaster)

Hyperborea (1995 Remaster)

Tangerine Dream

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Tangerine Dream set the stage for the style of "artsy" soundtrack music that dominated the '80s. Although Hyperborea is not a soundtrack, it was clearly influential on some of the work the group was hired to do for Risky Business, Flashpoint, Dreamscape, Firestarter, Legend, and close to 20 others. There have been at least a dozen members in this trio over the years, but the assembly of Chris Franke, Edgar Froese, and Johannes Schmoelling proved to be one of the most prolific and influential. Hyperborea was a turning point for the band -- a distinctive departure from the free-form psychedelica-and-moog prog rock improvisations, it was an album of crispness, structure, and a little bravery too -- a showcase for artists with enough chops to adjust to the new technology without getting lost in it. Getting its hands on the popular new keyboards of the mid-'80s, the band found wonderful textures, richly overlapping sequences, and on some level a chance to reinvent themselves, and with great results. Recorded in Berlin in 1983, it was the shape of things to come for the remainder of the decade.

© Glenn Swan /TiVo

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Hyperborea (1995 Remaster)

Tangerine Dream

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1
No Man's Land (1995 Remaster)
00:09:10

Christophe Franke, Producer - Johannes Schmoelling, Composer, Producer, Engineer, Performer, AssociatedPerformer, StudioPersonnel - Chris Franke, Engineer, Performer, AssociatedPerformer, StudioPersonnel - Tangerine Dream, MainArtist - Edgar Froese, Composer, Producer, Engineer, Performer, AssociatedPerformer, StudioPersonnel - Christopher Franke, Composer

(C) 1995 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1995 Virgin Records Ltd ℗ 1995 Virgin Records Limited

2
Hyperborea (1995 Remaster)
00:08:40

Christophe Franke, Producer - Johannes Schmoelling, Composer, Producer, Engineer, Performer, AssociatedPerformer, StudioPersonnel - Chris Franke, Engineer, Performer, AssociatedPerformer, StudioPersonnel - Tangerine Dream, MainArtist - Edgar Froese, Composer, Producer, Engineer, Performer, AssociatedPerformer, StudioPersonnel - Christopher Franke, Composer

(C) 1995 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1995 Virgin Records Ltd ℗ 1995 Virgin Records Limited

3
Cinnamon Road (1995 Remaster)
00:03:58

Johannes Schmoelling, Composer - Tangerine Dream, MainArtist - Edgar Froese, Composer - Christopher Franke, Composer

(C) 1995 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1995 Virgin Records Ltd ℗ 1995 Virgin Records Limited

4
Sphinx Lightning (1995 Remaster)
00:19:50

Christophe Franke, Producer - Johannes Schmoelling, Composer, Producer, Engineer, Performer, AssociatedPerformer, StudioPersonnel - Chris Franke, Engineer, Performer, AssociatedPerformer, StudioPersonnel - Tangerine Dream, MainArtist - Edgar Froese, Composer, Producer, Engineer, Performer, AssociatedPerformer, StudioPersonnel - Christopher Franke, Composer

(C) 1995 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1995 Virgin Records Ltd ℗ 1995 Virgin Records Limited

Presentación del Álbum

Tangerine Dream set the stage for the style of "artsy" soundtrack music that dominated the '80s. Although Hyperborea is not a soundtrack, it was clearly influential on some of the work the group was hired to do for Risky Business, Flashpoint, Dreamscape, Firestarter, Legend, and close to 20 others. There have been at least a dozen members in this trio over the years, but the assembly of Chris Franke, Edgar Froese, and Johannes Schmoelling proved to be one of the most prolific and influential. Hyperborea was a turning point for the band -- a distinctive departure from the free-form psychedelica-and-moog prog rock improvisations, it was an album of crispness, structure, and a little bravery too -- a showcase for artists with enough chops to adjust to the new technology without getting lost in it. Getting its hands on the popular new keyboards of the mid-'80s, the band found wonderful textures, richly overlapping sequences, and on some level a chance to reinvent themselves, and with great results. Recorded in Berlin in 1983, it was the shape of things to come for the remainder of the decade.

© Glenn Swan /TiVo

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