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Phil Collins|Hello, I Must Be Going  (2016 Remaster)

Hello, I Must Be Going (2016 Remaster)

Phil Collins

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After the massive success of his 1981 album Face Value, Phil Collins didn't take a much of a break. Genesis released Abacab six months later, then headed out on a long tour. When they got back, Collins jumped right into recording his second solo album, 1982's Hello, I Must Be Going! The album wasn't a huge departure from the formula established on Face Value, built as it was on introspective, gut-spilling ballads, horn-driven R&B jams, arty rockers, and dramatic breakup songs. In fact, the first track, the vitriolic "I Don't Care Anymore," sounds like a very close relative of "In the Air Tonight," only less mysterious and more in your face. Still effective though, and with the same magical drum sound Collins got on that earlier song. The R&B-based tracks are well served by the Earth, Wind & Fire Horns, and if nothing is quite on par with "I Missed Again," there's not a huge drop-off in quality. There are a few less ballads, with Collins only slowing down on the lovely "Don't Let Him Steal Your Heart Away" and the lush "Why Can't It Wait 'Til Morning," which foreshadows his career as a singer for hire on many a movie soundtrack. Along with the upgraded production values overall, there are a couple of surprises on Hello, notably the uptempo pop tune "Like China" (which features some blistering guitar work from Daryl Stuermer) and the almost note-perfect take on the Supremes' "You Can't Hurry Love," which sounds less like a pastiche and more like a loving tribute. Another departure from Face Value comes on the song "Thru These Walls," where Collins is playing a character instead of writing from a place of pain and frustration, which was one of the things that made that album so devastating. Despite the change in tone from intensely personal and dark to slightly detached and even lighthearted in spots, the album is still a winning follow-up that shows Collins to be in full control of songwriting and production. It may be a shade less impressive than Face Value, but that was a hard act to follow.

© Tim Sendra /TiVo

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Hello, I Must Be Going (2016 Remaster)

Phil Collins

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1
I Don't Care Anymore (2016 Remaster)
00:05:04

Daryl Stuermer, Guitar - Phil Collins, Producer, Drums, Vocals, Writer, All Keyboards, MainArtist, Bass Pedals Keyboards - Hugh Padgham, Engineer, AssistantProducer

© 2016 Philip Collins Ltd. under exclusive license to Rhino Entertainment Company, A Warner Music Group Company ℗ 1982 Atlantic Recording Corporation for US & Canada. 2016 Remastered Rhino Entertainment Company for World.

2
I Cannot Believe It's True (2016 Remaster)
00:05:15

Daryl Stuermer, Guitar - Phil Collins, Producer, Drums, Keyboards, Percussion, Vocals, Writer, MainArtist - Hugh Padgham, Engineer, AssistantProducer - Don Myrick, Alto Saxophone - Michael Harris, Trumpet - John Giblin, Bass Guitar - Louis Satterfield, Trombone - Rahmlee Michael Davis, Trumpet - The Phenix Choir, Additional Vocals

© 2016 Philip Collins Ltd. under exclusive license to Rhino Entertainment Company, A Warner Music Group Company ℗ 1982 Atlantic Recording Corporation for US & Canada. 2016 Remastered Rhino Entertainment Company for World.

3
Like China (2016 Remaster)
00:05:09

Daryl Stuermer, Guitar - Phil Collins, Producer, Drums, Keyboards, Vocals, Writer, Hand Clap, MainArtist - Hugh Padgham, Engineer, AssistantProducer - John Giblin, Bass Guitar

© 2016 Philip Collins Ltd. under exclusive license to Rhino Entertainment Company, A Warner Music Group Company ℗ 1982 Atlantic Recording Corporation for US & Canada. 2016 Remastered Rhino Entertainment Company for World.

4
Do You Know, Do You Care? (2016 Remaster)
00:04:58

Phil Collins, Producer, Drums, Keyboards, Timpani, Trumpet, Vocals, Writer, All Keyboards, MainArtist, Bass Pedals Keyboards - Hugh Padgham, Engineer, AssistantProducer

© 2016 Philip Collins Ltd. under exclusive license to Rhino Entertainment Company, A Warner Music Group Company ℗ 1982 Atlantic Recording Corporation for US & Canada. 2016 Remastered Rhino Entertainment Company for World.

5
You Can't Hurry Love (2016 Remaster)
00:02:54

Daryl Stuermer, Guitar - Martyn Ford, Conductor, String Arranger - Phil Collins, Producer, Drums, Tambourine, Vocals, MainArtist - Hugh Padgham, Engineer, AssistantProducer - Lamont Dozier, Writer - Eddie Holland, Writer - Brian Holland, Writer - John Giblin, Bass Guitar - J. Peter Robinson, Glockenspiel, Piano - The Mountain Fjord Orchestra, Orchestra

© 2016 Philip Collins Ltd. under exclusive license to Rhino Entertainment Company, A Warner Music Group Company ℗ 1982 Atlantic Recording Corporation for US & Canada. 2016 Remastered Rhino Entertainment Company for World.

6
It Don't Matter to Me (2016 Remaster)
00:04:17

Daryl Stuermer, Guitar - Phil Collins, Producer, Drums, Keyboards, Percussion, Vocals, Writer, MainArtist - Hugh Padgham, Engineer, AssistantProducer - Michael Harris, Trumpet - Louis Satterfield, Trombone - Mo Foster, Bass Guitar - Rahmlee Michael Davis, Trumpet

© 2016 Philip Collins Ltd. under exclusive license to Rhino Entertainment Company, A Warner Music Group Company ℗ 1982 Atlantic Recording Corporation for US & Canada. 2016 Remastered Rhino Entertainment Company for World.

7
Thru These Walls (2016 Remaster)
00:05:05

Daryl Stuermer, Guitar - Phil Collins, Producer, Band Member, Drums, Keyboards, Vocals, Writer, Marimba, MainArtist - Daryl Steurmer, Guitar - Hugh Padgham, AssistantProducer - Mo Foster, Bass Guitar

© 2016 Philip Collins Ltd. under exclusive license to Rhino Entertainment Company, A Warner Music Group Company ℗ 1982 Atlantic Recording Corporation for US & Canada. 2016 Remastered Rhino Entertainment Company for World.

8
Don't Let Him Steal Your Heart Away (2016 Remaster)
00:04:45

Daryl Stuermer, Guitar - Martyn Ford, Conductor, String Arranger - Phil Collins, Producer, Drums, Piano, Vocals, Writer, MainArtist - Hugh Padgham, Engineer, AssistantProducer - John Giblin, Bass Guitar - The Mountain Fjord Orchestra, Orchestra

© 2016 Philip Collins Ltd. under exclusive license to Rhino Entertainment Company, A Warner Music Group Company ℗ 1982 Atlantic Recording Corporation for US & Canada. 2016 Remastered Rhino Entertainment Company for World.

9
The West Side (2016 Remaster)
00:05:02

Daryl Stuermer, Guitar - Phil Collins, Producer, Drums, Keyboards, Percussion, Vocals, Writer, All Keyboards, MainArtist, Bass Pedals Keyboards - Hugh Padgham, Engineer, AssistantProducer - Don Myrick, Saxophone - Michael Harris, Trumpet - Rahmlee Michael Davis, Trumpet

© 2016 Philip Collins Ltd. under exclusive license to Rhino Entertainment Company, A Warner Music Group Company ℗ 1982 Atlantic Recording Corporation for US & Canada. 2016 Remastered Rhino Entertainment Company for World.

10
Why Can't It Wait 'Til Morning (2016 Remaster)
00:03:10

Martyn Ford, Conductor, String Arranger - Phil Collins, Producer, Piano, Vocals, Writer, MainArtist - Hugh Padgham, AssistantProducer - The Mountain Fjord Orchestra, Orchestra

© 2016 Philip Collins Ltd. under exclusive license to Rhino Entertainment Company, A Warner Music Group Company ℗ 1982 Atlantic Recording Corporation for US & Canada. 2016 Remastered Rhino Entertainment Company for World.

Presentación del Álbum

After the massive success of his 1981 album Face Value, Phil Collins didn't take a much of a break. Genesis released Abacab six months later, then headed out on a long tour. When they got back, Collins jumped right into recording his second solo album, 1982's Hello, I Must Be Going! The album wasn't a huge departure from the formula established on Face Value, built as it was on introspective, gut-spilling ballads, horn-driven R&B jams, arty rockers, and dramatic breakup songs. In fact, the first track, the vitriolic "I Don't Care Anymore," sounds like a very close relative of "In the Air Tonight," only less mysterious and more in your face. Still effective though, and with the same magical drum sound Collins got on that earlier song. The R&B-based tracks are well served by the Earth, Wind & Fire Horns, and if nothing is quite on par with "I Missed Again," there's not a huge drop-off in quality. There are a few less ballads, with Collins only slowing down on the lovely "Don't Let Him Steal Your Heart Away" and the lush "Why Can't It Wait 'Til Morning," which foreshadows his career as a singer for hire on many a movie soundtrack. Along with the upgraded production values overall, there are a couple of surprises on Hello, notably the uptempo pop tune "Like China" (which features some blistering guitar work from Daryl Stuermer) and the almost note-perfect take on the Supremes' "You Can't Hurry Love," which sounds less like a pastiche and more like a loving tribute. Another departure from Face Value comes on the song "Thru These Walls," where Collins is playing a character instead of writing from a place of pain and frustration, which was one of the things that made that album so devastating. Despite the change in tone from intensely personal and dark to slightly detached and even lighthearted in spots, the album is still a winning follow-up that shows Collins to be in full control of songwriting and production. It may be a shade less impressive than Face Value, but that was a hard act to follow.

© Tim Sendra /TiVo

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