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Westlife|Greatest Hits

Greatest Hits

Westlife

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Having parted company with Simon Cowell's Syco label earlier in the year, apparently due to "feeling unloved" by the X Factor mogul, Irish boy band Westlife appeared poised to enter a new chapter in their 12-year career. But just six months on, and to the complete apathy of all but their hardcore fan base, their famous stools will now be stored away for good, with the announcement that this second Greatest Hits collection will be their last ever release. Whatever you think about their covers-heavy output, it's difficult not to admire the fact that they've lasted so long in the first place, easily bypassing the usual "three studio albums, best-of, then out" career path of their contemporaries, and scoring an unprecedented 14 U.K. number ones in the process, more than twice as many as their forefathers Boyzone. But as this 18-track collection shows, their music only very rarely felt worthy of achieving such undeniably impressive chart success. Compiled in chronological order, this more up-to-date follow-up to 2002's Unbreakable: The Greatest Hits reveals that they were much more palatable at the start of their career. "Flying Without Wings" and "Swear It Again" may be drowned in schmaltz but they're both well-produced ballads, while "If I Let You Go" is a fine piece of Backstreet Boys-inspired pop. But following their record-breaking six consecutive number ones, they became a parody of themselves, sticking rigidly to either karaoke covers of housewife favorites such as Barry Manilow's "Mandy" and Phil Collins' "Against All Odds" (the latter a duet with Mariah Carey that surpasses even Glitter as the nadir of her career), uninspiring note-for-note renditions of lesser-known hits they could slyly pass off as their own (Daughtry's "What About Now," Secret Garden's "You Raise Me Up"), and bland identikit original ballads ("Queen of My Heart," "My Love"), all of which were responsible for their "stand up for the key change" reputation. Indeed, the early Ronan Keating-esque "World of Our Own" (by far their best single) and their straightforward version of Billy Joel's "Uptown Girl" are the only tracks that move into third gear, with their other rare ventures into uptempo territory ("Bop Bop Baby," "Hey Whatever," "When You're Looking Like That") restricted to an appearance on the deluxe edition (which also features four number ones that are omitted here). The four new numbers, all original compositions, suggest that the bandmembers were tired of their well-worn formula themselves, but only the anthemic Take That-inspired pop/rock of "Beautiful World" makes any lasting impression. Westlife may have continued to clock up the hits, but they've been all but irrelevant since the mid 2000s, and while this collection contains a few pop gems, it's a samey and uninspiring listen that suggests their split has been well overdue.

© Jon O'Brien /TiVo

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Greatest Hits

Westlife

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1
Swear It Again (Radio Edit)
Westlife
00:04:07

Chris Laws, Engineer - Chris Laws, Programmer - Daniel Pursey, 2nd Engineer - Matt Howe, Mixing Engineer - Paul Gendler, Guitar - Richard Niles, Arranger - Steve Mac, Composer - Steve Mac, Keyboards - Steve Mac, Lyricist - Steve Mac, Mixing Engineer - Steve Mac, Producer - Steve Mac, Vocal Arranger - Wayne Hector, Composer - Wayne Hector, Lyricist - Wayne Hector, Vocal Arranger - Westlife, Performer

(P) 1999 Sony Music Entertainment UK Limited

2
If I Let You Go (Radio Edit)
Westlife
00:03:41

Anders von Hoffsten, Background Vocal - Andreas Carlson, Background Vocal - Bernard Löhr, Mixing Engineer - Bernard Löhr, Recording Engineer - David Kreuger, Arranger - David Kreuger, Composer - David Kreuger, Lyricist - David Kreuger, Producer - David Kreuger, Programmer - Henrik Jansson, Arranger - Jörgen Elofsson, Composer - Jörgen Elofsson, Lyricist - Mats Berntoft, Acoustic Baritone Guitar - Mats Berntoft, Electric Guitar - Per Magnusson, Arranger - Per Magnusson, Composer - Per Magnusson, Keyboards - Per Magnusson, Lyricist - Per Magnusson, Producer - Per Magnusson, Programmer - Tomas Lindberg, Acoustic Bass - Ulf Jansson, Arranger - Westlife, Performer

(P) 1999 Sony Music Entertainment UK Limited

3
Flying Without Wings
Westlife
00:03:34

Benny Diggs, Director - Chris Laws, Engineer - Chris Laws, Programmer - Daniel Pursey, 2nd Engineer - Matt Howe, Mixing Engineer - Paul Gendler, Guitar - Richard Niles, Arranger - Steve Mac, Arranger - Steve Mac, Composer - Steve Mac, Keyboards - Steve Mac, Lyricist - Steve Mac, Mixing Engineer - Steve Mac, Producer - Steve Mac, Vocal Arranger - Steve Pearce, Acoustic Bass - Wayne Hector, Composer - Wayne Hector, Lyricist - Wayne Hector, Vocal Arranger - Westlife, Performer

(P) 1999 Sony Music Entertainment UK Limited

4
I Have a Dream (Remix)
Westlife
00:04:13

Andrew Frampton, Background Vocal - Andrew Frampton, Keyboards - Andrew Frampton, Producer - Benny Andersson, Composer - Benny Andersson, Lyricist - Bjorn Ulvaeus, Composer - Bjorn Ulvaeus, Lyricist - Bodywork Theatre School Choir, Vocal - Dan Frampton, Bass - Dan Frampton, Engineer - Erwin Keiles, Guitar - John Holliday, Producer - Lance Ellington, Background Vocal - Peter Waterman, Drums - Peter Waterman, Producer - Richard Dowling, Mastering Engineer - Simon Hill, Percussion - Trevor David Steel, Producer - WIP Manchester, Re-Mixer - Westlife, Performer

(P) 2000 Sony Music Entertainment UK Limited

5
Against All Odds (Take A Look at Me Now) (Album Version featuring Westlife)
Mariah Carey featuring Westlife
00:03:19

Alessandro Benedetti, 2nd Engineer - Brad Yost, Mixing Engineer - Chris Laws, Engineer - Dana Jon Chappelle, Engineer - Daniel Pursey, 2nd Engineer - Jimmy Jam, Producer - Manuel Forolfi, 2nd Engineer - Mariah Carey, Background Vocal - Mariah Carey, Producer - Mariah Carey, Vocal - Mariah Carey, Vocal Arranger - Mariah Carey featuring Westlife, Performer - Mary Ann Tatum, Background Vocal - Matt Howe, Mixing Engineer - Paul Gendler, Guitar - Phil Collins, Composer - Phil Collins, Lyricist - Richard Niles, Arranger - Steve Hodge, Mixing Engineer - Steve Mac, Keyboards - Steve Mac, Mixing Engineer - Steve Mac, Producer - Terry Lewis, Producer - Wayne Hector, Background Vocal - Westlife, Background Vocal - Westlife, Vocal - Xavier Smith, Mixing Engineer

(P) 2000 Columbia Records, a division of Sony Music Entertainment

6
My Love (Radio Edit)
Westlife
00:03:50

Anders von Hoffsten, Background Vocal - Bernard Löhr, Mixing Engineer - Björn Engelmann, Mastering Engineer - David Kreuger, Arranger - David Kreuger, Composer - David Kreuger, Lyricist - David Kreuger, Producer - David Kreuger, Programmer - Esbjörn Öhrwall, Guitar - Gustave Lund, Percussion - Henrik Jansson, Arranger - Joakim Agnas, Piccolo Trumpet - Jörgen Elofsson, Composer - Jörgen Elofsson, Lyricist - Jürgen Elofsson, Composer - Jürgen Elofsson, Lyricist - Pelle Nylén, Composer - Pelle Nylén, Lyricist - Per Magnusson, Arranger - Per Magnusson, Composer - Per Magnusson, Keyboards - Per Magnusson, Lyricist - Per Magnusson, Producer - Per Magnusson, Programmer - Stockholm Session Orchestra, Performer - Tomas Lindberg, Acoustic Bass - Ulf Jansson, Arranger - Westlife, Performer - Åke Sundqvist, Percussion

(P) 2000 Sony Music Entertainment UK Limited

7
Uptown Girl (Radio Edit)
Westlife
00:03:04

Andy Caine, Background Vocal - Billy Joel, Composer - Billy Joel, Lyricist - Björn Engelmann, Mastering Engineer - Chris Laws, Drums - Chris Laws, Engineer - Daniel Pursey, 2nd Engineer - Dick Beetham, Mastering Engineer - Frederick (Frizzy) Karlsson, Guitar - Guy Barker, Trumpet - Phil Todd, Saxophone - Steve Mac, Arranger - Steve Mac, Mixing Engineer - Steve Mac, Piano - Steve Mac, Producer - Steve Pearce, Acoustic Bass - Westlife, Performer

(P) 2001 Sony Music Entertainment UK Limited

8
Queen of My Heart (Radio Edit)
Westlife
00:04:17

Björn Engelmann, Mastering Engineer - Bob White, Performer - Chris Laws, Drums - Chris Laws, Engineer - Chris Laws, Misc. Prod. - Daniel Pursey, 2nd Engineer - Dave Arch, Arranger - Dick Beetham, Mastering Engineer - Eddie Hession, Acordeon - Frederick (Frizzy) Karlsson, Guitar - Gavyn Wright, Conductor - Lee McCutcheon, Misc. Prod. - Mae McKenna, Background Vocal - Matt Howe, Mixing Engineer - Matt Howe, Recording Engineer - McLaughlin, Composer - McLaughlin, Lyricist - Paul Gendler, Guitar - Quentin Guine, 2nd Engineer - Robson, Composer - Robson, Lyricist - Steve Mac, Arranger - Steve Mac, Composer - Steve Mac, Keyboards - Steve Mac, Lyricist - Steve Mac, Mixing Engineer - Steve Mac, Piano - Steve Mac, Producer - Steve Pearce, Acoustic Bass - Wayne Hector, Background Vocal - Wayne Hector, Composer - Wayne Hector, Lyricist - Westlife, Performer

(P) 2001 Sony Music Entertainment UK Limited

9
World of Our Own (Single Remix)
Westlife
00:03:28

Andy Caine, Background Vocal - Chris Laws, Drums - Chris Laws, Engineer - Daniel Pursey, 2nd Engineer - Dave Arch, Keyboards - Frederick (Frizzy) Karlsson, Guitar - Lorraine Francis, 2nd Engineer - Matt Howe, Mixing Engineer - Paul Gendler, Guitar - Phillipe Rose, 2nd Engineer - Quentin Guine, 2nd Engineer - Steve Mac, Arranger - Steve Mac, Composer - Steve Mac, Lyricist - Steve Mac, Mixing Engineer - Steve Mac, Piano - Steve Mac, Producer - Steve Pearce, Acoustic Bass - Tom Coyne, Mastering Engineer - Wayne Hector, Background Vocal - Wayne Hector, Composer - Wayne Hector, Lyricist - Westlife, Performer

(P) 2001 Sony Music Entertainment UK Limited

10
Mandy
Westlife
00:03:16

Anthony Pleeth, Acoustic Cello - Boguslaw Kostecki, Violin - Bruce White, Violin - Chris Laws, Drums - Chris Laws, Engineer - Chris Tombling, Violin - Daniel Pursey, 2nd Engineer - Daniel Pursey, Engineer - Daniel Pursey, Percussion - Dave Arch, Strings - David Arch, Performer - David Daniels, Acoustic Cello - Derek Watkins, Flugelhorn - Eddie Roberts, Violin - Emlyn Singleton, Violin - Everton Nelson, Violin - Frank Ricotti, Percussion - Frank Schaefer, Acoustic Cello - Fridrik Karlsson, Guitar - Gavyn Wright, Violin - Ian Thomas, Drums - Jackie Shave, Violin - Julian Leaper, Violin - Lee McCutcheon, Engineer - Liz Edwards, Violin - Mae McKenna, Background Vocal - Mark Berrow, Violin - Martin Loveday, Acoustic Cello - Mary Scully, Bass - Patrick Kiernan, Violin - Patrick Lannigan, Bass - Perry Montague-Mason, Violin - Peter Lake, Violin - Rachael Bolt, Violin - Richard Kerr, Composer - Richard Kerr, Lyricist - Robin Sellars, Engineer - Scott English, Composer - Scott English, Lyricist - Simon Fischer, Violin - Steve Mac, Background Vocal - Steve Mac, Mixing Engineer - Steve Mac, Piano - Steve Mac, Producer - Steve Pearce, Acoustic Bass - Warren Zielinski, Violin - Wayne Hector, Background Vocal - Westlife, Performer - Zoe Lake, Violin

(P) 2003 Sony Music Entertainment UK Limited

11
You Raise Me Up
Westlife
00:03:59

Chris Laws, Drums - Chris Laws, Engineer - Dann Pursey, Engineer - Dave Arch, Arranger - Dave Arch, Piano - Fridrik 'Frizzy' Karlsson, Guitar - Graham, Composer - Graham, Lyricist - Lovland, Composer - Lovland, Lyricist - Mike Trevor-Ross, Engineer - Ren Swan, Engineer - Ren Swan, Mixing Engineer - Steve Mac, Keyboards - Steve Mac, Producer - Steve Pearce, Acoustic Bass - Westlife, Performer

(P) 2005 Sony Music Entertainment UK Limited

12
Home
Westlife
00:03:24

Alan Chang, Composer - Alan Chang, Lyricist - Andy Caine, Background Vocal - Chris Laws, Drums - Chris Laws, Engineer - Chris Laws, Misc. Prod. - Daniel Pursey, Engineer - Daniel Pursey, Guitar - Dave Arch, Arranger - Dave Arch, Organ - Dick Beetham, Mastering Engineer - Frank Ricotti, Percussion - Gillies Foster, Composer - Gillies Foster, Lyricist - John Paracelli, Guitar - Michael Bublé, Composer - Michael Bublé, Lyricist - Neal Wilkinson, Drums - Ren Swan, Misc. Prod. - Ren Swan, Mixing Engineer - Ren Swan, Recording Engineer - Steve Mac, Arranger - Steve Mac, Piano - Steve Mac, Producer - Steve Pearce, Acoustic Bass - The Tuff Session Singers, Vocal - Westlife, Performer

(P) 2007 Sony Music Entertainment UK Limited

13
What About Now
Westlife
00:03:59

Ben Moody, Composer - Ben Moody, Lyricist - David Hodges, Composer - David Hodges, Lyricist - Dick Beetham, Mastering Engineer - Jeremy Wheatley, Mixing Engineer - Josh Hartzler, Composer - Josh Hartzler, Lyricist - Richard Flack, Engineer - Steve Robson, Producer - Westlife, Performer - Will Malone, Performance Arranger

(P) 2011 Sony Music Entertainment UK Limited

14
Safe (Single Mix)
Westlife
00:03:51

Ash Howes, Mixing Engineer - Ash Howes, Producer - Bob Ludwig, Mastering Engineer - Charles Judge, Keyboards - Helen Atkinson, 2nd Engineer - James Grundler, Composer - James Grundler, Lyricist - Jamie Muhoberac, Keyboards - Jeff Rothschild, Drums - Jeff Rothschild, Recording Engineer - John Shanks, Bass - John Shanks, Composer - John Shanks, Guitar - John Shanks, Keyboards - John Shanks, Lyricist - John Shanks, Producer - Lars Fox, Edited By - Nicolas Essig, 2nd Engineer - Richard Stannard, Mixing Engineer - Richard Stannard, Producer - Richard Woodcraft, Recording Engineer - Shari Sutcliffe, Contractor - Shari Sutcliffe, Coordinator - Westlife, Performer - Will Malone, Arranger - Will Malone, Performance Arranger

(P) 2010 Sony Music Entertainment UK Limited

15
Lighthouse
Westlife
00:04:22

Dan Chase, Edited By - Gary Barlow, Background Vocal - Gary Barlow, Composer - Gary Barlow, Lyricist - Jeff Rothschild, Drums - Jeff Rothschild, Engineer - Jeff Rothschild, Mixing Engineer - Jeff Rothschild, Percussion - John Shanks, Acoustic Baritone Guitar - John Shanks, Acoustic Bass - John Shanks, Composer - John Shanks, Electric Guitar - John Shanks, Keyboards - John Shanks, Lyricist - John Shanks, Piano - John Shanks, Producer - Mike Horner, Recording Engineer - Paul Buckmaster, Performance Arranger - Paul Buckmaster, Synthesizer - Paul Lamalfa, Engineer - Shari Sutcliffe, Contractor - Shari Sutcliffe, Coordinator - Suzie Katayama, Contractor - Westlife, Performer - Westlife, Vocal

(P) 2011 Sony Music Entertainment UK LImited

16
Beautiful World
Westlife
00:04:02

Bob Ludwig, Mastering Engineer - Chris Galland, 2nd Engineer - Dan Chase, Engineer - Dan Chase, Keyboards - Dan Chase, Programmer - Dan Chase, Synthesizer - Erik Madrid, 2nd Engineer - John Shanks, Acoustic Baritone Guitar - John Shanks, Acoustic Bass - John Shanks, Composer - John Shanks, Electric Guitar - John Shanks, Lyricist - John Shanks, Piano - John Shanks, Producer - John Shanks, Synthesizer - Lars Fox, Edited By - Manny Marroquin, Mixing Engineer - Mark Feehily, Composer - Mark Feehily, Lyricist - Mike Horner, 2nd Engineer - Mike Horner, Engineer - Paul Lamalfa, Engineer - Ruth-Anne Cunningham, Composer - Ruth-Anne Cunningham, Lyricist - Shari Sutcliffe, Contractor - Shari Sutcliffe, Coordinator - Victor Indrizzo, Drums - Westlife, Performer - Westlife, Vocal

(P) 2011 Sony Music Entertainment UK Limited

17
Wide Open
Westlife
00:03:41

Bob Ludwig, Mastering Engineer - Charlie Judge, Keyboards - Charlie Judge, Percussion - Charlie Judge, Synthesizer - Chris Galland, 2nd Engineer - Dan Chase, Engineer - Dan Chase, Keyboards - Dan Chase, Programmer - Dan Chase, Synthesizer - Erik Madrid, 2nd Engineer - James Grundler, Composer - James Grundler, Lyricist - Jeff Rothschild, Engineer - John Shanks, Composer - John Shanks, Keyboards - John Shanks, Lyricist - John Shanks, Piano - John Shanks, Producer - Lars Fox, Edited By - Manny Marroquin, Mixing Engineer - Mike Horner, 2nd Engineer - Mike Horner, Engineer - Shari Sutcliffe, Contractor - Shari Sutcliffe, Coordinator - Westlife, Performer - Westlife, Vocal

(P) 2011 Sony Music Entertainment UK Limited

18
Last Mile of the Way
Westlife
00:03:49

Bob Ludwig, Mastering Engineer - Charlie Judge, Keyboards - Charlie Judge, Organ - Charlie Judge, Synthesizer - Dan Chase, Engineer - Dimitri Ehrlich, Composer - Dimitri Ehrlich, Lyricist - Jeff Rothschild, Engineer - Jeff Rothschild, Mixing Engineer - John Shanks, Acoustic Baritone Guitar - John Shanks, Acoustic Bass - John Shanks, Electric Guitar - John Shanks, Producer - Martin Robert Coyle, Composer - Martin Robert Coyle, Lyricist - Mike Horner, Recording Engineer - Nicky Byrne, Composer - Nicky Byrne, Lyricist - Paul Lamalfa, Engineer - Shane Filan, Composer - Shane Filan, Lyricist - Shari Sutcliffe, Contractor - Shari Sutcliffe, Coordinator - Victor Indrizzo, Drums - Victor Indrizzo, Percussion - Westlife, Performer - Westlife, Vocal

(P) 2011 Sony Music Entertainment UK Limited

Presentación del Álbum

Having parted company with Simon Cowell's Syco label earlier in the year, apparently due to "feeling unloved" by the X Factor mogul, Irish boy band Westlife appeared poised to enter a new chapter in their 12-year career. But just six months on, and to the complete apathy of all but their hardcore fan base, their famous stools will now be stored away for good, with the announcement that this second Greatest Hits collection will be their last ever release. Whatever you think about their covers-heavy output, it's difficult not to admire the fact that they've lasted so long in the first place, easily bypassing the usual "three studio albums, best-of, then out" career path of their contemporaries, and scoring an unprecedented 14 U.K. number ones in the process, more than twice as many as their forefathers Boyzone. But as this 18-track collection shows, their music only very rarely felt worthy of achieving such undeniably impressive chart success. Compiled in chronological order, this more up-to-date follow-up to 2002's Unbreakable: The Greatest Hits reveals that they were much more palatable at the start of their career. "Flying Without Wings" and "Swear It Again" may be drowned in schmaltz but they're both well-produced ballads, while "If I Let You Go" is a fine piece of Backstreet Boys-inspired pop. But following their record-breaking six consecutive number ones, they became a parody of themselves, sticking rigidly to either karaoke covers of housewife favorites such as Barry Manilow's "Mandy" and Phil Collins' "Against All Odds" (the latter a duet with Mariah Carey that surpasses even Glitter as the nadir of her career), uninspiring note-for-note renditions of lesser-known hits they could slyly pass off as their own (Daughtry's "What About Now," Secret Garden's "You Raise Me Up"), and bland identikit original ballads ("Queen of My Heart," "My Love"), all of which were responsible for their "stand up for the key change" reputation. Indeed, the early Ronan Keating-esque "World of Our Own" (by far their best single) and their straightforward version of Billy Joel's "Uptown Girl" are the only tracks that move into third gear, with their other rare ventures into uptempo territory ("Bop Bop Baby," "Hey Whatever," "When You're Looking Like That") restricted to an appearance on the deluxe edition (which also features four number ones that are omitted here). The four new numbers, all original compositions, suggest that the bandmembers were tired of their well-worn formula themselves, but only the anthemic Take That-inspired pop/rock of "Beautiful World" makes any lasting impression. Westlife may have continued to clock up the hits, but they've been all but irrelevant since the mid 2000s, and while this collection contains a few pop gems, it's a samey and uninspiring listen that suggests their split has been well overdue.

© Jon O'Brien /TiVo

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