Categorías:
Carrito 0

Servicio no disponible por el momento

Westlife|Gravity

Gravity

Westlife

Disponible en
16-Bit/44.1 kHz Estéreo

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Comenzar mi periodo de prueba gratis y escuchar este álbum

Disfrute de este álbum en las apps Qobuz con sususcripción

Suscribir

Disfrute de este álbum en las apps Qobuz con sususcripción

Idioma disponible: inglés

Irish four-piece Westlife are still going strong 11 years after scoring a U.K. and U.S. hit with debut single "Swear It Again," having avoided the usual "three albums, greatest hits, breakup" career trajectory of most boy bands. But while their chart statistics remain impressive on paper (the previous year's Where We Are and lead single both reached number two), they have been pretty much irrelevant since 2005's Face to Face. Content to release a new album every November, just in time for an X-Factor performance to boost Christmas present-led sales, and then disappear for the following ten months, they've become a seasonal act in the vein of Cliff Richard and Daniel O'Donnell, rather than a contemporary pop presence. But having had the festive period sewn up for the past decade, they now face their toughest test yet, with boy bands both older (the revitalized Take That) and younger (the chart-topping JLS and the Wanted) all releasing albums off the back of huge number ones and airplay staples. But despite claims that Gravity, incredibly their tenth studio album, is the best and most varied of their career, its 12 tracks produced by John Shanks (Bon Jovi) aren't exactly a huge departure from their late-noughties output. Indeed, the likes of lead single "Safe" and "Closer" are the kind of epic Take That-esque pop/rock ballads that they've attempted on their last two releases. And while the first half of their career saw them rely heavily on covers of distinctly easy listening favorites Barry Manilow, Bette Midler, and Brian Kennedy, Gravity continues their more recent tradition of reworking U.S. soft rock anthems, with Hoobastank's "The Reason" given the same MOR polish as previous renditions of tracks by Lonestar and Daughtry. Apart from the minor flashes of electro on opener "Beautiful Tonight" and "No One's Gonna Sleep Tonight," the rest of the album is filled with the same kind of clichéd "stand up for the key change" ballads they are notoriously famous for. The only surprise appears with a faithful cover version of "Chances," the string-led epic from Brit-pop also-rans Athlete, a rather offbeat inclusion considering their predictable and unadventurous history. However, Westlife aren't exactly well known for their original streak, so hardcore fans are unlikely to be disappointed with its safe and familiar sound. But with far more exciting and inventive material from their contemporaries, it could struggle to match the success of their other multi-platinum releases.

© Jon O'Brien /TiVo

Más información

Gravity

Westlife

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz

Está escuchando muestras.

Escuche más de 100 millones de pistas con un plan de streaming ilimitado.

Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.

Desde $ 16.190,00/mes

1
Beautiful Tonight
00:04:00

Westlife, MainArtist, AssociatedPerformer - Bob Ludwig, Mastering Engineer - John Shanks, Composer, Lyricist, Producer, Guitar, Keyboards, Bass - Lars Fox, Programmer - Dan Chase, Keyboards, Programmer - Paul Barry, Composer, Lyricist - Jeff Rothschild, Drums, Engineer, Programmer, Mixing Engineer - Charles Judge, Keyboards

(P) 2010 Sony Music Entertainment UK Limited

2
Safe
00:03:54

Westlife, MainArtist, AssociatedPerformer - James Grundler, Composer, Lyricist - Will Malone, Arranger - Jamie Muhoberac, Keyboards - Bob Ludwig, Mastering Engineer - John Shanks, Composer, Lyricist, Producer, Guitar, Keyboards, Bass - Nicolas Essig, Assistant Engineer - Jeff Rothschild, Drums, Engineer, Mixing Engineer - Charles Judge, Keyboards - Richard Woodcraft, Engineer - Helen Atkinson, Assistant Engineer

(P) 2010 Sony Music Entertainment UK Limited

3
Chances
00:04:47

Westlife, MainArtist, AssociatedPerformer - Will Malone, Arranger - Bob Ludwig, Mastering Engineer - John Shanks, Producer, Guitar, Keyboards, Bass - Lars Fox, Programmer - Nicolas Essig, Assistant Engineer - Jeff Rothschild, Drums, Engineer, Mixing Engineer - Charles Judge, Keyboards - Joel Pott, Composer, Lyricist - Carey Willetts, Composer, Lyricist - Richard Woodcraft, Engineer - Helen Atkinson, Assistant Engineer - Steven Roberts, Composer, Lyricist - Timothy Wanstall, Composer, Lyricist

(P) 2010 Sony Music Entertainment UK Limited

4
I Will Reach You
00:03:22

Westlife, MainArtist, AssociatedPerformer - Jamie Hartman, Composer, Lyricist - Will Malone, Arranger - Mark Feehily, Composer, Lyricist - Jamie Muhoberac, Keyboards - Bob Ludwig, Mastering Engineer - John Shanks, Producer, Guitar, Bass - Lars Fox, Programmer - Nicolas Essig, Assistant Engineer - Jeff Rothschild, Drums, Engineer, Programmer, Mixing Engineer - Charles Judge, Keyboards - Helen Atkinson, Engineer, Assistant Engineer - Steve Anderson, Composer, Lyricist

(P) 2010 Sony Music Entertainment UK Limited

5
Closer
00:04:09

Westlife, MainArtist, AssociatedPerformer - Will Malone, Arranger - Shane Filan, Composer, Lyricist - Nicky Byrne, Composer, Lyricist - Kian Egan, Composer, Lyricist - Mark Feehily, Composer, Lyricist - Jamie Muhoberac, Keyboards - Bob Ludwig, Mastering Engineer - John Shanks, Composer, Lyricist, Producer, Guitar, Keyboards, Bass - Lars Fox, Programmer - Dan Chase, Engineer - John Reid, Composer, Lyricist - Nicolas Essig, Assistant Engineer - Jeff Rothschild, Drums, Engineer, Programmer, Mixing Engineer - Charles Judge, Keyboards - Richard Woodcraft, Engineer - Helen Atkinson, Assistant Engineer

(P) 2010 Sony Music Entertainment UK Limited

6
The Reason
00:03:55

Westlife, MainArtist, AssociatedPerformer - Tim Pierce, Guitar - Markku Lappalainen, Composer, Lyricist - Douglas Robb, Composer, Lyricist - Paul Bushnell, Bass - Jamie Muhoberac, Keyboards - Josh Freese, Drums - Bob Ludwig, Mastering Engineer - John Shanks, Producer, Guitar - Lars Fox, Programmer - Dan Chase, Keyboards, Programmer - Nicolas Essig, Assistant Engineer - Jeff Rothschild, Engineer, Mixing Engineer - Charles Judge, Keyboards, Synthesizer - Helen Atkinson, Assistant Engineer - Chris Light Hesse, Composer, Lyricist - Dan Estrin, Composer, Lyricist

(P) 2010 Sony Music Entertainment UK Limited

7
Tell Me It's Love
00:04:21

Westlife, MainArtist, AssociatedPerformer - Wayne Hector, Composer, Lyricist - Bob Ludwig, Mastering Engineer - John Shanks, Composer, Lyricist, Producer, Guitar, Keyboards, Bass - Lars Fox, Engineer - Nicolas Essig, Assistant Engineer - Jeff Rothschild, Drums, Engineer, Programmer, Mixing Engineer - Charles Judge, Keyboards - Helen Atkinson, Assistant Engineer

(P) 2010 Sony Music Entertainment UK Limited

8
I Get Weak
00:03:43

Westlife, MainArtist, AssociatedPerformer - Savan Kotecha, Composer, Lyricist - Bob Ludwig, Mastering Engineer - John Shanks, Composer, Lyricist, Producer, Guitar, Keyboards, Bass - Lars Fox, Programmer - Nicolas Essig, Assistant Engineer - Jeff Rothschild, Drums, Engineer, Programmer, Mixing Engineer - Charles Judge, Keyboards - Helen Atkinson, Assistant Engineer

(P) 2010 Sony Music Entertainment UK Limited

9
Before It's Too Late
00:04:10

Westlife, MainArtist, AssociatedPerformer - Will Malone, Arranger - Mark Feehily, Composer, Lyricist - Bob Ludwig, Mastering Engineer - John Shanks, Producer, Guitar, Bass - Lars Fox, Programmer - Dan Chase, Keyboards, Programmer - Nicolas Essig, Assistant Engineer - Jeff Rothschild, Drums, Engineer, Mixing Engineer - Charles Judge, Keyboards - Helen Atkinson, Engineer, Assistant Engineer - Steve Anderson, Composer, Lyricist, Keyboards - Simon Petty, Composer, Lyricist

(P) 2010 Sony Music Entertainment UK Limited

10
No One's Gonna Sleep Tonight
00:03:54

Westlife, MainArtist, AssociatedPerformer - Wayne Hector, Composer, Lyricist - Bob Ludwig, Mastering Engineer - John Shanks, Composer, Lyricist, Producer, Guitar, Keyboards, Bass - Lars Fox, Programmer - Dan Chase, Keyboards, Programmer - Nicolas Essig, Assistant Engineer - Jeff Rothschild, Drums, Engineer, Mixing Engineer - Helen Atkinson, Assistant Engineer

(P) 2010 Sony Music Entertainment UK Limited

11
Difference In Me
00:03:31

Westlife, MainArtist, AssociatedPerformer - Wayne Hector, Composer, Lyricist - Jamie Muhoberac, Keyboards - Bob Ludwig, Mastering Engineer - John Shanks, Composer, Lyricist, Producer, Guitar, Keyboards, Bass - Lars Fox, Programmer - Nicolas Essig, Assistant Engineer - Jeff Rothschild, Drums, Engineer, Programmer, Mixing Engineer - Charles Judge, Keyboards - Helen Atkinson, Assistant Engineer

(P) 2010 Sony Music Entertainment UK Limited

12
Too Hard To Say Goodbye
00:04:41

Westlife, MainArtist, AssociatedPerformer - Will Malone, Arranger - Shane Filan, Composer, Lyricist - Nicky Byrne, Composer, Lyricist - Kian Egan, Composer, Lyricist - Mark Feehily, Composer, Lyricist - Bob Ludwig, Mastering Engineer - John Shanks, Composer, Lyricist, Producer, Piano - Lars Fox, Programmer - Dan Chase, Keyboards - Nicolas Essig, Assistant Engineer - Jeff Rothschild, Engineer, Mixing Engineer - Charles Judge, Keyboards - Helen Atkinson, Engineer, Assistant Engineer - Eric Rigler, Uilleann Pipes, Whistles

(P) 2010 Sony Music Entertainment UK Limited

13
Please Stay
00:03:45

Westlife, MainArtist, AssociatedPerformer, Vocal - Bob Ludwig, Mastering Engineer - Burt Bacharach, Composer, Lyricist - Bob Hilliard, Composer, Lyricist - Neil Tucker, Recording Engineer - Steve Anderson, Producer, Mixing Engineer, Performance Arranger

(P) 2010 Sony Music Entertainment UK Limited

Presentación del Álbum

Irish four-piece Westlife are still going strong 11 years after scoring a U.K. and U.S. hit with debut single "Swear It Again," having avoided the usual "three albums, greatest hits, breakup" career trajectory of most boy bands. But while their chart statistics remain impressive on paper (the previous year's Where We Are and lead single both reached number two), they have been pretty much irrelevant since 2005's Face to Face. Content to release a new album every November, just in time for an X-Factor performance to boost Christmas present-led sales, and then disappear for the following ten months, they've become a seasonal act in the vein of Cliff Richard and Daniel O'Donnell, rather than a contemporary pop presence. But having had the festive period sewn up for the past decade, they now face their toughest test yet, with boy bands both older (the revitalized Take That) and younger (the chart-topping JLS and the Wanted) all releasing albums off the back of huge number ones and airplay staples. But despite claims that Gravity, incredibly their tenth studio album, is the best and most varied of their career, its 12 tracks produced by John Shanks (Bon Jovi) aren't exactly a huge departure from their late-noughties output. Indeed, the likes of lead single "Safe" and "Closer" are the kind of epic Take That-esque pop/rock ballads that they've attempted on their last two releases. And while the first half of their career saw them rely heavily on covers of distinctly easy listening favorites Barry Manilow, Bette Midler, and Brian Kennedy, Gravity continues their more recent tradition of reworking U.S. soft rock anthems, with Hoobastank's "The Reason" given the same MOR polish as previous renditions of tracks by Lonestar and Daughtry. Apart from the minor flashes of electro on opener "Beautiful Tonight" and "No One's Gonna Sleep Tonight," the rest of the album is filled with the same kind of clichéd "stand up for the key change" ballads they are notoriously famous for. The only surprise appears with a faithful cover version of "Chances," the string-led epic from Brit-pop also-rans Athlete, a rather offbeat inclusion considering their predictable and unadventurous history. However, Westlife aren't exactly well known for their original streak, so hardcore fans are unlikely to be disappointed with its safe and familiar sound. But with far more exciting and inventive material from their contemporaries, it could struggle to match the success of their other multi-platinum releases.

© Jon O'Brien /TiVo

Acerca del álbum

Mejorar la información del álbum
Más en Qobuz
Por Westlife

Hello My Love

Westlife

Hello My Love Westlife

Face To Face

Westlife

Face To Face Westlife

Wild Dreams

Westlife

Wild Dreams Westlife

Westlife

Westlife

Westlife Westlife

Coast To Coast

Westlife

Coast To Coast Westlife

Playlists

Quizás también le guste...

Come Away With Me

Norah Jones

Come Away With Me Norah Jones

Crime Of The Century [2014 - HD Remaster]

Supertramp

Radical Optimism

Dua Lipa

Radical Optimism Dua Lipa

30

Adele

30 Adele

THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY

Taylor Swift