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Joe Ely|From Lubbock to Laredo

From Lubbock to Laredo

Joe Ely

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This is a foolproof British compilation of Joe Ely, within the parameters of its selection criteria, which is to say that compiler/annotator Sid Griffin has chosen between one and three tracks each from Ely's eight studio albums recorded for labels controlled by Universal Music (SouthCoast and MCA) during his two stints with the major, 1977-1984 and 1992-1998. In between, Ely recorded two albums for the independent HighTone Records label, Lord of the Highway and Dig All Night, and nothing from them is included. If Griffin had expanded his purview to include Ely's live albums, he could have included such strong songs as "Me and Billy the Kid" and "Are You Listenin' Lucky?," which appeared on MCA's Live at Liberty Lunch after debuting as studio recordings on Lord of the Highway. Griffin also could have gotten some strong (arguably, stronger) performances of some of these same songs from Ely's earlier concert recording, 1980's Live Shots. So, this album really should have been subtitled "The Best of Joe Ely's Universal Studio Recordings" to be precisely accurate. But it's still very good, with all the compositions except Robert Earl Keen's "The Road Goes On Forever" written by Ely's compatriots Butch Hancock ("She Never Spoke Spanish to Me," "Boxcars," etc.) or Jimmie Dale Gilmore ("Dallas," "Treat Me Like a Saturday Night"), when they weren't written by Ely himself ("Fingernails," "Musta Notta Gotta Lotta," "Cool Rockin' Loretta," and ten others) And it could have been even better.

© William Ruhlmann /TiVo

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From Lubbock to Laredo

Joe Ely

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1
Treat Me Like A Saturday Night (Album Version)
00:02:56

Chip Young, Producer - Jimmie Dale Gilmore, ComposerLyricist - Joe Ely, MainArtist

℗ 1977 UMG Recordings, Inc.

2
She Never Spoke Spanish To Me (Album Version)
00:03:32

Chip Young, Producer - BUTCH HANCOCK, ComposerLyricist - Joe Ely, MainArtist

℗ 1977 UMG Recordings, Inc.

3
Johnny's Blues (Album Version)
00:04:04

Chip Young, Producer - Joe Ely, MainArtist, ComposerLyricist

℗ 1977 UMG Recordings, Inc.

4
Honky Tonk Masquerade (Album Version)
00:03:43

Lloyd Maines, Steel Guitar, AssociatedPerformer - Chip Young, Producer - Shane Keister, Keyboards, AssociatedPerformer - Jesse Taylor, Electric Guitar, AssociatedPerformer - Ponty Bone, Accordion, AssociatedPerformer - Joe Ely, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer - Earle Ely, ComposerLyricist - Gregg Wright, Bass, AssociatedPerformer - Steve Keeton, Drums, AssociatedPerformer

℗ 1978 UMG Recordings, Inc.

5
Fingernails (Album Version)
00:02:10

Lloyd Maines, Steel Guitar, AssociatedPerformer - Chip Young, Producer - Shane Keister, Keyboards, AssociatedPerformer - Jesse Taylor, Electric Guitar, AssociatedPerformer - Ponty Bone, Accordion, AssociatedPerformer - Joe Ely, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Gregg Wright, Bass, AssociatedPerformer - Steve Keeton, Drums, AssociatedPerformer

℗ 1978 UMG Recordings, Inc.

6
Boxcars (Album Version)
00:03:55

Lloyd Maines, Steel Guitar, AssociatedPerformer - Chip Young, Producer - Shane Keister, Keyboards, AssociatedPerformer - BUTCH HANCOCK, ComposerLyricist - Jesse Taylor, Electric Guitar, AssociatedPerformer - Ponty Bone, Accordion, AssociatedPerformer - Joe Ely, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer - Gregg Wright, Bass, AssociatedPerformer - Steve Keeton, Drums, AssociatedPerformer

℗ 1978 MCA Records

7
West Texas Waltz (Album Version)
00:04:54

Lloyd Maines, Steel Guitar, AssociatedPerformer - Chip Young, Producer - Shane Keister, Keyboards, AssociatedPerformer - BUTCH HANCOCK, ComposerLyricist - Jesse Taylor, Electric Guitar, AssociatedPerformer - Ponty Bone, Accordion, AssociatedPerformer - Joe Ely, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer - Gregg Wright, Bass, AssociatedPerformer - Steve Keeton, Drums, AssociatedPerformer

℗ 1978 MCA Records

8
Because Of The Wind (Album Version)
00:03:58

Lloyd Maines, Steel Guitar, AssociatedPerformer - Chip Young, Producer - Shane Keister, Keyboards, AssociatedPerformer - Jesse Taylor, Electric Guitar, AssociatedPerformer - Ponty Bone, Accordion, AssociatedPerformer - Joe Ely, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Gregg Wright, Bass, AssociatedPerformer - Steve Keeton, Drums, AssociatedPerformer

℗ 1978 UMG Recordings, Inc.

9
Down On The Drag (Album Version)
00:04:34

Bob Johnston, Producer - BUTCH HANCOCK, ComposerLyricist - Joe Ely, MainArtist

℗ 1979 UMG Recordings, Inc.

10
Musta Notta Gotta Lotta (Album Version)
00:02:32

MICHAEL BROVSKY, Producer - Joe Ely, Producer, MainArtist, ComposerLyricist

℗ 1981 MCA Nashville

11
Dallas (Album Version)
00:03:26

Jimmie Dale Gilmore, ComposerLyricist - MICHAEL BROVSKY, Producer - Joe Ely, Producer, MainArtist

℗ 1981 MCA Nashville

12
Cool Rockin' Loretta (Album Version)
00:03:21

MICHAEL BROVSKY, Producer - Joe Ely, Producer, MainArtist, ComposerLyricist - Eddie Beethoven, ComposerLyricist

℗ 1984 UMG Recordings, Inc.

13
Slow You Down (Album Version)
00:04:25

Tony Brown, Producer - JUstin Niebank, Mixer, StudioPersonnel - Daniel Johnston, Assistant Mixer, StudioPersonnel - Joe Ely, Producer, MainArtist, ComposerLyricist

℗ 1992 MCA Nashville

14
The Road Goes On Forever (Album Version)
00:04:33

Tony Brown, Producer - JUstin Niebank, Mixer, StudioPersonnel - Daniel Johnston, Assistant Mixer, StudioPersonnel - Joe Ely, Producer, MainArtist - Robert Earl Keen, ComposerLyricist

℗ 1992 MCA Nashville

15
Settle For Love (Album Version)
00:04:22

Tony Brown, Producer - JUstin Niebank, Mixer, StudioPersonnel - Daniel Johnston, Assistant Mixer, StudioPersonnel - Joe Ely, Producer, MainArtist, ComposerLyricist

℗ 1992 MCA Nashville

16
Letter To Laredo (Album Version)
00:04:36

David Leonard, Mixer, StudioPersonnel - Jim Wilson, Recording Engineer, StudioPersonnel - DENNY PURCELL, Mastering Engineer, StudioPersonnel - James Tuttle, Recording Engineer, StudioPersonnel - Joe Ely, Producer, MainArtist, ComposerLyricist - Little Johnny Fader, Recording Engineer, StudioPersonnel

℗ 1995 UMG Recordings, Inc.

17
Run Preciosa (AlbumVersion)
00:04:51

David Leonard, Mixer, StudioPersonnel - Jim Wilson, Recording Engineer, StudioPersonnel - DENNY PURCELL, Mastering Engineer, StudioPersonnel - James Tuttle, Recording Engineer, StudioPersonnel - Joe Ely, Producer, MainArtist - Little Johnny Fader, Recording Engineer, StudioPersonnel

℗ 1995 UMG Recordings, Inc.

18
Sister Soak The Beans (Album Version)
00:04:36

Jim Wilson, Mixer, StudioPersonnel - Joe Ely, Producer, MainArtist, ComposerLyricist

℗ 1998 UMG Recordings, Inc.

19
Nacho Mama (Album Version)
00:03:28

Jim Wilson, Mixer, StudioPersonnel - Joe Ely, Producer, MainArtist, ComposerLyricist

℗ 1998 UMG Recordings, Inc.

20
If I Could Teach My Chihuahua To Sing (Album Version)
00:03:09

Jim Wilson, Mixer, StudioPersonnel - Joe Ely, Producer, MainArtist, ComposerLyricist - Kimmie Rhodes, ComposerLyricist - Gabe Rhodes, ComposerLyricist

℗ 1998 UMG Recordings, Inc.

Presentación del Álbum

This is a foolproof British compilation of Joe Ely, within the parameters of its selection criteria, which is to say that compiler/annotator Sid Griffin has chosen between one and three tracks each from Ely's eight studio albums recorded for labels controlled by Universal Music (SouthCoast and MCA) during his two stints with the major, 1977-1984 and 1992-1998. In between, Ely recorded two albums for the independent HighTone Records label, Lord of the Highway and Dig All Night, and nothing from them is included. If Griffin had expanded his purview to include Ely's live albums, he could have included such strong songs as "Me and Billy the Kid" and "Are You Listenin' Lucky?," which appeared on MCA's Live at Liberty Lunch after debuting as studio recordings on Lord of the Highway. Griffin also could have gotten some strong (arguably, stronger) performances of some of these same songs from Ely's earlier concert recording, 1980's Live Shots. So, this album really should have been subtitled "The Best of Joe Ely's Universal Studio Recordings" to be precisely accurate. But it's still very good, with all the compositions except Robert Earl Keen's "The Road Goes On Forever" written by Ely's compatriots Butch Hancock ("She Never Spoke Spanish to Me," "Boxcars," etc.) or Jimmie Dale Gilmore ("Dallas," "Treat Me Like a Saturday Night"), when they weren't written by Ely himself ("Fingernails," "Musta Notta Gotta Lotta," "Cool Rockin' Loretta," and ten others) And it could have been even better.

© William Ruhlmann /TiVo

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