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Quite, quite muscular and very, very expressive, the second volume of the Mandelring Quartet's cycle of the complete quartets of Schubert puts to rest the rumor that Schubert was a wimp for once and for all. The Mandelring Quartet has a hard tone in fortes, a sharp edge on its ensemble, and a stiff point to its attacks that banishes the notion that Schubert wasn't as strong as the brawny Brahms and Beethoven. Rarely has the opening Allegro ma non troppo or the following Andante of the Rosamunde Quartet sounded as much like heroic middle-period Beethoven or burly middle-period Brahms. And, above all, rarely has Schubert sounded so vehement. The power of the sonorities of the opening Allegro con fuoco of the earlier E major comes nearly to Beethovenian violence at its climax. Whether this works depends on the listener. For some, the muscularity and expressivity of the Mandelring's playing will be convincing. For others, it might seem very well done, but perhaps more than a bit overdone. Audite's sound is warm, round, and close.
© TiVo
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String Quartet in D minor, D. 810 "Death and the Maiden" (Franz Schubert)
Franz Schubert, Composer - Mandelring Quartett, Performer
2003 Ludger Boeckenhoff Audite Musikproduktion 2003 Ludger Boeckenhoff Audite Musikproduktion
Franz Schubert, Composer - Mandelring Quartett, Performer
2003 Ludger Boeckenhoff Audite Musikproduktion 2003 Ludger Boeckenhoff Audite Musikproduktion
Franz Schubert, Composer - Mandelring Quartett, Performer
2003 Ludger Boeckenhoff Audite Musikproduktion 2003 Ludger Boeckenhoff Audite Musikproduktion
Franz Schubert, Composer - Mandelring Quartett, Performer
2003 Ludger Boeckenhoff Audite Musikproduktion 2003 Ludger Boeckenhoff Audite Musikproduktion
String Quartet in E-flat major, D. 87(Op. post. 125 No. 1) (Franz Schubert)
Franz Schubert, Composer - Mandelring Quartett, Performer
2003 Ludger Boeckenhoff Audite Musikproduktion 2003 Ludger Boeckenhoff Audite Musikproduktion
String Quartet in E-flat major, D. 87 (Op. post. 125 No. 1) (Franz Schubert)
Franz Schubert, Composer - Mandelring Quartett, Performer
2003 Ludger Boeckenhoff Audite Musikproduktion 2003 Ludger Boeckenhoff Audite Musikproduktion
Quartet in E-flat major, D. 87 (Op. post. 125 No. 1) (Franz Schubert)
Franz Schubert, Composer - Mandelring Quartett, Performer
2003 Ludger Boeckenhoff Audite Musikproduktion 2003 Ludger Boeckenhoff Audite Musikproduktion
Franz Schubert, Composer - Mandelring Quartett, Performer
2003 Ludger Boeckenhoff Audite Musikproduktion 2003 Ludger Boeckenhoff Audite Musikproduktion
Presentación del Álbum
Quite, quite muscular and very, very expressive, the second volume of the Mandelring Quartet's cycle of the complete quartets of Schubert puts to rest the rumor that Schubert was a wimp for once and for all. The Mandelring Quartet has a hard tone in fortes, a sharp edge on its ensemble, and a stiff point to its attacks that banishes the notion that Schubert wasn't as strong as the brawny Brahms and Beethoven. Rarely has the opening Allegro ma non troppo or the following Andante of the Rosamunde Quartet sounded as much like heroic middle-period Beethoven or burly middle-period Brahms. And, above all, rarely has Schubert sounded so vehement. The power of the sonorities of the opening Allegro con fuoco of the earlier E major comes nearly to Beethovenian violence at its climax. Whether this works depends on the listener. For some, the muscularity and expressivity of the Mandelring's playing will be convincing. For others, it might seem very well done, but perhaps more than a bit overdone. Audite's sound is warm, round, and close.
© TiVo
Acerca del álbum
- 1 disco(s) - 8 pista(s)
- Duración total: 01:09:41
- Artistas principales: Mandelring Quartett
- Compositor: Franz Schubert
- Sello: audite Musikproduktion
- Género Clásica
2003 Ludger Boeckenhoff Audite Musikproduktion 2003 Ludger Boeckenhoff Audite Musikproduktion
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