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Five|Five

Five

FIVE

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Through the first half of the '90s, teen pop pretty much laid low, apart from Take That's dominance in England. They went virtually unheard in America, clocking in their only hit in 1995 minutes before they broke up, but they had enormous influence in the U.K., paving the way for the Spice Girls, All Saints, the Backstreet Boys, Boyzone -- and Five. Like Take That, Five is British and walks the line between rap-influenced dance-pop and adult contemporary ballads. Both sound a little calculating, but Take That had genuine charisma, which is something Five is still striving to achieve on their eponymous debut album. Charisma is something that could have carried them through the stretches of mediocre material, but it's not needed for the big guns -- "Slam Dunk (Da Funk)," "When the Lights Go Out" and "Got Da Feelin'." All three are expertly constructed singles that are delivered professionally by the group. They're infectious, catchy, perfect for the radio. They do leave a lingering impression that any similar boy band could have cut them and been equally successful, but this trio of singles show that, given the right producers and songwriters, Five is capable of turning out teen pop every bit as irresistible as *N Sync, even if they can't compete with Take That, the Backstreet Boys, and the Spice Girls (which the rest of the album proves).

© Stephen Thomas Erlewine /TiVo

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1
When The Lights Go Out (US Remix)
00:04:07

Mike Percy, Lyricist - Mike Percy, Mixing Engineer - Mike Percy, Producer - Mike Percy, Composer - Tim Lever, Producer - Tim Lever, Composer - Tim Lever, Mixing Engineer - Tim Lever, Lyricist - Denniz Pop, Executive Producer - Simon Cowell, Executive Producer - J. McClaughlin, Composer - J. McClaughlin, Lyricist - Five, Lyricist - Five, Vocal - Five, Composer - Eliot Kennedy, Lyricist - Eliot Kennedy, Composer - Eliot Kennedy, Mixing Engineer - Eliot Kennedy, Producer

(P) 1998 BMG Entertainment International UK & Ireland Ltd.

2
That's What You Told Me
00:03:42

Tue Roh, Piano - Five, Vocal - Five, Composer - Five, Lyricist - Tennant, Composer - Tennant, Lyricist - Hector, Composer - Hector, Lyricist - Joe Belmaati, Composer - Joe Belmaati, Lyricist - Joe Belmaati, Programmer - Joe Belmaati, Keyboards - Joe Belmaati, Recording Engineer - Joe Belmaati, Mixing Engineer - Hanssen, Composer - Hanssen, Lyricist - Denniz Pop, Executive Producer - Mads Nilsson, Mixing Engineer - Cutfather, Mixing Engineer - Cutfather & Joe, Producer - Simon Cowell, Executive Producer

(P) 1998 Sony Music Entertainment UK Limited

3
It's The Things You Do (US Version)
00:03:28

G. Shahin, Composer - G. Shahin, Lyricist - Tue Roh, Performer - Five, Vocal - Five, Composer - Five, Lyricist - Jake, Producer - Joe Belmaati, Mixing Engineer - Joe Belmaati, Keyboards - Joe Belmaati, Programmer - Herbert Crichlow, Composer - Herbert Crichlow, Lyricist - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Producer - Max Martin, Background Vocal - Mads Nilsson, Mixing Engineer - Chuck Anthony, Guitar - Cutfather, Mixing Engineer - Cutfather & Joe, Re-Mixer

(P) 1998 BMG Entertainment International UK & Ireland Ltd.

4
When I Remember When
00:04:03

Tue Roh, Arranger - Five, Vocal - J. Friedman, Composer - J. Friedman, Lyricist - Bernard Löhr, Mixing Engineer - Joe Belmaati, Recording Engineer - Joe Belmaati, Keyboards - Joe Belmaati, Programmer - Denniz Pop, Executive Producer - S. Peiken, Composer - S. Peiken, Lyricist - Cutfather & Joe, Producer - Simon Cowell, Executive Producer

(P) 1998 BMG Entertainment International UK & Ireland Ltd.

5
Slam Dunk (Da Funk)
00:03:35

Max Martin, Composer - Max Martin, Lyricist - Max Martin, Producer - Denniz Pop, Executive Producer - Denniz Pop, Producer - Denniz Pop, Composer - Denniz Pop, Lyricist - Herbert Crichlow, Composer - Herbert Crichlow, Lyricist - Simon Cowell, Executive Producer - Jake, Lyricist - Jake, Producer - Jake, Composer - Five, Vocal

(P) 1997 Sony Music Entertainment UK Limited

6
Satisfied
00:04:14

Five, Composer - Five, Lyricist - Five, Vocal - Beauvais, Composer - Beauvais, Lyricist - Chris Laws, Engineer - Arden Hart, Programmer - Andy Kowalski, Mixing Engineer - Tim Laws, Producer - Tim Laws, Re-Mixer - Denniz Pop, Executive Producer - Steve Mac, Re-Mixer - Steve Mac, Vocal Arranger - Steve Mac, Producer - Steve Mac, Arranger - Tim Hawes, Composer - Tim Hawes, Lyricist - Robin Sellars, Mixing Engineer - Dave Walters, Engineer - Aliway, Vocal Arranger - Simon Cowell, Executive Producer

(P) 1998 Sony Music Entertainment UK Limited

7
It's All Over
00:04:12

Nigel Wright, Re-Mixer - Tim Lever, Composer - Tim Lever, Lyricist - Tim Lever, Producer - Five, Composer - Five, Lyricist - Five, Vocal - Mike Percy, Composer - Mike Percy, Lyricist - Mike Percy, Producer - Denniz Pop, Executive Producer - Robin Sellars, Mixing Engineer - Lee McCutcheon, Programmer - Eliot Kennedy, Composer - Eliot Kennedy, Lyricist - Eliot Kennedy, Producer - Simon Cowell, Executive Producer

(P) 1998 Sony Music Entertainment UK Limited

8
Partyline 555-on-line
00:04:20

Ingemar Woody, Guitar - Five, Vocal - Five, Composer - Five, Lyricist - Jake, Lyricist - Jake, Producer - Jake, Background Vocal - Jake, Composer - Andreas Carlsson, Background Vocal - Tomas Lindberg, Acoustic Bass - Herbert Crichlow, Composer - Herbert Crichlow, Lyricist - Denniz Pop, Composer - Denniz Pop, Lyricist - Denniz Pop, Producer - Denniz Pop, Executive Producer - Fred Defaye, Engineer - Jeanette Söderholm, Background Vocal - Simon Cowell, Executive Producer

(P) 1998 Sony Music Entertainment UK Limited

9
Until The Time Is Through (International Version)
00:04:15

Denniz Pop, Executive Producer - Max Martin, Producer - Max Martin, Lyricist - Max Martin, Composer - Simon Cowell, Executive Producer - K. Lundin, Producer - Andreas Carlsson, Composer - Andreas Carlsson, Lyricist - Five, Vocal

(P) 1998 BMG Entertainment International UK & Ireland Ltd.

10
Everybody Get Up (Radio Mix)
00:03:26

Five, Vocal - Five, Composer - Five, Lyricist - Jake, Producer - Per Aldeheim, Guitar - Herbert Crichlow, Composer - Herbert Crichlow, Lyricist - Denniz Pop, Producer - Denniz Pop, Executive Producer - Max Martin, Background Vocal - Jake Hooker, Composer - Jake Hooker, Lyricist - Alan Merrill, Composer - Alan Merrill, Lyricist - Simon Cowell, Executive Producer

(P) 1998 Sony Music Entertainment UK Limited

11
My Song
00:03:52

Denniz Pop, Composer - Denniz Pop, Lyricist - Denniz Pop, Producer - Denniz Pop, Executive Producer - Herbert Crichlow, Composer - Herbert Crichlow, Lyricist - Simon Cowell, Executive Producer - Jake, Lyricist - Jake, Producer - Jake, Composer - Five, Composer - Five, Lyricist - Five, Vocal

(P) 1998 BMG Entertainment International UK & Ireland Ltd.

12
Got The Feelin' (Radio Edit)
00:03:27

Denniz Pop, Executive Producer - Matt Sime, Mixing Engineer - Matt Sime, Recording Engineer - Julian Gallagher, Composer - Julian Gallagher, Lyricist - Julian Gallagher, Co-Producer - Simon Cowell, Executive Producer - Richard Stannard, Composer - Richard Stannard, Lyricist - Richard Stannard, Co-Producer - Five, Composer - Five, Lyricist - Five, Vocal

(P) 1998 Sony Music Entertainment UK Limited

Presentación del Álbum

Through the first half of the '90s, teen pop pretty much laid low, apart from Take That's dominance in England. They went virtually unheard in America, clocking in their only hit in 1995 minutes before they broke up, but they had enormous influence in the U.K., paving the way for the Spice Girls, All Saints, the Backstreet Boys, Boyzone -- and Five. Like Take That, Five is British and walks the line between rap-influenced dance-pop and adult contemporary ballads. Both sound a little calculating, but Take That had genuine charisma, which is something Five is still striving to achieve on their eponymous debut album. Charisma is something that could have carried them through the stretches of mediocre material, but it's not needed for the big guns -- "Slam Dunk (Da Funk)," "When the Lights Go Out" and "Got Da Feelin'." All three are expertly constructed singles that are delivered professionally by the group. They're infectious, catchy, perfect for the radio. They do leave a lingering impression that any similar boy band could have cut them and been equally successful, but this trio of singles show that, given the right producers and songwriters, Five is capable of turning out teen pop every bit as irresistible as *N Sync, even if they can't compete with Take That, the Backstreet Boys, and the Spice Girls (which the rest of the album proves).

© Stephen Thomas Erlewine /TiVo

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