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Choir of King's College, Cambridge|Evensong Live 2019: Anthems and Canticles

Evensong Live 2019: Anthems and Canticles

Choir of King's College, Cambridge, Stephen Cleobury

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Like the universities that host them, the great English cathedral choirs are conservative institutions, carrying forward grand traditions that accrete new elements only slowly. The Choir of King's College, Cambridge, is one of the greatest of all, and one of the most conservative. You can hardly take issue with the conservatism, for chapel-goers and music buyers seem to happily snap up whatever the choir puts out. It's all enhanced, as here, by recording technology that gives an uncanny feeling of being there. This collection of live recordings from Evensong services in 2018 and 2019 is typical and defines the choir's strengths well. One of those strengths is to inject a bit of Victorian sentimentality where needed, as in Charles Villiers Stanford's "Nunc dimittis" from the Service in G (sample this). The choir can perform all the historical layers of its tradition well. Another strength is simply the group's way with lush Romantic harmonies; they shake the dust off Parry and Stanford, and several other composers little known outside Britain, and make the music come alive. Again, there are carefully chosen modern pieces that fit the mood, including Judith Weir's Ascending into Heaven, the sense of tradition here is perhaps the biggest attraction of all, and the newly knighted Sir Stephen Cleobury points it up with multiple mixed Magnificat-Nunc dimittis pairs featuring pieces from different periods: it's all part of a larger discrete body of music, he seems to say. An unusually attractive live album from the Choir of King's College.
© TiVo

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Evensong Live 2019: Anthems and Canticles

Choir of King's College, Cambridge

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1
I Was Glad
00:07:11

Stephen Cleobury, Conductor, MainArtist - Choir of King's College, Cambridge, Choir, MainArtist - Richard Reed Parry, Composer

2019 King's College, Cambridge 2019 King's College, Cambridge

2
A Prayer of King Henry VI
00:01:41

Stephen Cleobury, Conductor, MainArtist - Choir of King's College, Cambridge, Choir, MainArtist - Henry Ley, Composer

2019 King's College, Cambridge 2019 King's College, Cambridge

3
My beloved spake
00:03:02

Stephen Cleobury, Conductor, MainArtist - Patrick Hadley, Composer - Choir of King's College, Cambridge, Choir, MainArtist

2019 King's College, Cambridge 2019 King's College, Cambridge

4
The Short Service (Seventh Service): IV. Magnificat
00:02:27

Stephen Cleobury, Conductor, MainArtist - Choir of King's College, Cambridge, Choir, MainArtist - Thomas Weelkes, Composer

2019 King's College, Cambridge 2019 King's College, Cambridge

5
Magnificat and Nunc Dimittis in E-Flat, No. 2: II. Nunc Dimittis
00:02:49

Charles Wood, Composer - Choir of King's College, Cambridge, Choir, MainArtist - Ben Parry, Conductor, MainArtist

2019 King's College, Cambridge 2019 King's College, Cambridge

6
Ascending into heaven: Ascending into Heaven
00:08:01

Stephen Cleobury, Conductor, MainArtist - Judith Weir, Composer - Choir of King's College, Cambridge, Choir, MainArtist

2019 King's College, Cambridge 2019 King's College, Cambridge

7
Magnificat and Nunc Dimittis, Op. 53 "Jesus Service": I. Magnificat
00:04:23

Stephen Cleobury, Conductor, MainArtist - William Mathias, Composer - Choir of King's College, Cambridge, Choir, MainArtist

2019 King's College, Cambridge 2019 King's College, Cambridge

8
The Great Service: VII. Nunc Dimittis
00:04:27

Stephen Cleobury, Conductor, MainArtist - William BYRD, Composer - Choir of King's College, Cambridge, Choir, MainArtist

2019 King's College, Cambridge 2019 King's College, Cambridge

9
A Litany
00:02:48

Stephen Cleobury, Conductor, MainArtist - Choir of King's College, Cambridge, Choir, MainArtist - William Walton, Composer

2019 King's College, Cambridge 2019 King's College, Cambridge

10
Magnificat and Nunc Dimittis in A-Flat, Op. 65: I. Magnificat
00:04:15

Christopher Robinson, Conductor, MainArtist - Edmund RUBBRA, Composer - Choir of King's College, Cambridge, Choir, MainArtist

2019 King's College, Cambridge 2019 King's College, Cambridge

11
Morning, Communion and Evening Services in G, Op. 81: X. Nunc Dimittis
00:03:25

Stephen Cleobury, Conductor, MainArtist - Charles Villiers Stanford, Composer - Choir of King's College, Cambridge, Choir, MainArtist

2019 King's College, Cambridge 2019 King's College, Cambridge

12
Oculi omnium (1927)
00:01:30

Stephen Cleobury, Conductor, MainArtist - Charles Wood, Composer - Choir of King's College, Cambridge, Choir, MainArtist

2019 King's College, Cambridge 2019 King's College, Cambridge

13
Evening Service No. 2 in D, "The Great": I. Magnificat
00:08:22

Stephen Cleobury, Conductor, MainArtist - Choir of King's College, Cambridge, Choir, MainArtist - Richard Reed Parry, Composer

2019 King's College, Cambridge 2019 King's College, Cambridge

14
Morning, Communion and Evening Services in B-Flat, Op. 10: X. Nunc Dimittis
00:02:56

Stephen Cleobury, Conductor, MainArtist - Charles Villiers Stanford, Composer - Choir of King's College, Cambridge, Choir, MainArtist

2019 King's College, Cambridge 2019 King's College, Cambridge

15
One Foot in Eden Still, I Stand
00:07:01

Christopher Robinson, Conductor, MainArtist - Choir of King's College, Cambridge, Choir, MainArtist - Nicholas Maw, Composer

2019 King's College, Cambridge 2019 King's College, Cambridge

16
Lo, the Full, Final Sacrifice, Op. 26
00:14:17

Stephen Cleobury, Conductor, MainArtist - Choir of King's College, Cambridge, Choir, MainArtist - Gerald Finzi, Composer

2019 King's College, Cambridge 2019 King's College, Cambridge

Presentación del Álbum

Like the universities that host them, the great English cathedral choirs are conservative institutions, carrying forward grand traditions that accrete new elements only slowly. The Choir of King's College, Cambridge, is one of the greatest of all, and one of the most conservative. You can hardly take issue with the conservatism, for chapel-goers and music buyers seem to happily snap up whatever the choir puts out. It's all enhanced, as here, by recording technology that gives an uncanny feeling of being there. This collection of live recordings from Evensong services in 2018 and 2019 is typical and defines the choir's strengths well. One of those strengths is to inject a bit of Victorian sentimentality where needed, as in Charles Villiers Stanford's "Nunc dimittis" from the Service in G (sample this). The choir can perform all the historical layers of its tradition well. Another strength is simply the group's way with lush Romantic harmonies; they shake the dust off Parry and Stanford, and several other composers little known outside Britain, and make the music come alive. Again, there are carefully chosen modern pieces that fit the mood, including Judith Weir's Ascending into Heaven, the sense of tradition here is perhaps the biggest attraction of all, and the newly knighted Sir Stephen Cleobury points it up with multiple mixed Magnificat-Nunc dimittis pairs featuring pieces from different periods: it's all part of a larger discrete body of music, he seems to say. An unusually attractive live album from the Choir of King's College.
© TiVo

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