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Michael Murray|Encores à la française - Poulenc: Organ Concerto, FP 93

Encores à la française - Poulenc: Organ Concerto, FP 93

Michael Murray, Robert Shaw, Atlanta Symphony Orchestra

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Michael Murray's resplendent Encores à la française may seem like an ad hoc compilation of organ extravaganzas. However, the works selected for this program are connected in important ways to the long tradition of French organ playing, of which this performer is a direct heir. Traced back to Jaak Nikolaas Lemmens and passed from Charles-Marie Widor to Louis Vierne and then from Marcel Dupré to Murray, this musical legacy is marked by legato playing, absolute precision in execution, regulated tempi, and carefully chosen registrations. Dupré is represented here by his toccata-like Carillon, the delicate Musette, and most impressively by his intricate transcription of Bach's Sinfonia From Cantata No. 29. Eugène Gigout's merry Scherzo and César Franck's bold Pièce Héroïque represent a distinctly romantic style of organ playing, but one that strongly influenced Widor and Vierne in their powerful symphonic works. Widor's Toccata from his Symphony No. 5 and the Finale from Vierne's Symphony No. 1 demonstrate the rigorous techniques and timbral preferences of the Lemmens school at its apogee. Even Poulenc's Organ Concerto is linked to the tradition through Maurice Duruflé's advice on registration choices and orchestration. Murray extends his predecessors' heritage of excellence in the most direct way possible: through his excellent performances.

© TiVo

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Encores à la française - Poulenc: Organ Concerto, FP 93

Michael Murray

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1
Chaconne in G Minor (Transcr. J. Bonnet)
00:02:43

Louis Couperin, Composer - Michael Murray, Organ, MainArtist, AssociatedPerformer - Robert Woods, Producer, Recording Producer - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel - François J. Bonnet, Contributor, Transcription

℗ 1984 Telarc International Corp.

2
Sept piéces, Op. 27: No. 4, Carillon
00:05:46

Marcel Dupre, Composer - Michael Murray, Organ, MainArtist, AssociatedPerformer - Robert Woods, Producer, Recording Producer - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1984 Telarc International Corp.

3
Dix piéces pour orgue: No. 8, Scherzo
00:04:21

Eugène Gigout, Composer - Michael Murray, Organ, MainArtist, AssociatedPerformer - Robert Woods, Producer, Recording Producer - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1984 Telarc International Corp.

4
3 pièces pour grand orgue: No. 3, Pièce héroïque, FWV 37
00:08:45

Cesar Franck, Composer - Michael Murray, Organ, MainArtist, AssociatedPerformer - Robert Woods, Producer, Recording Producer - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1984 Telarc International Corp.

5
Organ Symphony No. 5 in F Minor, Op. 42 No. 1: V. Toccata
00:05:23

Charles-Marie Widor, Composer - Michael Murray, Organ, MainArtist, AssociatedPerformer - Robert Woods, Producer, Recording Producer - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1984 Telarc International Corp.

6
Wir danken dir, Gott, wir danken dir, BWV 29: I. Sinfonia (Transcr. M. Dupré)
00:03:52

Johann Sebastian Bach, Composer - Michael Murray, Organ, MainArtist, AssociatedPerformer - Robert Woods, Producer, Recording Producer - Elaine Martone, Producer, Assistant Producer - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1984 Telarc International Corp.

7
Symphony No. 1 in D Minor, Op. 14: VI. Final
00:05:42

Louis Vierne, Composer - Michael Murray, Organ, MainArtist, AssociatedPerformer - Robert Woods, Producer, Recording Producer - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1984 Telarc International Corp.

8
Triptyque, Op. 51: No. 2, Musette
00:02:21

Marcel Dupre, Composer - Michael Murray, Organ, MainArtist, AssociatedPerformer - Robert Woods, Producer, Recording Producer - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1984 Telarc International Corp.

9
École d'orgue: Fanfare in D Major
00:01:45

Michael Murray, Organ, MainArtist, AssociatedPerformer - Robert Woods, Producer, Recording Producer - Jacques-Nicolas Lemmens, Composer - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1984 Telarc International Corp.

10
Concerto for Organ, Strings & Timpani in G Minor, FP 93
00:25:07

Francis Poulenc, Composer - Robert Shaw, Conductor, MainArtist - Atlanta Symphony Orchestra, Orchestra, MainArtist - Michael Murray, Organ, MainArtist, AssociatedPerformer - Robert Woods, Producer, Recording Producer - Elaine Martone, Producer, Assistant Producer - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1984 Telarc International Corp.

Presentación del Álbum

Michael Murray's resplendent Encores à la française may seem like an ad hoc compilation of organ extravaganzas. However, the works selected for this program are connected in important ways to the long tradition of French organ playing, of which this performer is a direct heir. Traced back to Jaak Nikolaas Lemmens and passed from Charles-Marie Widor to Louis Vierne and then from Marcel Dupré to Murray, this musical legacy is marked by legato playing, absolute precision in execution, regulated tempi, and carefully chosen registrations. Dupré is represented here by his toccata-like Carillon, the delicate Musette, and most impressively by his intricate transcription of Bach's Sinfonia From Cantata No. 29. Eugène Gigout's merry Scherzo and César Franck's bold Pièce Héroïque represent a distinctly romantic style of organ playing, but one that strongly influenced Widor and Vierne in their powerful symphonic works. Widor's Toccata from his Symphony No. 5 and the Finale from Vierne's Symphony No. 1 demonstrate the rigorous techniques and timbral preferences of the Lemmens school at its apogee. Even Poulenc's Organ Concerto is linked to the tradition through Maurice Duruflé's advice on registration choices and orchestration. Murray extends his predecessors' heritage of excellence in the most direct way possible: through his excellent performances.

© TiVo

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