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Patrick Grahl|Dichterliebe

Dichterliebe

Patrick Grahl, Daniel Heide

Publicado el 16/10/20 por Deutsche Grammophon GmbH, Berlin
Artistas principales: Patrick Grahl Daniel Heide
Género Clásica

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Even more than in Beethoven's case, Mendelssohn's Lieder were intended for performance in the salons of the prosperous bourgeoisie: a convivial circle of highly qualified connoisseurs who shared the same outlook, and often a similar financial status. Those members of the upper middle classes were the musical link and the sociological crossroads between Hausmusik and the concert hall. Mendelssohn often wrote songs as gifts for the friends he was visiting, frequently as settings of their own texts: the considerable technical challenges they contained still needed to be manageable for members of those circles.
Thanks to their songlike or folk-like character, certain works by Mendelssohn (for instance from oratorios such as Elijah) became true classics, even across broad swaths of the population. The narrower the compositional framework in his songs, the more noteworthy were Mendelssohn's divergences: he often unobtrusively proved his mastery by varying upon a strict form (extending phrases or inserting small elements of surprise in strophic songs), thus providing variety, excitement, and ironic musical fractures.

Robert Schumann's Lied output was probably more crucial for his existence than in Mendelssohn's case, and likewise more significant due to the artistic dialogue he held with his wife Clara: songs thus took up a greater place in his life. Composed in Leipzig in 1840 (Schumann's well-known "year of songs"), Dichterliebe Op. 48 on texts by Heinrich Heine offers an excellent example of Schumann's use of a self-contained episode with a homogeneous poetic idea as a point of departure for an entire song cycle. Thus he not only rearranged the order of Heine's poems from the Lyric Intermezzo (published in 1827 as part of Das Buch der Lieder), but chose the title "Dichterliebe" ("The Love of a Poet") himself. Here the piano goes far beyond pure instrumental accompaniment: instead of merely illustrating the text, it provides its own dimension of interpretation as a partner on equal standing with the voice, both in terms of extension as well in terms of artistic niveau.

This recital is the first solo album from German tenor Patrick Grahl, accompanied by Daniel Heide.
© CAvi-Music

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Dichterliebe

Patrick Grahl

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1

An die ferne Geliebte, Op. 98

00:12:55

Ludwig van Beethoven, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

2

6 Gesänge, Op. 19a: No. 5, Gruss, MWV K 71

00:01:50

Felix Mendelssohn, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

3

3 Lieder, Op. 84: No. 2, Herbstlied, MWV K 99

00:04:40

Felix Mendelssohn, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

4

6 Lieder, Op. 71: No. 4, Schilflied, MWV K 116

00:03:23

Felix Mendelssohn, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

5

6 Gesänge, Op. 86: No. 5, Der Mond, MWV K 122

00:02:07

Felix Mendelssohn, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

6

6 Gesänge, Op. 34: No. 6, Reiselied, MWV K 90

00:02:46

Felix Mendelssohn, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

7

6 Gesänge, Op. 34: No. 2, Auf Flügeln des Gesanges, MWV K 86

00:02:54

Felix Mendelssohn, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

8

6 Lieder, Op. 57: No. 5, Venezianisches Gondellied, MWV K 114

00:02:35

Felix Mendelssohn, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

9

6 Lieder, Op. 57: No. 6, Wanderlied, MWV K 108

00:02:06

Felix Mendelssohn, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

10

6 Lieder, Op. 71: No. 6, Nachtlied, MWV K 125

00:02:34

Felix Mendelssohn, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

11

Dichterliebe, Op. 48: No. 1, Im wunderschönen Monat Mai

00:01:40

Robert Schumann, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

12

Dichterliebe, Op. 48: No. 2, Aus meinen Tränen sprießen

00:01:01

Robert Schumann, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

13

Dichterliebe, Op. 48: No. 3, Die Rose, die Lilie

00:00:38

Robert Schumann, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

14

Dichterliebe, Op. 48: No. 4, Wenn ich in deine Augen seh’

00:01:47

Robert Schumann, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

15

Dichterliebe, Op. 48: No. 5, Ich will meine Seele tauchen

00:00:56

Robert Schumann, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

16

Dichterliebe, Op. 48: No. 6, Im Rhein, im heiligen Strome

00:02:26

Robert Schumann, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

17

Dichterliebe, Op. 48: No. 7, Ich grolle nicht

00:01:35

Robert Schumann, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

18

Dichterliebe, Op. 48: No. 8, Und wüssten's die Blumen

00:01:18

Robert Schumann, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

19

Dichterliebe, Op. 48: No. 9, Das ist ein Flöten und Geigen

00:01:39

Robert Schumann, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

20

Dichterliebe, Op. 48: No. 10, Hör' ich das Liedchen klingen

00:02:22

Robert Schumann, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

21

Dichterliebe, Op. 48: No. 11, Ein Jüngling liebt ein Mädchen

00:01:08

Robert Schumann, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

22

Dichterliebe, Op. 48: No. 12, Am leuchtenden Sommermorgen

00:02:26

Robert Schumann, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

23

Dichterliebe, Op. 48: No. 13, Ich hab’ im Traum geweinet

00:02:23

Robert Schumann, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

24

Dichterliebe, Op. 48: No. 14, Allnächtlich im Traume

00:01:19

Robert Schumann, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

25

Dichterliebe, Op. 48: No. 15., Aus alten Märchen winkt es

00:02:27

Robert Schumann, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

26

Dichterliebe, Op. 48: No. 16, Die alten, bösen Lieder

00:05:12

Robert Schumann, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

27

Liederkreis, Op. 39: No. 5, Mondnacht

00:04:19

Robert Schumann, ComposerLyricist - Patrick Grahl, Tenor, MainArtist, AssociatedPerformer - Daniel Heide, Piano, MainArtist, AssociatedPerformer

℗ 2020 Patrick Grahl

Presentación del Álbum

Even more than in Beethoven's case, Mendelssohn's Lieder were intended for performance in the salons of the prosperous bourgeoisie: a convivial circle of highly qualified connoisseurs who shared the same outlook, and often a similar financial status. Those members of the upper middle classes were the musical link and the sociological crossroads between Hausmusik and the concert hall. Mendelssohn often wrote songs as gifts for the friends he was visiting, frequently as settings of their own texts: the considerable technical challenges they contained still needed to be manageable for members of those circles.
Thanks to their songlike or folk-like character, certain works by Mendelssohn (for instance from oratorios such as Elijah) became true classics, even across broad swaths of the population. The narrower the compositional framework in his songs, the more noteworthy were Mendelssohn's divergences: he often unobtrusively proved his mastery by varying upon a strict form (extending phrases or inserting small elements of surprise in strophic songs), thus providing variety, excitement, and ironic musical fractures.

Robert Schumann's Lied output was probably more crucial for his existence than in Mendelssohn's case, and likewise more significant due to the artistic dialogue he held with his wife Clara: songs thus took up a greater place in his life. Composed in Leipzig in 1840 (Schumann's well-known "year of songs"), Dichterliebe Op. 48 on texts by Heinrich Heine offers an excellent example of Schumann's use of a self-contained episode with a homogeneous poetic idea as a point of departure for an entire song cycle. Thus he not only rearranged the order of Heine's poems from the Lyric Intermezzo (published in 1827 as part of Das Buch der Lieder), but chose the title "Dichterliebe" ("The Love of a Poet") himself. Here the piano goes far beyond pure instrumental accompaniment: instead of merely illustrating the text, it provides its own dimension of interpretation as a partner on equal standing with the voice, both in terms of extension as well in terms of artistic niveau.

This recital is the first solo album from German tenor Patrick Grahl, accompanied by Daniel Heide.
© CAvi-Music

Acerca del álbum

1 disco(s) - 27 pista(s)
Duración total: 01:12:26
1 Libreto digital

Artistas principales: Patrick Grahl Daniel Heide
Compositor: Various Composers
Sello: Deutsche Grammophon GmbH, Berlin
Género Clásica

Disponible en

24-Bit/44.1 kHz Estéreo

Libreto digital

© 2020 Deutsche Grammophon GmbH, Berlin ℗ 2020 Patrick Grahl, exclusively licensed to Deutsche Grammophon GmbH, Berlin

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