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David Yazbek|Damascus

Damascus

David Yazbek

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Idioma disponible: inglés

Clearly David Yazbek is a showman, a theater man. His claim to fame is writing the music and lyrics for the Broadway musical The Full Monty. Prior, he wrote comedy for The David Letterman Show. He also has a couple of previous albums to his name. So it should come as no surprise that his album Damascus, well, plays like a musical soundtrack, sans actors' dialogue. The set's opener, "Montgomery, Alabama," fools listeners into thinking, Finally! Some good old-fashioned rock & roll. The song screams with a rollicking piano, horn solos, and a raspy lead vocal by Yazbek. Then "Strange Warm Day" chimes in; it's reminiscent of the Beach Boys' sublime Pet Sounds. On it, Yazbek's voice sounds like a hybrid of Elvis Costello and Brian Wilson. But these two songs are the first and last sign of non-theatrical fare audiences can expect on this disc, where he becomes an amalgam of John Pizzarelli meets Randy Newman. No doubt, Yazbek's voice is lovely. It is warm, mellow, and textured. And his lyrics are witty, satirical, off the beaten path, and detailed; they clearly demonstrate his writing prowess. (Case in point: "Sandy Koufax" -- "Is it hard to relate when you masturbate?/Is it difficult to feel the thunder?"). This isn't everyday songwriting, nor are these everyday song arrangements. Yazbek, honestly, is truly talented. But he shouldn't be doing straight music albums; they reek of show tunes, his obvious strength. And sometimes, audiences simply don't want to be sitting in an orchestra while listening to music in a car or from the couch. Yazbek would thrive in live jazz clubs or music-dinner venues, where his musical theatrics can be appreciated in an audience-oriented setting. Sometimes people just want to listen to regular music, you know?
© Liana Jonas /TiVo

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Damascus

David Yazbek

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1
Montgomery, Alabama
00:03:23

David Yazbek, MainArtist

What Are Records? What Are Records?

2
Strange Warm Day
00:03:17

David Yazbek, MainArtist

What Are Records? What Are Records?

3
Everything You Want and Then Some
00:03:48

David Yazbek, MainArtist

What Are Records? What Are Records?

4
Ultrasad (Julia's Great Year)
00:03:45

David Yazbek, MainArtist

What Are Records? What Are Records?

5
The Cowgirls Go to Santo Domingo
00:03:55

David Yazbek, MainArtist

What Are Records? What Are Records?

6
Two Crows
00:02:42

David Yazbek, MainArtist

What Are Records? What Are Records?

7
Why Me?
00:03:09

David Yazbek, MainArtist

What Are Records? What Are Records?

8
Muscleman
00:03:22

David Yazbek, MainArtist

What Are Records? What Are Records?

9
Sandy Koufax
00:03:53

David Yazbek, MainArtist

What Are Records? What Are Records?

10
A Million Miles
00:02:34

David Yazbek, MainArtist

What Are Records? What Are Records?

11
Hi Ho
00:03:39

David Yazbek, MainArtist

What Are Records? What Are Records?

12
Son of a Gun
00:02:08

David Yazbek, MainArtist

What Are Records? What Are Records?

Presentación del Álbum

Clearly David Yazbek is a showman, a theater man. His claim to fame is writing the music and lyrics for the Broadway musical The Full Monty. Prior, he wrote comedy for The David Letterman Show. He also has a couple of previous albums to his name. So it should come as no surprise that his album Damascus, well, plays like a musical soundtrack, sans actors' dialogue. The set's opener, "Montgomery, Alabama," fools listeners into thinking, Finally! Some good old-fashioned rock & roll. The song screams with a rollicking piano, horn solos, and a raspy lead vocal by Yazbek. Then "Strange Warm Day" chimes in; it's reminiscent of the Beach Boys' sublime Pet Sounds. On it, Yazbek's voice sounds like a hybrid of Elvis Costello and Brian Wilson. But these two songs are the first and last sign of non-theatrical fare audiences can expect on this disc, where he becomes an amalgam of John Pizzarelli meets Randy Newman. No doubt, Yazbek's voice is lovely. It is warm, mellow, and textured. And his lyrics are witty, satirical, off the beaten path, and detailed; they clearly demonstrate his writing prowess. (Case in point: "Sandy Koufax" -- "Is it hard to relate when you masturbate?/Is it difficult to feel the thunder?"). This isn't everyday songwriting, nor are these everyday song arrangements. Yazbek, honestly, is truly talented. But he shouldn't be doing straight music albums; they reek of show tunes, his obvious strength. And sometimes, audiences simply don't want to be sitting in an orchestra while listening to music in a car or from the couch. Yazbek would thrive in live jazz clubs or music-dinner venues, where his musical theatrics can be appreciated in an audience-oriented setting. Sometimes people just want to listen to regular music, you know?
© Liana Jonas /TiVo

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