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Gloria Estefan|Cuts Both Ways

Cuts Both Ways

Gloria Estefan

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Leveraging the runaway success of her previous album, Let It Loose, Gloria Estefan furthered her indulgence in spare, moody love ballads and club-ready dance-pop jams for Cuts Both Ways and scored herself another Top Ten album. The transformation of Gloria Estefan the lead singer of Miami Sound Machine to Gloria Estefan the pop star is complete here. While Let It Loose had been the first Miami Sound Machine album to co-bill Estefan (that is, "Gloria Estefan and Miami Sound Machine"), Cuts Both Ways is billed simply to the star herself. And it plays that way, too, with a heavy reliance on Gloria-spotlighting ballads -- roughly half the album, discounting the album-ending Spanish-language versions. Miami Sound Machine's patented Latin dance-lite style is sidelined a bit, for better and for worse. Sure, "Ay, Ay, I," "Say," "Oy Mi Canto," and "Get on Your Feet" are all club-ready with their big late-'80s synth-drum patterns, but only "Get on Your Feet" comes close to matching the majesty of past club hits like "Conga," "Rhythm Is Gonna Get You," and "1-2-3." And more tellingly, there aren't any straight pop songs here like "Bad Boy" or "Betcha Say That." Cuts Both Ways goes only both ways -- either ballad or jam -- which makes for a very up-and-down listening experience as the tempos alternate drastically from one song to the next. All this over-analysis aside, there are some super songs here, namely "Here We Are," "Say," "Oy Mi Canto," "Don't Wanna Lose You," and "Get on Your Feet." That's a lot of super-ness for one album, even if on the whole Cuts Both Ways seems overly calculated and sadly foreshadows the audience displacement that Estefan would experience in subsequent years as she drifted even further away from the unabashed Miami Sound Machine-style dance-pop of yesteryear. Even so, Cuts Both Ways is one of her best and, without question, was one of her most successful, clear affirmation that Estefan had indeed become one of the biggest pop stars in the whole wide world as the '80s came to a close.

© Jason Birchmeier /TiVo

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Cuts Both Ways

Gloria Estefan

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1
Ay, Ay, I (Album Version)
00:03:47

Humberto Gatica, Mixing Engineer - Jorge Casas, Producer, Arranger, Bass Guitar, Programmer, AssociatedPerformer - Clay Ostwald, Producer, Arranger, Piano, Programmer, Synthesizer, AssociatedPerformer - Phil Ramone, Mixing Engineer - Randy Barlow, Trumpet - John DeFaria, Acoustic Guitar, Electric Guitar - Bob Ludwig, Mastering Engineer - Gloria Estefan, Arranger, MainArtist, AssociatedPerformer, Background Vocal - MAURICIO GUERRERO, Assistant Engineer - Eric Schilling, Engineer, Mixing Engineer - Rafael Padilla, Percussion - Teddy Mulet, Trombone, Trumpet - Emilio Estefan Jr., Producer, Congas - Greg Laney, Assistant Engineer - Mike Scaglione, Saxophone - G. Estefan, Composer, Lyricist - Ted Stein, Engineer - Andrew Roshberg, Assistant Engineer - John Haag, Engineer - Roger Hughes, Assistant Engineer - Steve Whaley, Assistant Engineer - Dana Horowitz, Assistant Engineer

(P) 1989 Sony Music Entertainment Inc.

2
Here We Are
00:04:49

Jorge Casas, Producer, Bass Guitar - Clay Ostwald, Producer, Piano, Synthesizer - Randy Barlow, Trumpet - John DeFaria, Acoustic Guitar, Electric Guitar - Gloria Estefan, Composer, Lyricist, MainArtist, AssociatedPerformer, Vocal - Rafael Padilla, Percussion - Teddy Mulet, Trombone, Trumpet - Emilio Estefan Jr., Producer - Mike Scaglione, Saxophone - Roger Hughes, Assistant Engineer

(P) 1989 SONY BMG MUSIC ENTERTAINMENT

3
Say (Album Version)
00:03:40

Humberto Gatica, Mixing Engineer - J. Secada, Composer, Lyricist - Bill Duncan, Composer, Author - B. Duncan, Composer, Lyricist - Jorge Casas, Producer, Arranger, Acoustic Guitar, Bass Guitar, Programmer, AssociatedPerformer - Clay Ostwald, Producer, Arranger, Piano, Programmer, Synthesizer, AssociatedPerformer - Phil Ramone, Mixing Engineer - Randy Barlow, Trumpet - John DeFaria, Acoustic Guitar, Electric Guitar - Bob Ludwig, Mastering Engineer - Gloria Estefan, MainArtist, AssociatedPerformer, Background Vocal - MAURICIO GUERRERO, Assistant Engineer - Eric Schilling, Engineer, Mixing Engineer - Rafael Padilla, Percussion - Jon Secada, Composer, Author - Teddy Mulet, Trombone, Trumpet - Emilio Estefan Jr., Producer - Greg Laney, Assistant Engineer - Mike Scaglione, Saxophone - Ted Stein, Engineer - Andrew Roshberg, Assistant Engineer - John Haag, Engineer - Roger Hughes, Assistant Engineer - Steve Whaley, Assistant Engineer - Dana Horowitz, Assistant Engineer

(P) 1989 Sony Music Entertainment Inc.

4
Think About You Now
00:04:19

Humberto Gatica, Mixing Engineer - J. Casas, Composer, Lyricist - Jorge Casas, Composer, Author, Producer, Arranger, Bass Guitar, Programmer, AssociatedPerformer - Clay Ostwald, Producer, Arranger, Piano, Programmer, Synthesizer, AssociatedPerformer - Phil Ramone, Mixing Engineer - Randy Barlow, Trumpet - John DeFaria, Acoustic Guitar, Electric Guitar - Bob Ludwig, Mastering Engineer - Gloria Estefan, MainArtist, AssociatedPerformer - MAURICIO GUERRERO, Assistant Engineer - Eric Schilling, Engineer, Mixing Engineer - Rafael Padilla, Percussion - Jon Secada, Background Vocal - Teddy Mulet, Trombone, Trumpet - Emilio Estefan Jr., Producer - Greg Laney, Assistant Engineer - Mike Scaglione, Saxophone - Ted Stein, Engineer - Andrew Roshberg, Assistant Engineer - John Haag, Engineer - Roger Hughes, Assistant Engineer - Steve Whaley, Assistant Engineer - Dana Horowitz, Assistant Engineer

(P) 1989 Sony Music Entertainment Inc.

5
Nothin' New (Album Version)
00:03:49

Humberto Gatica, Mixing Engineer - Jorge Casas, Producer, Arranger, Bass Guitar, Programmer, AssociatedPerformer - Clay Ostwald, Producer, Arranger, Piano, Programmer, Synthesizer, AssociatedPerformer - Scott Shapiro, Arranger - Phil Ramone, Mixing Engineer - Randy Barlow, Trumpet - Tom McWilliams, Arranger - John DeFaria, Acoustic Guitar, Electric Guitar - Bob Ludwig, Mastering Engineer - Gloria Estefan, Composer, Author, Arranger, MainArtist, AssociatedPerformer - MAURICIO GUERRERO, Assistant Engineer - Eric Schilling, Engineer, Mixing Engineer - Rafael Padilla, Percussion - Teddy Mulet, Trombone, Trumpet - Emilio Estefan Jr., Producer - Greg Laney, Assistant Engineer - Mike Scaglione, Saxophone - G. Estefan, Lyricist - Ted Stein, Engineer - Andrew Roshberg, Assistant Engineer - John Haag, Arranger, Engineer - Roger Hughes, Assistant Engineer - Steve Whaley, Assistant Engineer - Dana Horowitz, Assistant Engineer

(P) 1989 Sony Music Entertainment Inc.

6
Oye Mi Canto (Hear My Voice) (English)
00:04:51

C. Ostwald, Composer, Lyricist - J. Casas, Composer, Lyricist - Jorge Casas, Producer, Acoustic Guitar, Bass Guitar, Background Vocal - Clay Ostwald, Producer, Piano, Synthesizer - Randy Barlow, Trumpet, Background Vocal - John DeFaria, Acoustic Guitar, Electric Guitar - Paquito Hechevarría, Piano - Gloria Estefan, MainArtist, AssociatedPerformer, Background Vocal - Rafael Padilla, Percussion - Jon Secada, Background Vocal - Teddy Mulet, Trombone, Trumpet, Background Vocal - Emilio Estefan Jr., Producer - Mike Scaglione, Saxophone - G. Estefan, Composer, Lyricist - Paco Fonta, Acoustic Guitar

(P) 1989 Epic Records, a division of Sony Music Entertainment

7
Don't Wanna Lose You
00:04:10

Jorge Casas, Producer, Acoustic Guitar, Bass Guitar - Clay Ostwald, Producer, Piano, Synthesizer - Randy Barlow, Trumpet - Michael Thompson, Electric Guitar - John DeFaria, Acoustic Guitar, Electric Guitar - Gloria Estefan, Composer, Lyricist, MainArtist, AssociatedPerformer, Vocal - Rafael Padilla, Percussion - Jon Secada, Background Vocal - Teddy Mulet, Trombone, Trumpet - Emilio Estefan Jr., Producer - Mike Scaglione, Saxophone

(P) 1989 Epic Records, a division of Sony Music Entertainment

8
Get on Your Feet
00:03:38

C. Ostwald, Composer, Lyricist - J. Casas, Composer, Lyricist - Jorge Casas, Producer, Bass Guitar - J. De Faria, Composer, Lyricist - Clay Ostwald, Producer, Piano, Synthesizer, Background Vocal - Randy Barlow, Trumpet, Background Vocal - John DeFaria, Acoustic Guitar, Electric Guitar - Gloria Estefan, MainArtist, AssociatedPerformer, Background Vocal, Vocal - Rafael Padilla, Percussion - Jon Secada, Background Vocal - Teddy Mulet, Trombone, Trumpet - Emilio Estefan Jr., Producer - Mike Scaglione, Saxophone

(P) 1989 Epic Records, a division of Sony Music Entertainment

9
Your Love Is Bad for Me (Album Version)
00:03:47

Humberto Gatica, Mixing Engineer - Jorge Casas, Producer, Arranger, Acoustic Guitar, Bass Guitar, Programmer, AssociatedPerformer, Background Vocal - Clay Ostwald, Producer, Arranger, Piano, Programmer, Synthesizer, AssociatedPerformer - Phil Ramone, Mixing Engineer - Randy Barlow, Trumpet - Tom McWilliams, Arranger - John DeFaria, Acoustic Guitar, Electric Guitar - Bob Ludwig, Mastering Engineer - Betty Wright, Background Vocal - Gloria Estefan, Author, MainArtist, AssociatedPerformer, Background Vocal - MAURICIO GUERRERO, Assistant Engineer - Eric Schilling, Engineer, Mixing Engineer - Rafael Padilla, Percussion - Teddy Mulet, Trombone, Trumpet - Emilio Estefan Jr., Producer - Greg Laney, Assistant Engineer - Mike Scaglione, Saxophone - G. Estefan, Composer, Lyricist - Ted Stein, Engineer - Andrew Roshberg, Assistant Engineer - John Haag, Arranger, Engineer - Roger Hughes, Assistant Engineer - Steve Whaley, Assistant Engineer - Dana Horowitz, Assistant Engineer - Efrain Enriquez, Arranger

(P) 1989 Sony Music Entertainment Inc.

10
Cuts Both Ways
00:03:14

Jorge Casas, Producer, Bass Guitar - Clay Ostwald, Producer, Piano, Synthesizer - Randy Barlow, Trumpet - John DeFaria, Acoustic Guitar, Electric Guitar - Gloria Estefan, MainArtist, AssociatedPerformer, Vocal - Rafael Padilla, Percussion - Teddy Mulet, Trombone, Trumpet - Emilio Estefan Jr., Producer - Mike Scaglione, Saxophone - G. Estefan, Composer, Lyricist

(P) 1989 Epic Records, a division of Sony Music Entertainment

11
Oye Mi Canto
00:04:55

C. Ostwald, Composer, Lyricist - J. Casas, Composer, Lyricist - Jorge Casas, Producer, Arranger, Bass Guitar, Background Vocal - Clay Ostwald, Producer, Arranger, Piano, Synthesizer - Randy Barlow, Trumpet, Background Vocal - John DeFaria, Acoustic Guitar, Electric Guitar - Paquito Hechevarría, Piano - Gloria Estefan, Arranger, MainArtist, AssociatedPerformer, Background Vocal, Vocal - Rafael Padilla, Percussion - Jon Secada, Background Vocal - Teddy Mulet, Arranger, Trombone, Trumpet, Background Vocal - Emilio Estefan Jr., Producer - Mike Scaglione, Saxophone - G. Estefan, Composer, Lyricist - Paco Fonta, Acoustic Guitar

(P) 1989 Epic Records, a division of Sony Music Entertainment

12
Si Voy a Perderte
00:04:07

Jorge Casas, Producer - Clay Ostwald, Producer - Gloria Estefan, Composer, Lyricist, MainArtist, AssociatedPerformer - Emilio Estefan Jr., Producer

(P) 1989 Epic Records, a division of Sony Music Entertainment

Presentación del Álbum

Leveraging the runaway success of her previous album, Let It Loose, Gloria Estefan furthered her indulgence in spare, moody love ballads and club-ready dance-pop jams for Cuts Both Ways and scored herself another Top Ten album. The transformation of Gloria Estefan the lead singer of Miami Sound Machine to Gloria Estefan the pop star is complete here. While Let It Loose had been the first Miami Sound Machine album to co-bill Estefan (that is, "Gloria Estefan and Miami Sound Machine"), Cuts Both Ways is billed simply to the star herself. And it plays that way, too, with a heavy reliance on Gloria-spotlighting ballads -- roughly half the album, discounting the album-ending Spanish-language versions. Miami Sound Machine's patented Latin dance-lite style is sidelined a bit, for better and for worse. Sure, "Ay, Ay, I," "Say," "Oy Mi Canto," and "Get on Your Feet" are all club-ready with their big late-'80s synth-drum patterns, but only "Get on Your Feet" comes close to matching the majesty of past club hits like "Conga," "Rhythm Is Gonna Get You," and "1-2-3." And more tellingly, there aren't any straight pop songs here like "Bad Boy" or "Betcha Say That." Cuts Both Ways goes only both ways -- either ballad or jam -- which makes for a very up-and-down listening experience as the tempos alternate drastically from one song to the next. All this over-analysis aside, there are some super songs here, namely "Here We Are," "Say," "Oy Mi Canto," "Don't Wanna Lose You," and "Get on Your Feet." That's a lot of super-ness for one album, even if on the whole Cuts Both Ways seems overly calculated and sadly foreshadows the audience displacement that Estefan would experience in subsequent years as she drifted even further away from the unabashed Miami Sound Machine-style dance-pop of yesteryear. Even so, Cuts Both Ways is one of her best and, without question, was one of her most successful, clear affirmation that Estefan had indeed become one of the biggest pop stars in the whole wide world as the '80s came to a close.

© Jason Birchmeier /TiVo

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