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Arielle Dombasle|C'est si bon

C'est si bon

Arielle Dombasle

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At a time when Barry Manilow can top the charts singing pop songs of the 1950s and Rod Stewart can sell millions by massacring the Great American Songbook, it's no wonder that others would try their hand. French film and TV actress Arielle Dombasle, who was actually raised in Mexico, went after South of the Border pre-rock pop standards on her 2004 set Amor Amor (released in the U.S. earlier in 2006); here, she takes on quasi-French material of the 1930s-1950s like Cole Porter's "C'Est Magnifique" and the Doris Day hit "Que Sera Sera." In fact, she seems to have a thing for her cinematic predecessors, giving listeners her own versions of songs introduced by the likes of Ginger Rogers, Marlene Dietrich, and even Carmen Miranda. She does so in a heavily accented, keening, birdlike voice that does no great favors to lyricists such as Dorothy Fields and Al Dubin. The soupy arrangements of Jean-Pascal Beintus aren't much help, either, and the pink bubblegum packaging, emblazoned with such slogans as "Who said blondes are dumb?," makes the whole album seem like some sort of Gallic joke. Maybe that's what it is, but if so that joke isn't particularly funny.

© William Ruhlmann /TiVo

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C'est si bon

Arielle Dombasle

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1
C'est magnifique
00:03:03

Cole Porter, ComposerLyricist - Arielle Dombasle, MainArtist - Marc Di Domenico, Producer

℗ 2006 AD Celeste

2
C'est si bon
00:02:51

Andre Hornez, Author - HENRI BETTI, Composer - Arielle Dombasle, MainArtist - Marc Di Domenico, Producer

℗ 2006 AD Celeste

3
Tico Tico
00:02:12

Zequinha De Abreu, ComposerLyricist - Arielle Dombasle, MainArtist - Marc Di Domenico, Producer

℗ 2006 AD Celeste

4
Relax-Ay-Voo
00:02:52

Sammy Cahn, Author - Arthur Schwartz, Composer - Arielle Dombasle, MainArtist - Marc Di Domenico, Producer

℗ 2006 AD Celeste

5
Dream A Little Dream Of Me
00:02:45

Gus Kahn, Author - Wilbur Schwandt, Composer - Fabian Andre, Author - Arielle Dombasle, MainArtist - Marc Di Domenico, Producer

℗ 2006 AD Celeste

6
Cheek To Cheek
00:02:23

Irving Berlin, ComposerLyricist - Arielle Dombasle, MainArtist - Marc Di Domenico, Producer

℗ 2006 AD Celeste

7
Que Sera Sera
00:02:21

Jerry Livingston, ComposerLyricist - Ray Evans, ComposerLyricist - Arielle Dombasle, MainArtist - Marc Di Domenico, Producer

℗ 2006 AD Celeste

8
A Fine Romance
00:02:53

Jerome Kern, ComposerLyricist - Dorothy Fields, ComposerLyricist - Arielle Dombasle, MainArtist - Marc Di Domenico, Producer

℗ 2006 AD Celeste

9
Moi, je m'ennuie
00:03:44

Wal Burg, Composer - CAMILLE FRANCOIS, Author - Arielle Dombasle, MainArtist - Marc Di Domenico, Producer

℗ 2006 AD Celeste

10
Paris In Delight
00:02:47

Arielle Dombasle, Author, MainArtist - Jean-Pascal Beintus, Composer - Marc Di Domenico, Producer

℗ 2006 AD Celeste

11
South American Way
00:02:16

AL DUBIN, Author - Jimmy McHugh, Composer - Arielle Dombasle, MainArtist - Marc Di Domenico, Producer

℗ 2006 AD Celeste

12
Boys In The Backroom
00:02:15

FRANK LOESSER, Author - Frederick Hollander, Composer - Arielle Dombasle, MainArtist - Marc Di Domenico, Producer

℗ 2006 AD Celeste

13
Darling, je vous aime beaucoup
00:02:50

Anna Sosenko, ComposerLyricist - Arielle Dombasle, MainArtist - Marc Di Domenico, Producer

℗ 2006 AD Celeste

14
Tenias Que Ser Tu
00:02:37

Gus Kahn, Author - Isham Jones, Composer - Arielle Dombasle, MainArtist - Marc Di Domenico, Producer

℗ 2006 AD Celeste

15
I'm In The Mood For Love
00:02:49

Dorothy Fields, ComposerLyricist - Jimmy McHugh, ComposerLyricist - Arielle Dombasle, MainArtist - Marc Di Domenico, Producer

℗ 2006 AD Celeste

Presentación del Álbum

At a time when Barry Manilow can top the charts singing pop songs of the 1950s and Rod Stewart can sell millions by massacring the Great American Songbook, it's no wonder that others would try their hand. French film and TV actress Arielle Dombasle, who was actually raised in Mexico, went after South of the Border pre-rock pop standards on her 2004 set Amor Amor (released in the U.S. earlier in 2006); here, she takes on quasi-French material of the 1930s-1950s like Cole Porter's "C'Est Magnifique" and the Doris Day hit "Que Sera Sera." In fact, she seems to have a thing for her cinematic predecessors, giving listeners her own versions of songs introduced by the likes of Ginger Rogers, Marlene Dietrich, and even Carmen Miranda. She does so in a heavily accented, keening, birdlike voice that does no great favors to lyricists such as Dorothy Fields and Al Dubin. The soupy arrangements of Jean-Pascal Beintus aren't much help, either, and the pink bubblegum packaging, emblazoned with such slogans as "Who said blondes are dumb?," makes the whole album seem like some sort of Gallic joke. Maybe that's what it is, but if so that joke isn't particularly funny.

© William Ruhlmann /TiVo

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